Ambient pioneer, glam rocker, hit producer, multimedia artist, technological innovator, worldbeat proponent, and self-described non-musician -- over the course of his long, prolific, and immensely influential career, Brian Eno was all of these things and much, much more. Determining his creative pathways with the aid of a deck of instructional, tarot-like cards called Oblique Strategies, Eno championed theory over practice, serendipity over forethought, and texture over craft; in the process, he forever altered the ways in which music is approached, composed, performed, and perceived, and everything from punk to techno to new age bears his unmistakable influence.
Brian Peter George St. John le Baptiste de la Salle Eno was born in Woodbridge, England, on May 15, 1948. Raised in rural Suffolk, an area neighboring a U.S. Air Force base, as a child he grew enamored of the Martian music of doo wop and early rock and roll broadcast on American Armed Forces radio; a subsequent tenure at art school introduced him to the work of contemporary composers John Tilbury and Cornelius Cardew, as well as minimalists John Cage, LaMonte Young, and Terry Riley. Instructed in the principles of conceptual painting and sound sculpture, Eno began experimenting with tape recorders, which he dubbed his first musical instrument, finding great inspiration in Steve Reich's tape orchestration "It's Gonna Rain." Accessed 24.10.06 from http://www.allmusic.com/cg/amg.dll?p=amgandsql=11:uiazqj3bojha~T1 |
| 38 Selected Statements |
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Worktype |
Info |
Year |
Country |
Admin |
|
 |
Discrete Music |
CD |
EG Records |
1975 |
England |
Edit |
|
|
Oblique Strategies - Edition 1 |
Deck of Cards |
Signed and numbered edition of 500 |
1975 |
England |
Edit |
|
|
Kurts Rejoinder |
- |
Before and after Science. |
1977 |
England |
Edit |
|
 |
Unfamiliar Wind (Leeks Hills) |
Composition |
|
1978 |
England |
Edit |
|
|
Oblique Strategies - Edition 2 |
Deck of Cards |
unspecified |
1978 |
England |
Edit |
|
|
Two Fifth Avenue |
Video Installation |
Kitchen Center, New York, Paul Ide Gallery, Brussels, Hallwals, Buffalo, N.Y, La Guardia Airport, New York, Walker Art Center, Minneapolis, Minn., and other locations |
1979 |
USA |
Edit |
|
|
|
Mistaken memories of Mediaeval Manhattan |
Video Installation |
unknown |
1980 |
|
Edit |
|
|
White Fence |
Video Installation |
ARC Publications, Toronto, Ontario |
1980 |
Canada |
Edit |
|
|
Venice |
Video Picture |
The Luminous Image, Stedelijk Museum, Amsterdam |
1984 |
Netherlands |
Edit |
|
|
Calypso |
Video Picture |
The Luminous Image, Stedelijk Museum, Amsterdam |
1984 |
Netherlands |
Edit |
|
|
Thursday Afternoon |
Video Picture |
Video Culture Canada, Toronto |
1984 |
Canada |
Edit |
|
|
Decorative Panel |
installation artwork |
Stockholm |
1985 |
Sweden |
Edit |
|
|
Blue Calypso |
installation artwork |
Stockholm |
1985 |
Sweden |
Edit |
|
|
|
Venice Biennale Installation |
installation artwork |
Woodbridge. Venice |
1986 |
Italy |
Edit |
|
|
Latest Flames |
Video Installation |
The Exploratorium, San Francisco |
1988 |
USA |
Edit |
|
|
Haloes on commonplace objects |
sound- and lightscape |
Hanover |
1989 |
Germany |
Edit |
|
|
Sound and Light |
Audio-Visual Installation |
Seed Gallery, Shibuya Seibu,Tokyo |
1989 |
Japan |
Edit |
|
|
African Rain Forest |
Sound Installation |
Winter Garden, New York |
1989 |
USA |
Edit |
|
|
Contemporary Data Lounge |
Audio-Visual Installation |
Todd Soho Gallery, London |
1990 |
England |
Edit |
|
|
Natural Selections |
Installation |
Tokyo |
1990 |
Japan |
Edit |
|
|
The Quiet Room |
Installation |
La Galerie DArt Lavalin, Montreal |
1990 |
Canada |
Edit |
|
 |
Innocenti |
Soundwork |
- |
1992 |
England |
Edit |
|
|
Self-Storage |
Installation |
Wembley, London |
1995 |
England |
Edit |
|
|
Windows 95 Start Sound Sequence |
Sound Design |
|
1995 |
International |
Edit |
|
 |
Generative Music |
sound installation |
Urban Aboriginals XI: The British Ambience, which was held in Berlin 23rd-31st March in the Parochialkirche |
1996 |
Germany |
Edit |
|
|
Music for Airports |
sound installation |
Tempelhof airport, Berlin |
1996 |
Germany |
Edit |
|
|
Oblique Strategies - Edition 4 |
Deck of Cards |
unspecified |
1996 |
England |
Edit |
|
|
Generative Music I |
audio screen savers |
- |
1996 |
England |
Edit |
|
|
generative roomscape 1 |
Installation |
sonambiente Festival, akademie der künste, Berlin, 9. august bis 8. september 1996 |
1996 |
Germany |
Edit |
|
|
|
KAH-Bonn installation collage |
installation artwork |
unknown |
1997 |
|
Edit |
|
|
3Music for White Cube2 |
Sound Installation |
White Cube Gallery, London |
1997 |
England |
Edit |
|
|
3Lightness2 |
audio/visual installation |
Marble Palace at the Russian Museum, St Petersburg |
1997 |
Russia |
Edit |
|
 |
Kites III |
Soundwork |
Sonic Boom Exhibition CD |
2000 |
England |
Edit |
|
|
New Urban Space Series #4:Compact Forest Proposal |
Generative sound installation |
010101, San Francisco Museum of Modern Art |
2001 |
USA |
Edit |
|
 |
Ambient Savage |
Soundwork |
- |
2003 |
England |
Edit |
|
 |
castro haze |
Soundwork |
- |
2003 |
England |
Edit |
|
 |
groan wash |
Soundwork |
- |
2003 |
England |
Edit |
|
|
The Constellations (77 Million Paintings) |
Installation |
Baltic, Gateshead |
2007 |
England |
Edit |
|
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