 |
|
Year:1905 |
| Nixon's Musical Android |
| Work Type:Sound Sculpture |
|
| Location(s):Fur Augen und Ohren | Exhibition Catalog | 1980 | Berlin | Akademie der Kunst |
|
 |
John Cage |
Year:1939 |
| Imaginary Landscape No. 1 |
| Work Type:- |
 |
| Location(s):Cornish School in Seattle, performed by John and Xenia Cage, Doris Dennison and Margaret Jansen.
First presentation (as a recording, uncertain): December 9, 1939 at the Cornish Theatre in Seattle, performed by an unidenti |
|
 |
John Cage |
Year:1953 |
| Williams Mix |
| Work Type:Tape Composition |
|
| Location(s):University of Illinois, Urbana as a part of the University of Illinois Festival of Contemporary Arts. |
|
 |
Harry Partch |
Year:1954 |
| Kithara |
| Work Type:Instrument |
 |
| Location(s):Begun in Los Angeles, and finished in Ithaca, New York. Rebuilt at the University of Illinois. |
|
 |
Nam June Paik |
Year:1958 |
| Simple |
| Work Type:Tape Composition |
|
| Location(s):Released on 2001 Compilation - Nam June Paik, Works 1958.1979. Sub Rosa (SR 178). |
|
 |
Tod Dockstader |
Year:1961 |
| Eight Electronic pieces |
| Work Type:Tape Composition |
|
| Location(s):LOCUST 36 [2003]
Reissue of Dockstaders crucial and remarkably advanced early concrete pieces, originally released privately and then reissued by Folkways in 1961. Tod Dockstader did the analog-to-digital transfer from the original tape, and Ernst Kar |
|
 |
Tod Dockstader |
Year:1966 |
| Omniphony |
| Work Type:Tape Composition |
|
| Location(s):ReR TODD1 [2002]
Reissue with a stereo version of Study No. 7 of the Eight Electronic Pieces and Past Prelude. |
|
 |
Bruce Nauman |
Year:1969 |
| Soundtrack from First Violin Film |
| Work Type:- |
 |
| Location(s):Soundtrack from 1st Violin Film.
Published by Tanglewood Press, edition of 100. The album cover silkscreened with images of the artist capturedfrom the 1968 videotape Stamping In The Studio. |
|
 |
Bruce Nauman |
Year:1969 |
| Violin Problem No. 2 |
| Work Type:- |
 |
| Location(s):Tanglewood Press, edition of 100. The album cover silkscreened with images of the artist capturedfrom the 1968 videotape Stamping In The Studio. |
|
 |
John Cage |
Year:1969 |
| HPSCHD |
| Work Type:Musical composition |
|
| Location(s):University of Illinois, Assembly Hall of Urbana Campus. Performance by David Tudor, Antoinette Vischer, William Brooks, Ronald Peters, Yuji Takahashi, Neely Bruce and Philip Corner, harpsichords. The performance also included use of 7 |
|
 |
John Cage |
Year:1969 |
| 33 1/3 |
| Work Type:installation |
|
| Location(s):University of California at Davis |
|
 |
Meredith Monk |
Year:1971 |
| VESSEL: AN OPERA EPIC |
| Work Type:Interdisciplinary Performance |
|
| Location(s):OBIE Award for Outstanding Production, 1972
PERFORMANCES: The House Gallery/Performing Garage/Wooster Parking Lot, NYC; Schaub�hne Ensemble Production with 100 extras in Berlin, Germany, 1980 |
|
 |
Meredith Monk |
Year:1972 |
| THE TRAVELOGUE SERIES: |
| Work Type:Interdisciplinary Performance |
|
| Location(s):PERFORMANCES: The Roundabout Theater, NYC; Washington Project for the Arts, Washington, DC; The Sigma Festival, Bordeaux, France; Oberlin College, Ohio; Royce Hall, UCLA, Los Angeles, CA; St. Peters Church, NYC; Kennedy Center, Washington, D.C.; Joyce Th |
|
 |
Meredith Monk |
