Temporary|Transnational|Terrestrial|Transdimensional) Organisation for the (Promotion|Proliferation|Permanence|Purity) of Live (Algorithm|Audio|Art|Artistic) Programming.ManifestoDraft
From Toplap
We demand:
* Give us access to the performer's mind, to the whole human instrument.
* Obscurantism is dangerous. Show us your screens.
* Programs are instruments that can change themselves
* The program is to be transcended - Artificial language is the way.
* Code should be seen as well as heard, underlying algorithms viewed as well as their visual outcome.
* Live coding is not about tools. Algorithms are thoughts. Chainsaws are tools. That's why algorithms are sometimes harder to notice than chainsaws.
We recognise continuums of interaction and profundity, but prefer:
* Insight into algorithms
* The skillful extemporisation of algorithm as an expressive/impressive display of mental dexterity
* No backup (minidisc, DVD, safety net computer)
We acknowledge that:
* It is not necessary for a lay audience to understand the code to appreciate it, much as it is not necessary to know how to play guitar in order to appreciate watching a guitar performance.
* Live coding may be accompanied by an impressive display of manual dexterity and the glorification of the typing interface.
* Performance involves continuums of interaction, covering perhaps the scope of controls with respect to the parameter space of the artwork, or gestural content, particularly directness of expressive detail. Whilst the traditional haptic rate timing deviations of expressivity in instrumental music are not approximated in code, why repeat the past? No doubt the writing of code and expression of thought will develop its own nuances and customs. Systems For Live Coding
(some may be pending TOPLAP approval)
* ChucK | Audicle | miniAudicle
* feedback.pl
* fluxus
* JITLib | SuperCollider | (GraphicsSpace)
* redFrik
* The Thingee (http://deprogramming.us/perfs#thingee) + ThingeeLanguage
* noisepattern (part of http://www.pawfal.org/Software/livenoisetools/ )
* packet forth http://attacksyour.net/piki/PacketForth
* musique littérale, built with Quoth (http://netjam.org/quoth), in turn built with Squeak (http://squeak.org)
* Signwave Pure Events (http://www.pure-events.com/)
* Impromptu (http://impromptu.moso.com.au/)
* run.pl/code.pl (http://sharph.net/em/perl)
* Ruby,Jsyn (http://cutuplog.cocolog-nifty.com/videolog/2005/09/rubyruby_d914.html)
* Hyperyarn (pending TOPLAP approval) (http://hyperyarn.criticalartware.net)
* betablocker (http://www.pawfal.org/index.php?page=BetaBlocker) (pending TOPLAP approval) |
| 20 Selected Statements |
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Worktype |
Info |
Year |
Country |
Admin |
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slub premiere |
Performance |
Hoxton Foundry, London @ antispod |
2000 |
England |
Edit |
|
|
remote control lounge |
network installation |
- |
2000 |
Germany |
Edit |
|
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jitlib live in NY: west nile |
Performance |
Polar bear club, subtonic |
2001 |
USA |
Edit |
|
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Dorkbot christmas party |
Performance |
London - lottie loungecore |
2002 |
England |
Edit |
|
|
code as a cinematic experience, |
Performance |
University Of Communication, Sarajevo |
2003 |
Bosnia |
Edit |
|
|
Live coding duet (SuperCollider 2) |
Performance |
Royal College of Art, London. |
2003 |
England |
Edit |
|
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Concurrent, On-the-fly Programming Language |
Performance |
ICMC, ChucK, Princeton |
2003 |
USA |
Edit |
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ChucK double projection duet, |
Performance |
Princeton |
2003 |
USA |
Edit |
|
|
supporting donna summer |
Performance |
not clickable v3.0 |
2003 |
England |
Edit |
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live at |
Performance |
Ars Electronica, Linz |
2003 |
Austria |
Edit |
|
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JITLIB based live coding |
Performance |
Betalounge, Hamburg |
2004 |
Germany |
Edit |
|
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Live perl coding and drumming duet with Table |
Performance |
London Placard Headphone festival. |
2004 |
England |
Edit |
|
|
TOPLAP live coding jam of audio and visuals |
Performance |
Aarhus, Denmark |
2004 |
Denmark |
Edit |
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A Context-sensitive On-the-fly Audio Programm |
Performance |
ICMC, Audicle, Princeton |
2004 |
England |
Edit |
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Ten members of TOPLAP jam |
Performance |
Club Transmediale, Club Maria, Berlin. |
2005 |
Germany |
Edit |
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Kurator launch party |
Performance |
Tate Modern, London |
2005 |
England |
Edit |
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Lusco-Fusco : Paul Dirac Party |
Performance |
Birmingham SuperCollider symposium |
2006 |
England |
Edit |
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Resonance Fm, London |
studio discussion |
Threshold Festival, London |
2006 |
England |
Edit |
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Untitled |
Performance |
We Love Technology, Huddersfield |
2006 |
England |
Edit |
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A prehistory of live coding |
CD Compilation |
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2007 |
England |
Edit |
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