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McCartney-2003-Sound Studio.pdf Dixon-2006-ThesisFormattingReferences.pdf Kendall-1995-3-DAudio Primer.pdf Maubrey-1995-Audio Jackets and Other Electroacoustic Clothes.pdf Kucklich-2001-Review of Ryan book.pdf Wynne-2006-Language Ecology.pdf Schaeffer_J-1995-Audio and Image dissertation.pdf Gawthrop-2000-One.pdf A History of Buchla’s Musical Instruments.pdf Hansen-2006-Mapping the Studio (Fat Chance Matmos).pdf Miller-xxxx-Across the Morphic Field- The Art of Mariko Mori.pdf Bosca-2007-A Reusable 3D Visualization Component for the Semantic Web.pdf Review of Ryan book.pdf Bert Bongers -Physical Interfaces in the Electronic Arts.pdf Dhomont-2004-Acousmatic Update.pdf Zouhar-2005-Hearing Varese's Poeme Electronique inside a Virtual Philips Pavilion.pdf Schaeffer_J-1994-6 Elements of Installation.pdf Worral-1998-Space in Sound.pdf Dyson-Knowing the Datasphere.pdf Celant-1981-Artsound.pdf Karjewski-2004-Viewpoint.pdf Monahan-1981-Piano_Mechanics_Score.pdf ontology of UI controls, properties.pdf Ohlin-2003-New Sound System- Bruce Odland's Tonic.pdf ixi_software2.pdf Schaeffer _P-1966-Solfege de l'objet Sonore.pdf Ruyter-2005-Volume minimal, un art de la projection du son.pdf audioscape_pdconv07_final.pdf Sebastian-1990-Kittler-Discourse_Networks.pdf Blasius-2007-kubisch-aisII.pdf Ryan, D-2006-Stephen Vitiello- Richmond.pdf Thompson-2005- [soundasart] what is sound art.pdf Wishart-1977-SPANNER_part1.pdf Poulos-xxxx-A Semantic Broadcasting Method for the Exchange of Encoded Texts between Different XML Schemas.pdf Moore-2007- Making Choices in Electroacoustic Music.pdf Spielmann-2001-Noise.Water, Meat (review).pdf Moritz-1996-Mary Ellen Bute_ Seeing Sound.pdf Goldstein-1987-Sounding the Circle _p1.pdf bowers-improvising_machines.pdf Masoaka -2006- Interview with Keiko Uenishi (aka o.blaat).pdf p109-stewart-adding interactie audio to x3d.pdf Hartnett-1996-Ballast Reduction & the Audio Arts - soundculture 1996.pdf van Peer-2002-Waterfall Music (Lopez).pdf Lopez-1998-environmental sound matter.pdf SoundAsArtConference2.pdf Lander & Lexier-1990- A Discography of Recorded Works by Artists.pdf Gfader-2002-Sound Art - How to show immaterial sound works.pdf Glandien-2001-Sound Art discourse in England.pdf francisco_lopez-schizophrenia.pdf open sound control-NIME03_Wright.pdf Wyse-2003-Free Music.pdf Bowers & Kunin-xxxx-The Electronics of Music-Aspen no4.pdf Cardew-1971-Towards an Ethic of Improvisation.pdf Henritzi -2001-Otomo Yoshihide Interview.pdf Obadike-2001-What's in a name! Seeing sound art in black visual traditions.pdf Neuhaus-2005-Auracle.pdf Dezeuze-2005-George Brecht Events - A Heterospective.pdf Migone-2003-volume.pdf Wozniewski-2006-A framework for immersive spatial audio performance.pdf Dobriakov-Experimental Electronic Music and Sound Art in Lithuania.pdf Frischer-2002-FutureLibrary.pdf Penwarden-2002-New York, new sound, new spaces.pdf Risset-2004-The liberation of sound.pdf Elen-2003-Alternatives to 5.1 for Multichannel Music.pdf Ambisonic_dot_org-SoundField_B_Format.pdf Real-Time Sound Source Spatialization as used in challenging bodies - u of regina.pdf Madsen-xxxx-Notes Towards Sound Ecology in the Garden of Listening.pdf Kahn-Audio Art in the Deaf Century.pdf Kofoed-2003-Sound of Art - Roden.pdf DuVernois-xxxx-The Cut-Up Method of Brion Gysin.pdf Wilson-2003-Days like These(Cunningham).pdf Tebbutt-1979-Flying Lizards Interview (Cunningham).pdf Benjamin-1968-The Work of Art in the Age of Mechanical Reproduction.pdf Helyer-2008-The Nomadic Ear.pdf Whitehead-1991-Holes in the Head.pdf Interactive Public Sound Art- a case study.pdf McCartney,-2002- Journeys in Soundscape Composition.pdf Aberdeen - Frauke.pdf Maubrey-1982-audioclothesanduniforms.pdf Dzuverovic-2005-Tate Online Discussion - Oswald, Kahn, Goldsmith.pdf