Year:1974 |
| ANTHOLOGY AND SMALL SCROLL |
| Work Type:Interdisciplinary Performance |
|
| Location(s):PERFORMANCES: The Mickery Theater, Amsterdam; Goddard College, Vermont; Center of Theater Research, Milan, Italy; Teatro Rondo di Bacco, Florence, Italy |
|
 |
John Cage |
Year:1975 |
| Mureau |
| Work Type:- |
 |
| Location(s):From the LP Dial-A-Poem Poets: Biting off the Tongue of a Corpse (Giorno Poetry Systems, 1975) |
|
 |
Meredith Monk |
Year:1975 |
| Quarry |
| Work Type:Opera |
 |
| Location(s):eBig Apple Studios. From the LP AIRWAVES, One Ten Records, 1977 |
|
 |
Z'EV |
Year:1977 |
| SPATIAL POETICS |
| Work Type:Performance |
|
| Location(s):THE FIRST WEST COAST INTERNATIONAL SOUND POETRY FESTIVAL |
|
 |
Meredith Monk |
Year:1978 |
| THE PLATEAU SERIES |
| Work Type:Interdisciplinary Performance |
|
| Location(s):PERFORMANCES: St. Marks Church, NYC; Naropa Institute, Boulder, Colorado; Indiana University, Bloomington, Indiana; University of North Carolina, Greensboro, NC; University of Pittsburgh, Pennsylvania; Mills College, Oakland, California; University of Ca |
|
 |
Gary Hill |
Year:1978 |
| Mesh |
| Work Type:Mixed Media Installation |
|
| Location(s):Donald Young Gallery |
|
 |
Brian Eno |
Year:1979 |
| Two Fifth Avenue |
| Work Type:Video Installation |
|
| Location(s):Kitchen Center, New York, Paul Ide Gallery, Brussels, Hallwals, Buffalo, N.Y, La Guardia Airport, New York, Walker Art Center, Minneapolis, Minn., and other locations |
|
 |
Alvin Lucier |
Year:1979 |
| Wire I |
| Work Type:Composition |
|
| Location(s):recording/CD: Alvin Lucier Music on a Long Thin Wire (Lovely Music, Ltd, 1992) |
|
 |
Alvin Lucier |
Year:1979 |
| Wire II |
| Work Type:Composition |
|
| Location(s):recording/CD: Alvin Lucier Music on a Long Thin Wire (Lovely Music, Ltd, 1992) |
|
 |
Alvin Lucier |
Year:1979 |
| Wire III |
| Work Type:Composition |
|
| Location(s):recording/CD: Alvin Lucier Music on a Long Thin Wire (Lovely Music, Ltd, 1992) |
|
 |
Alvin Lucier |
Year:1979 |
| Wire IV |
| Work Type:Composition |
|
| Location(s):recording/CD: Alvin Lucier Music on a Long Thin Wire (Lovely Music, Ltd, 1992) |
|
 |
Meredith Monk |
Year:1979 |
| RECENT RUINS |
| Work Type:Interdisciplinary Performance |
|
| Location(s):Villager Award for Outstanding Production of the Year 1979
PERFORMANCES: La Mama Annex, NYC; La Maison de la Culture de Nanterre, France; Center of Theater Research, Milan, Italy |
|
 |
Meredith Monk |
Year:1980 |
| 16 MILLIMETER EARRINGS |
| Work Type:Film |
|
| Location(s):Produced, directed and photographed by Robert Withers. Conceived and performed by Meredith Monk; originally performed in 1966. |
|
 |
James Tenney |
Year:1981 |
| Septet. |
| Work Type:Composition |
|
| Location(s):[R: Mills College Contemporary Ensemble,Tellus cass. 14; T] |
|
 |
Meredith Monk |
Year:1981 |
| MUSIC CONCERT WITH FILM |
| Work Type:Interdisciplinary Performance |
|
| Location(s):PERFORMANCES: The Space at City Center, NYC; Washington Hall Performance Gallery, Seattle, Washington; Western Washington University, Washington; Portland Center of the Visual Arts, Portland, Oregon; San Francisco Symphony at the Galleria, San Francisco, |
|
 |
Meredith Monk |
Year:1982 |
| PARIS |
| Work Type:Film |
|
