Hayley Newman (b 1969) received a BA at Middlesex University before gaining a Higher Postgraduate Diploma in Fine Art at the Slade School of Art. In 1995 she took up a DAAD scholarship in the class of Marina Abramovi? at the Hochschule für Bildende Künste, Hamburg after which she was awarded the Stanley Burton Practice-based Research Scholarship at the University of Leeds, completing her PhD in 2001. She is currently a Graduate Tutor in Fine Art at Chelsea College of Art and Design and in 2005/6 was Research Tutor at the Royal College of Art. In 2004/5, she was the recipient of the Helen Chadwick Arts Council of England Fellowship at the British School at Rome and the Ruskin School of Drawing and Fine Art, Oxford. She has performed and exhibited widely and has had solo shows at Matt’s Gallery, London, The Ikon Gallery, Birmingham and the Centre d’Art Contemporain, Geneva (2001-2003). Recent performances include Their feet should not touch anything solid, Camden Arts Centre, London; ffffashion, South London Gallery, London; Karoake Record Cutting, Barbican Art Gallery, London; Make-up/wake-up, Rialto, Rome; Volcano Lady, British School at Rome (all 2005). Recent group exhibitions include Chronic Epoch, Beaconsfield Gallery, London; Her Noise, South London Gallery, London; Documentary Creations, Kunstmuseum, Lucerne; Resonance, Montevideo, Amsterdam (all 2005);Camera/Action, Museum of Contemporary Photography, Chicago (2004) and Live Culture, Tate Modern, London (2003). Her current interest in Rubbernecking describes the act of slowing down, craning the neck and straining to look and involves a series of trips to places reported in the daily news. She lives and works in London and is represented by Matt’s Gallery. Accessed 05.01.2008 from http://www.hayleynewman.com/cv/ |
| 29 Selected Statements |
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|
Worktype |
Info |
Year |
Country |
Admin |
|
|
Record and Kiss |
Performance |
Nosepaint |
1994 |
England |
Edit |
|
|
Microphone Skirt |
Performance |
The Tingle Factor, Arnhem |
1995 |
Holland |
Edit |
|
|
That’s why they’re doing it |
- |
- |
1995 |
England |
Edit |
|
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Shot in the Dark |
Performance |
Geben und Nehmen, Kuenstlerhaus Schloss Plueschow, Mecklenburg: The Madrid Autumn Festival, Madrid: Club Foot, Nijmegen and Visionfest, Liverpool.
The British Ambience, various sound works, Berlin. |
1996 |
England |
Edit |
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|
Connotations Performance Images 1994-1998 |
Series of Images |
- |
1998 |
England |
Edit |
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Lock-jaw Lecture Series |
Lecture Series |
Part of Connotations Performance Images 1994-1998 |
1998 |
England |
Edit |
|
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Bass in a Space |
Fictional |
Part of Connotations Performance Images 1994-1998 |
1998 |
England |
Edit |
|
|
Exploding LEGO |
Fictional Public Performance Intervention |
Part of Connotations Performance Images 1994-1998 |
1998 |
England |
Edit |
|
|
Smoke, Smoke, Smoke |
Fictional Performance |
Part of Connotations Performance Images 1994-1998 |
1998 |
Norway |
Edit |
|
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You Scratch Mine and I’ll Scratch Yours |
Fictional Performance |
Part of Connotations Performance Images 1994-1998 |
1998 |
England |
Edit |
|
|
Head |
Fictional Project |
Part of Connotations Performance Images 1994-1998 |
1998 |
England |
Edit |
|
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Football Audio Cup |
Fictional Performance |
Part of Connotations Performance Images 1994-1998 |
1998 |
England |
Edit |
|
|
Occasionally Groovy |
Fictional Art Object |
Part of Connotations Performance Images 1994-1998 |
1998 |
Germany |
Edit |
|
|
Hook and Eye |
Performance |
made in residence at De Fabriek, Einhoven for the exhibition Ron Ton Tonnie, also performed at The NO TECH Festival, Podewill, Berlin: Tolve Netter, Bergen, The Tingle Factor, ICA, London: in collaboration with Kaffe Mathews in London and Vienna. |
1998 |
England |
Edit |
|
|
7 Records |
7 Records |
(with Matt Wand) |
1999 |
Austria |
Edit |
|
|
Pointy Stunt |
CD |
The CD was published by Audioview , Belgium. |
2000 |
England |
Edit |
|
|
The Daily Hayley |
Performance |
Matts Gallery, London, 2001 |
2001 |
England |
Edit |
|
|
Performancemania |
Book |
Published by Matt’s Gallery, 2001 Distributed by Cornerhouse. |
2001 |
England |
Edit |
|
|
Living Together |
Collaborative Performance |
The Lab, San Francisco |
2001 |
USA |
Edit |
|
|
Roundabouts |
7 inch picture disc |
The picture disc was commissioned by Work and Leisure International, Manchester. |
2002 |
England |
Edit |
|
|
Connotations II |
Series of Images |
Ikon Gallery, Birmingham |
2002 |
England |
Edit |
|
|
Chalmers Bequest (a project by Elizabeth Price) - the Librarian |
Performance |
Hackney Museum, London, 5 December 2002 - 7 January 2003. Duration: 3 Days. |
2002 |
England |
Edit |
|
|
Their feet should not be on anything solid |
Performance |
Camden Arts Centre, London |
2005 |
England |
Edit |
|
|
Make-up/Wake-up |
Performance |
Rialto-Santambrogio, Rome, 16 March 2005 - 17 March 2005. |
2005 |
Italy |
Edit |
|
|
Karaoke Record Cutting |
Performance |
Barbican Art Gallery, London, 20 April 2005. Performance. Duration: 2 hours. |
2005 |
England |
Edit |
|
|
Woodshed |
Installation/Performance |
Beaconsfield, London, |
2005 |
England |
Edit |
|
|
MiniFlux |
Installation/Performance |
Her Noise, South London Gallery, London, 10 November 2005 - 18 December 2005 |
2005 |
England |
Edit |
|
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The Mermaid |
Performance |
Variety, De La Warr Pavillion, Bexhill and The Mildmay Club, London, 12 November 2005 |
2005 |
England |
Edit |
|
|
Luck be a Lady |
Performance |
Alma Enterprises, London, 13 April 2007 |
2007 |
England |
Edit |
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