Oliveros-1996-four_meditations_score.pdf Nixdorf&Gerhard-2006-Real-Time; Sound Source Spatialization.pdf stockhausen-1983-kathinkas_gesang.pdf Dunn-2008-Acoustic Ecology and the Experimental Music Tradition.pdf Cutler-1994- Dockstader Interview.pdf Oliveros-1999-Quantum_listening.pdf Buchla-2005-A History of Buchla’s Musical Instruments.pdf Carlyle-2007-Autumn_Leaves2.pdf Hoffman-2003-AN INDEPENDENT DECLARATIVE 3D AUDIO FORMAT.pdf Malcolm Goldstein - Sounding the Circle _preface.pdf Thatcher-2007- Audio Arts.Plymouth Arts Centre.pdf Vitiello & Rosenfeld -2004- Sound Artist vs Composer.pdf Bongers -xxxx-Physical Interfaces in the Electronic Arts.pdf Landy-2003-Book Review.pdf Techniques for Multi-Channel Real-Time Spatial Distribution.pdf Bulut-2006-The problem of archiving sound works.pdf Oliveros-1999-Quantum_improvisation.pdf Proy-2002-Sound and sign.pdf Ostertag-2002-Human bodies, Computer Music.pdf Kittler-1987-Gramophone_Film_Typewriter.pdf Beyst- 2004-Bill Fontana's musical sculptures_ the shadows of John Cage.pdf Octaga_Technical_Specs_2008.pdf Gysin-xxxx-Sound Waves.pdf Dyson-2004-A Philosophonics of Space.pdf Wyness-2008.pdf Faria-2007-Immersive Audio for Complete Virtual Reality Systems.pdf Masaoka-2002-Deep and Wide (Pauline Oliveros Interview).pdf Franco-2004-Issues for Designing a flexible expressive audiovisualsystem for real-time performance & composition.pdf Vitiello-2004-Sound affects.pdf Kuivila-1998-Composing with Shifting Sand.pdf Labelle-xxxx-Speaking Volumes.pdf Frischer-FutureLibrary.pdf Offenhuber-2005-Semaspace.pdf Malcolm Goldstein - Sounding the Circle _p1.pdf NPS-MV-07-003.pdf Goldstein-1987-Sounding the Circle _preface.pdf Carlyle-2007-Autumn_Leaves3.pdf Frost-1987-Why Sound Art Works and the German Hörspiel.pdf Ghazala-2004-Circuit Bending.pdf Gobin-1999-Sound.pdf La_Barbara-2002-Voice is the original instrument.pdf Amacher-2006-COMPOSING PERCEPTUAL GEOGRAPHIES.pdf Willis-xxxx-Nicheworks-Interactive Visualisation of very large graphs.pdf notbored_dot_org-Attali-Noise critique.pdf Hamilton-2003-The Art of Recording and the Aesthetics of Perfection.pdf Bandt-2005-Designing Sound in Public Space.pdf Aberdeen - Dugal.pdf A framework for immersive spatial audio performance.pdf miller_puckette-theory and techniques of electronic music.pdf Young-2000-Notes on his Practice.pdf AuSIM Inc-2002-3D Audio Relieves Militray Information Overload.pdf Issues for Designing a flexible expressive audiovisualsystem for real-time performance & composition.pdf Pelletier-2005_089-A Graphical Interface for Real-Time Signal Routing.pdf Maximin-2006-Chinese Sound Art.pdf Polli-1999-Controlling Sound with Eye Movements.pdf Panhuysen-xxxx-What is Sound Art.pdf Drucker-2001-Digital Ontologies.pdf Vibrofiles-2004-ArtistList.pdf Migone-1997-spit.pdf Allen-2001-The Flying Lizards.pdf Arnost-2005-Comparison of Spatial Audio Simulation Systems.pdf Higgins-1980-A Taxonomy of Sound Poetry.pdf Japanese Noise.pdf DeSouza-2005-An Atlas for Ireland’s Artists .pdf Dyson-2004-Circuits of the Voice.pdf Wynne-2008-PARALLAX-PRESS-RELEASE.pdf Ouzounian-2006-Aural architectures and the body.pdf Oliveros-1998-out_of_the_dark_score.pdf francisco_lopez-environmental sound matter (1998).pdf Introduction to Essays in Sound 2, Technophonia (Australian Sound Art).pdf Huberman-2005-The Sound of Space.pdf Harrison-1999-Imaginary Space.pdf Aldrich-2003-What is Sound Art.pdf Dodge-2004-An Atlas of Cyberspaces.pdf Kahn-1996-Australian Sound Art.pdf Beckmann-1992-Linkage of perception-(Kuntzel Review).pdf Vivancos-2004-Furlong Interview (Vibrofiles).pdf Green-2006-More than ‘Just a Hammer’-Critical Techniques in Electroacoustic Practice.pdf Hammer-2006-Lydkunst.pdf Hollings-2005-Dockstader Interview.pdf Flynt-1982-Personhood's Self Cancellation.pdf Bowers-2002-improvising_machines.pdf MacDonald-1996-Audio