| Location(s):Conceived and performed by Meredith Monk and Ping Chong. Produced and Directed by Mark Lowry and Kathryn Escher; made in cooperation with the Walker Art Center, Minneapolis, and KTCA-TV. Music by Meredith Monk. |
|
 |
Meredith Monk |
Year:1983 |
| THE GAMES |
| Work Type:Interdisciplinary Performance |
|
| Location(s):COMMISSIONED BY: The Schaub�hne am Lehniner Platz, West Berlin, Germany
PERFORMANCES: The Next Wave Festival, Brooklyn Academy of Music, New York; University of California, Berkeley, CA; Royce Hall, University of California, Los Angeles, CA. In collabora |
|
 |
Meredith Monk |
Year:1983 |
| TURTLE DREAMS |
| Work Type:Interdisciplinary Performance |
|
| Location(s):Villager Award for Outstanding Composition 1983
PERFORMANCES: Plexus, NYC; Dance Umbrella, London, England; Theater Festival of the Americas, Montreal, Canada; La Mama Annex, NYC |
|
 |
James Tenney |
Year:1984 |
| Bridge. |
| Work Type:Composition |
|
| Location(s):[R: Gertrud Schneider, Tomas B�chli, Manfred Werder, and Erika Rademacher, hat ART CD 6193; Musicworks 27 cass.; T] |
|
 |
Pauline Oliveros |
Year:1985 |
| Lions Eye/Lions Tale |
| Work Type:CD |
|
| Location(s):Barbara Benary for Gamelan Son of Lion. Lions Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. |
|
 |
Meredith Monk |
Year:1990 |
| FACING NORTH |
| Work Type:Interdisciplinary Performance |
|
| Location(s):PERFORMANCES: The House Loft, NYC; West Kortright Centre, East Meredith, New York; The Danspace Project, St. Marks Church, NYC; UCLA, Los Angeles, CA; Laforet Akasaka, Tokyo, Japan; Black Box Theater, Oslo, Norway; Mythos Festival, Philadelphia, PA; Trin |
|
 |
Bob Ostertag |
Year:1991 |
| Sooner or Later |
| Work Type:Album |
|
| Location(s):RecRec Music (RecDec 37) Re-issued on MVORL/Seeland in limited edition in 2001. [Seeland 514] |
|
 |
Meredith Monk |
Year:1991 |
| ATLAS: AN OPERA IN THREE PARTS |
| Work Type:Interdisciplinary Performance |
|
| Location(s):COMMISSIONED BY: The Houston Grand Opera, Houston, TX; The Walker Art Center, Minneapolis, Minnesota; The Wexner Center for the Performing Arts, Columbus, OH; The American Music Theater Festival, Philadelphia, PA; Hancher Auditorium, Iowa City
PERFORMANC |
|
 |
Ed Osborn |
Year:1992 |
| Guitar Mechanical |
| Work Type:Soundwork |
|
| Location(s):Center for Contemporary Music at Mills College (Oakland, CA) and March 1997, at Three and a Half Palms Studios (Oakland, CA). |
|
|
Ed Osborn |
Year:1993 |
| As Long As Blood Flows |
| Work Type:Soundwork |
|
| Location(s):Center for Contemporary Music, Mills, College (Oakland, CA). Elizabeth Eshleman, soprano; Ed Osborn, voice and electronics. |
|
 |
Ultra-Red |
Year:1994 |
| An Archive Of Silence |
| Work Type:SoundWork |
 |
| Location(s):PR No. 2.04.002
Release Date: September 1, 2006
Artist: Ultra-red
Title: An Archive Of Silence
Series: The AIDS Uncanny |
|
 |
Meredith Monk |
Year:1994 |
| VOLCANO SONGS |
| Work Type:Interdisciplinary Performance |
|
| Location(s):COMMISSIONED BY: The Walker Art Center, Minneapolis, MN; The House Foundation for the Arts, NYC; PS 122, NYC; Hancher Auditorium, Iowa City, IA
PERFORMANCES: The Walker Art Center; PS122; Hancher Auditorium; Portland Art Museum; Portland, OR; Theater Ber |
|
 |
Ultra-Red |
Year:1995 |
| Second Nature |
| Work Type:- |
|
| Location(s):Los Angeles� Center for Photographic Study and Foundation for Artists� Resources |
