Born in 1941 in Fort Wayne, Indiana, Bruce Nauman has been recognized since the early 1970s as one of the most innovative and provocative of America’s contemporary artists. Nauman finds inspiration in the activities, speech, and materials of everyday life. Confronted with “What to do?” in his studio soon after graduating from the University of Wisconsin, Madison, in 1964 with a BFA, and then the University of California, Davis in 1966 with an MFA, Nauman had the simple but profound realization that “If I was an artist and I was in the studio, then whatever I was doing in the studio must be art. At this point art became more of an activity and less of a product.” Working in the diverse mediums of sculpture, video, film, printmaking, performance, and installation, Nauman concentrates less on the development of a characteristic style and more on the way in which a process or activity can transform or become a work of art. A survey of his diverse output demonstrates the alternately political, prosaic, spiritual, and crass methods by which Nauman examines life in all its gory details, mapping the human arc between life and death. The text from an early neon work proclaims: “The true artist helps the world by revealing mystic truths.” Whether or not we—or even Nauman—agree with this statement, the underlying subtext of the piece emphasizes the way in which the audience, artist, and culture at large are involved in the resonance a work of art will ultimately have. Nauman lives in New Mexico. |
| 23 Selected Statements |
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Worktype |
Info |
Year |
Country |
Admin |
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Setting a Good Corner |
Video |
- |
|
USA |
Edit |
|
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Violin Tuned D.E.A.D |
Video |
- |
|
|
Edit |
|
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Thighing (Blue) |
Video |
USA |
1967 |
USA |
Edit |
|
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Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms |
Video |
USA |
1967 |
USA |
Edit |
|
|
Playing A Note on the Violin While I Walk Around the Studio |
Video |
USA |
1967 |
USA |
Edit |
|
|
Violin Film # 1 (Playing The Violin As Fast As I Can) |
Video |
USA |
1967 |
USA |
Edit |
|
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Steel Channel Piece |
Sound Sculpture |
|
1968 |
USA |
Edit |
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6 Day Week |
Performance |
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1968 |
Germany |
Edit |
|
 |
Soundtrack from First Violin Film |
- |
Soundtrack from 1st Violin Film.
Published by Tanglewood Press, edition of 100. The album cover silkscreened with images of the artist capturedfrom the 1968 videotape Stamping In The Studio. |
1969 |
USA |
Edit |
|
 |
Violin Problem No. 2 |
- |
Tanglewood Press, edition of 100. The album cover silkscreened with images of the artist capturedfrom the 1968 videotape Stamping In The Studio. |
1969 |
USA |
Edit |
|
|
Lip Sync |
Video |
- |
1969 |
USA |
Edit |
|
|
Rhythmic Stamping (Four Rhythms in Preparation for Video Tape Problems) |
- |
Tanglewood Press, edition of 100. The album cover silkscreened with images of the artist capturedfrom the 1968 videotape Stamping In The Studio. |
1969 |
USA |
Edit |
|
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Clown Torture |
Installation |
- |
1987 |
USA |
Edit |
|
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Raw Material – BRRR |
Installation |
- |
1990 |
USA |
Edit |
|
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Anthro-Socio |
Installation |
- |
1992 |
Germany |
Edit |
|
|
Raw Materials |
Installation |
Tate Modern, London |
2004 |
England |
Edit |
|
|
One Hundred Fish Fountain |
Installation |
Donald Young Gallery |
2005 |
USA |
Edit |
|
|
unknown work |
Exhibition |
Inventur. Samlung Herbert, Kunsthaus Graz |
2006 |
Austria |
Edit |
|
|
unknown work |
Exhibition |
La sphère punk, Le Magasin, Grenoble |
2006 |
France |
Edit |
|
|
unknown work |
Exhibition |
Los Angeles 1955-1985, April-September 2006, Centre Pompidou, Paris |
2006 |
USA |
Edit |
|
|
unknown work |
Exhibition |
Whitney Biennale 2006, March-July 2006, Whitney Museum, New York |
2006 |
USA |
Edit |
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|
unknown work |
Exhibition |
Without boundary, February-May 2006, Museum of Modern Art, New York |
2006 |
USA |
Edit |
|
|
Square Depression |
Sculptural Installation |
Skulptur.Projekte in Münster |
2007 |
Germany |
Edit |
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