|
 |
Dan Senn |
Year:1995 |
| Catacombs of Yucatan |
| Work Type:Installation |
|
| Location(s):Arizona State University
(exhibited also in D�ren, Germany 1998-1999,
and New York City, 2001) |
|
 |
Ed Osborn |
Year:1995 |
| Groundswell |
| Work Type:Installation |
|
| Location(s):San Francisco Arts Commission Gallery, San Francisco, CA |
|
 |
Don Buchla |
Year:1995 |
| OB-Mx |
| Work Type:Electronic musical instrument |
|
| Location(s):Oberheim (a Gibson subsidiary) |
|
 |
Gary Hill |
Year:1995 |
| Withershins |
| Work Type:Interactive Sound Installation with video projections |
|
| Location(s):Donald Young Gallery |
|
 |
Brandon LaBelle |
Year:1996 |
| Id Battery |
| Work Type:Band Project |
|
| Location(s):Lily Events (Unique Ancient Tavern, 1996), Last Blue Before Black (Unique Ancient Tavern, 1998), Unique (Ancient Tavern Ecstatic Yod, 1998), and Inferno From An Occult Diary (S.I.W.A., 1999) |
|
 |
Miya Masaoka |
Year:1996 |
| Bees |
| Work Type:A series of compositions and large-scale video multimedia |
|
| Location(s):- |
|
 |
Ron Kuivila |
Year:1996 |
| Parsable |
| Work Type:Installation |
|
| Location(s):SoundCulture 96,Falkirk Cultural Center, San Francisco. |
|
|
Dan Senn |
Year:1996 |
| reSite |
| Work Type:Installation |
|
| Location(s):SoundCulture 96,Falkirk Cultural Center, San Francisco. |
|
 |
Ed Osborn |
Year:1996 |
| Red Lens |
| Work Type:Installation |
|
| Location(s):San Francisco Arts Commission Gallery, San Francisco, CA |
|
 |
Meredith Monk |
Year:1996 |
| A CELEBRATION SERVICE |
| Work Type:Interdisciplinary Performance |
|
| Location(s):PERFORMANCES: American Guild of Organists/Union Theological Seminary/James Memorial Chapel, NYC; Spoleto Festival; Charleston, SC; Walker Art Center/First Unitarian Society, Minneapolis, MN |
|
 |
Meredith Monk |
Year:1996 |
| THE POLITICS OF QUIET |
| Work Type:Interdisciplinary Performance |
|
| Location(s):COMMISSIONED BY: The House Foundation for the Arts, NYC; Lied Center for the Performing Arts. Lincoln, NE; The Walker Art Center, Minneapolis, MN; Pittsburgh Dance Council and Three Rivers Arts Festival, Pittsburgh, PA
PERFORMANCES: PS122, NYC; Byham The |
|
 |
Ultra-Red |
Year:1997 |
| Structural Adjustments |
| Work Type:- |
 |
| Location(s):Other projects include the radio broadcast, �Geography of Exchange,� a collaboration with Susan Otto presented in Auckland, New Zealand as part of the international audio arts festival, SoundCulture 99. |
|
 |
Ultra-Red |
Year:1997 |
| Social Factory |
| Work Type:- |
|
| Location(s):Public Space in West Hollywood, Steirischer Herbst 99 in Graz, Austria, Casa Serralves in Porto, Portugal and Sonar 2001 in Barcelona, Spain. |
|
 |
Karlheinz Essl |
Year:1998 |
| fLOW |
| Work Type:realtime generated sound scape |
 |
| Location(s):Ought-One-Festival (Vermont |
|
 |
Negativland |
Year:1998 |
| Over the Edge |
| Work Type:Radio Broadcast |
|
| Location(s):KPFA, Berkeley, California from 12:00 AM to 3:00 AM Pacific Time on Thursday nights (Friday mornings), EXCEPT the first Thursday of each month when it is not on. When there are 5 Thursdays in a month, the 5th Thursday is a 5 hour show. |
|
 |
Pauline Oliveros |
Year:1998 |
| Primordial Lift - Full Version |
| Work Type:CD |
|
| Location(s):Table of the Elements label long out of print, this version of the recording contains an additional 30 minutes of material not included on the original release. Recorded live on March 20, 1998 at Hallwalls, Buffalo, NY |
|
 |
Ed Osborn |
Year:1998 |
| Shuffleboardwalking |
| Work Type:Soundwork |
|
| Location(s):Produced April - July, 1998 at Three and a Half Palms Studios, Oakland, CA and the Media Palace, Tornio, Finland. |
|
 |
Ed Osborn |
Year:1998 |
| Walkway |
| Work Type:Public outdoor Installation |
|
| Location(s):85 Main Street, North Adams, MA |
|
 |
Karlheinz Essl |
Year:1998 |
| fLOCK |
| Work Type:Concerto for ensemble and live-electronics |
|
| Location(s):Chicago Cultural Center
Claudia Cassidy Theater
Chicago, 78 E. Washington |
|
 |
Z'EV |
Year:1998 |
| Opus 3.1 |
| Work Type:CD |
|
| Location(s):Label: Soleilmoon Recordings Catalog#: SOL 8 CD |
|
 |
Meredith Monk |
Year:1998 |
| MAGIC FREQUENCIES |
| Work Type:Interdisciplinary Performance |
|
| Location(s):COMMISSIONED BY: The House Foundation for the Arts, NYC; DANCE 98/City of Munich, Cultural Department and Bayerisches Staatsschauspiel/Marstall
PERFORMANCES: Jacob�s Pillow Dance Festival, Beckett, MA; Dance 98, Muffathalle, Munich, Germany, The Joyce Th |
|
 |
Miller Puckette |
Year:1999 |
| Lemma 2 |
| Work Type:Multimedia Performance |
|
| Location(s):Miller Theatre in New York City, and simultaneously at the Intel Conference Center in Hillboro, Oregon, as part of the 1999 Columbia University Interactive Arts Festival. |
|
 |
Sonic Youth |
Year:1999 |
| Having Never Written a Note for Percussion |
| Work Type:Realisation |
|
| Location(s):composer James Tenney (1934-2006)
arranger William Winant (b. 1953)
performers Sonic Youth:
Kim Gordon, electric guitar
Lee Ranaldo, electric guitar
Steve Shelley, bass drum
Thurston Moore, electric guitar
with
William Winant, percussion
Jim O |
|
|
Dan Senn |
Year:2000 |
| Catacomb Memories |
| Work Type:Installation |
|
| Location(s):Acoustic Animation
Computing Commons Gallery
Institute for Studies in the Arts
Arizona State University and Diapason Gallery, NYC 2001 |
|
 |
Andrea Polli |
Year:2000 |
| Rapid Fire |
| Work Type:Eye Tracking Musical Instrument Interfaces |
|
| Location(s):The Kitchen Art Gallery, New York City, and archived online presented by Franklin Furnace
in collaboration with the NetArt Initiative |
|
 |
Jonah Brucker-Cohen |
Year:2000 |
| IPO Madness |
| Work Type:Installation |
|
| Location(s):Exhibitions:
Artbots Regional Show, Location 1, November 9 - 12, 2006,New York, NY.
OBORO, Sept 16 - Oct. 21, 2006, Montreal, Quebec, Canada.
Exhibit1, The Digital Hub, 12/18/02 - 3/10/03, Dublin, Ireland.
Darklight Film Festival, Sept 20-22, 2002, D |
|
 |
Beth Coleman |
Year:2000 |
| unknown |
| Work Type:unknown |
|
| Location(s):P.S. 1 Museum of Contemporary Art, Long Island City, NY |
|
 |
Camille Norment |
Year:2000 |
| Dead Room |
| Work Type:architectural sound installation |
|
| Location(s):2004, UKS Gallery, Oslo, .
2003, Charlottenborg Fonden, Copenhagen, DK.
2000, The Project, New York. |
|
 |
Camille Norment |
Year:2001 |
| Driftglass |
| Work Type:interactive series of optically deceptive mirrors with sonic feedback
mirror, optic film, proximity sensors, audio components
|
 |
| Location(s):2007 Atlanta Contemporary Art Center.
2006 Kunsthalle Bern, Switzerland.
2004 Bildmuseet, Ume�, Sweden.
2004 UKS Galleri, Oslo, Norway. |
|
 |
Karlheinz Essl |
Year:2001 |
| BREAKAWAYS |
| Work Type:live-performed electronic sound track for a multi-media presentation |
|
| Location(s):Austrian Cultural Forum New York |
|
 |
Jonah Brucker-Cohen |
Year:2001 |
| Crank The Web |
| Work Type:Installation |
|
| Location(s):Exhibitions:
1st Prize Winner at the Fourth International Browser Day, March 29, 2001 at the Great Hall at Cooper Union, NYC.
Interface Explorer Conference, October 18 - Nov. 9, 2001, Vienna, Austria.
Transmediale 02, Feb. 5 - 24, 2002, Berlin, German |
|
 |
Camille Norment |
Year:2001 |
| Zero Divide |
| Work Type:architectural sound sculpture |
|
| Location(s):2001, Humid (Dominic Molon curator), Miami, FL.
2001, Freestyle (Thelma Gordon, Christine Kim curators), Santa Monica Museum of Art, CA. |
|
 |
Scanner |
Year:2002 |
| Echo Days |
| Work Type:Installation |
|
| Location(s):Apex Art NYC USA, Govett-Brewster Art Gallery |
|
 |
Ryoji Ikeda |
Year:2002 |
| spectra II |
| Work Type:Installation |
|
| Location(s):Feel, Z33, Hasselt, Belgium 2004, The 2nd International Biennial, Geotheborg,, Sweden, Frequencies, Schirn Kunsthalle, Frankfurt, Germany, Audioframes exhibition, Kortrijk, BE 2004, ACMI, Melbourne, Australia and Inbetween Time Festival, Arnolfini, Bristol |
|
 |
Andrea Polli |
Year:2002 |
| The Flys Eye |
| Work Type:Installation with surveillance video camera and projection / Large format computer prints |
|
| Location(s):Apex Art Gallery, Tribeca, New York
* Swanson-Cralle Gallery in Louisville, KY
* Politecnico di Milano University in Milan, Italy
* The Kunstgewerbe Museum in Berlin, Ger |
|
 |
Keiko Uenishi |
Year:2002 |
| coupier |
| Work Type:- |
|
| Location(s):The Kitchen Art Gallery, New York City, as a part of Electronic X-travaganza Festival |
|
 |
Jonah Brucker-Cohen |
Year:2003 |
| BumpList |
| Work Type:Installation |
|
| Location(s):Exhibitions:
Microwave Festival, 10/5/04, Hong Kong, China.
Honorable Mention - Net Vision, Ars Electronica 2004, 9/2-7/04, Linz, Austria.
Honorable Mention - Software Art, Transmediale 2004, 1/31-2/6/04, Berlin, Germany.
MAD 03, 10/24/03 - 11/16/03, |
|
 |
Bruce Odland |
Year:2003 |
| Tonic |
| Work Type:Outdoor Installation |
|
| Location(s):Santa Monica and San Vincente Boulevards in West Hollywood, California |
|
 |
Ultra-Red |
Year:2004 |
| Articles of Incorporation |
| Work Type:SoundWork |
 |
| Location(s):PR No. 2.01.006
Release Date: October 1, 2004
Artist: Ultra-red
Title: Articles of Incorporation
Series: Articles of Incorporation |
|
 |
Steve Roden |
Year:2004 |
| Nest |
| Work Type:commissioned site specific sound installation |
|
| Location(s): |
|
 |
Steve Roden |
Year:2004 |
| ear(th) |
| Work Type:Installation |
|
| Location(s):Williamson gallery, art center college of design, |
|
 |
Bernhard Gal |
Year:2004 |
| soundbagism |
| Work Type:Intermedia Installation |
|
| Location(s):Denver International Airport, USA, July to October 2004
Part of The Luggage Project, a group exhibition of luggage art curated by Max Yawney |
|
 |
Miya Masaoka |
Year:2004 |
| Thinking Sounds |
| Work Type:interactive composition |
|
| Location(s):Yerba Buena Gardens with additional performances at the ODC Theater in San Francisco. Versions of this piece have also been performed at �Beyond Music,� an electronic music series at the Schindler House in Santa Monica, CA. |
|
 |
Pamela Z |
Year:2004 |
| Syrinx |
| Work Type:Installation |
|
| Location(s):Sound Migrations at the Pacific Design Center in |
|
 |
Ultra-Red |
Year:2005 |
| Not A Matter Of If But When 3 |
| Work Type:Video Work |
|
| Location(s):PR No. 2.05.003
Release Date: February 15, 2006
Artist: The Speculative Archive
Title: Not A Matter Of If But When 3
Series: Documents from the Speculative Archive |
|
 |
Steve Roden |
Year:2005 |
| unknown |
| Work Type:performance/artist talk |
|
| Location(s):Fresno Metropolitan Museum of Art and Science, |
|
 |
Bernhard Gal |
Year:2005 |
| Hinaus:: In den, Wald. |
| Work Type:Intermedia |
|
| Location(s):Diapason Gallery, New York. A reworked surround version of Hinaus:: In den, Wald. has been published by Aspect Magazine, vol.4 in October 2004.
Aspect - Biannual DVD Magazine of New Media Art, Boston, USA. |
|
 |
Joe Colley |
Year:2005 |
| No |
| Work Type:one-sided 7 |
|
| Location(s):http://www.crippledintellectproductions.net/ |
|
 |
Beth Coleman |
Year:2005 |
| Waken Hamam |
| Work Type:Installation |
|
| Location(s):New Museum of Contemporary Art in New York, The Standard Miami Hotel in Miami Beach, Florida |
|
 |
Beth Coleman |
Year:2005 |
| BDO |
| Work Type:Digital Work |
|
| Location(s):Media Transition 4: the Work of Stories, at MIT, that took place in Cambridge, MA May 6-8 |
|
 |
Camille Norment |
Year:2005 |
| Apparition |
| Work Type:photomontage series |
|
| Location(s):2007 Atlanta Contemporary Art Center.
2006 Kunsthalle Bern.
2005 Venue Magazine. |
|
 |
Steve Barsotti |
Year:2006 |
| Rarebit |
| Work Type:CD |
 |
| Location(s):Experimental Sound Studio, Chicago 1998
Released by Transparancy Records in Fall of 2006. |
|
 |
Ultra-Red |
Year:2006 |
| Encuentro |
| Work Type:SoundWork |
 |
| Location(s):PR No. 2.01.011
Release Date: October 1, 2006
Artist: Various
Title: Encuentro
Series: Articles of Incorporation |
|
 |
Ultra-Red |
Year:2006 |
| A Silence Broken |
| Work Type:SoundWork |
|
| Location(s):PR No. 2.04.001
Release Date: February 1, 2006
Artist: Various
Title: A Silence Broken
Series: The AIDS Uncanny |
|
 |
Meredith Monk |
Year:2006 |
| Impermanence |
| Work Type:Interdisciplinary Performance |
|
| Location(s):COMMISSIONED BY: The New York State Music Fund, a special project of Rockefeller Philanthropy Advisors, Doris Duke Fund for Dance of the National Dance Project, a program of the New England Foundation for the Arts, Brooklyn Academy of Music; American Musi |
|
 |
Halim El-Dabh |
Year:2007 |
| Emerge |
| Work Type:Electroacoustic Trio |
|
| Location(s):Williams Hall, New England Conservatory of Music |
|
 |
Dan Senn |
Year:2009 |
| Drumming with Thoreau |
| Work Type:Kinetic Sound Sculpture and Video |
|
| Location(s):University Art Gallery
The University of Wisconsin - La Crosse
1725 State Street, La Crosse, WI 54601
October 23 - November 14, 2009 |
|
 |
Dan Senn |
Year:2009 |
| Twisted Pairs, Expanding |
| Work Type:Kinetic Sound Installation |
|
| Location(s):Alexander Gallery
Clackamas
Community College
Oregon City
.
Feb 2-March 27, 2009
M-F. 9a-5p
Lecture, Feb 12, 2p
Reception, Feb 26, 5:30-7:30p |
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