Arts Review.pdf Quadraphonic Sound.pdf Beck-2003-Listening to radio plays_ fictional soundscapes.pdf Hearn-2000-The Untimely Past-Foucault Bibliography.pdf Wynnychuk-xxxx-sutoolz 1.0 alpha.pdf journal of acoustic ecology 1.pdf Oliveros-1998-Deep Listening- A Bridge to Collaboration.pdf du_Boulay-Virtual Instrument.pdf odwyer_potard_burnett.pdf Klein-2003-Sound Installation.pdf Ingram-2006-David Dunn.pdf Barbosa-2005-Public Sound Objects.pdf Goldstein-1987-Sounding the Circle _p2.pdf Torchia-2004-Techniques for Multi-Channel Real-Time Spatial Distribution.pdf Migone-1999-spit.pdf Magnusson-2005-ixi software-The Interface as Instrument.pdf Morgan-1994-A New Musical Reality- Futurism, Modernism and The Art of Noises.pdf Kostelanetz-1977-Text-Sound Art-1.pdf Krukowski-2001-Unstrung Hero-Nam June Paik.pdf Carlyle-2007-Autumn_Leaves1.pdf McCartney-2003-Soundscape Composition and the Subversion of Electroacoustic Norms.pdf Toop-1998-Detachable Music.pdf Cox-2003-Neo-modernist sound art .pdf Fry-1999-valence .pdf Paik-xxxx-NEW ONTOLOGY OF MUSIC.pdf Bowers-1998-Lightwork.pdf Cardew-1974-Stockhausen Serves Imperialism and Other Articles.pdf Kittler-2001-Perspective_and_the_Book.pdf Higgins-1965-Synaethesia and Intersenses-Intermedia.pdf Wendt-2002-Narrative as Genealogy.pdf Cubitt-1997-Cultural_Translation.pdf Drever-1999-Soundscape recording.pdf Gebhardt-1996-SoundCulture (festival review) What is Sound Art.pdf Matossian-1979-Review_Xenakiss Diatope of Bonn.pdf Lopez-1997-Schizophonia.pdf russolo_the art of noise futurist manifesto.pdf Worby-2001-Listening to Stockhausen.pdf Harrison-1999-Diffusion_ theories and practices...pdf Hanhardt-1990-Resoundings-The Art of Bill Fontana.pdf Marrinetti-Geometric and Mechanical Splendour and the Numerical Sensibility.pdf Ranaldo-1996-Into The Mystic.pdf Stuart-2002-Yasunao Tone's Wounded and Skipping Compact Disc.pdf francisco_lopez-musicworks_2002.pdf Apple-2003-RADIO CULTURE.pdf pd-bangbook.pdf doctorow-2006-giving_away.pdf thomas gardner001.pdf Young-2008-Sound Art (review of Licht).pdf Kim-Cohen-2005-Vitiello.pdf Whitehead-1996-Radio Play Is No Place.pdf Connor_&_Wong-2002-Emergent Properties.pdf Landy-2005-Cox Audio Culture Review.pdf Battier-2003-Electroacoustic music studies and the danger of loss.pdf Mazzoleni-xxxx-CiVeDi.pdf Miller-2005-Deleuze & Guattarri.pdf Malcolm Goldstein - Sounding the Circle _p2.pdf Weiss-1996-Radio Icons, Short Circuits, Deep Schisms.pdf Bandt-2006-Sound installation.pdf Waterworth-2001-Acoustical Visions.pdf Puckette-2005-Theory and techniques of electronic music.pdf Wagstaff-2003-Soundwalking.pdf 2006_Katalog_Deutscher_Klangkunst_Preis.pdf Young-1993-Redefinition within the Changing Acoustic Environment.pdf Laliberte-1998-Pop Goes the Art World.pdf Migone-2000-ricochets.pdf Oliveros-Gamper-1998-Expanded_Instrument_System.pdf her_noise event programme 2005.pdf Schnickel-BS Contact PriceList.en.pdf Oliverio-2007-ISAS-A Human-Centric Digital Media Interface.pdf Emmerson-1998-Aural Landscape.pdf Masaoka -2000-Keeping It Simple (Meredith Monk Interview).pdf Romero-2001-Structured Design of Virtual Environments.pdf Programming OSC Hooks into Reactor.pdf dworkin_unheard_musics.pdf Thurman-Jajes-2005-Exhibition project on Sound Art.pdf Hartnett-1996-Audio Arts - soundculture 1996.pdf England-1993-Sound by Artists (review) in Varient Magezine Vol 13_All.pdf Frank-1982-Soundings at SUNY.pdf Russolo-1913-The Art of Noise.pdf Thomson-2004-Microsound.pdf Birchfield-2006-Interactive Public Sound Art- a case study.pdf Knowles-2002-Sound Ideologies(Australia).pdf Flynt-1982-Self_Cancellation.pdf Maubrey-2003-videopeacock.pdf Ancona-1998-Visual XML.pdf hetherington-2005-Engineering Virtual Environments with X3D.pdf Oliveros-1998-primordial_score.pdf Keller-1995-Use_The_Dress.pdf Aberdeen - Owen.pdf Golding-2007-assassination_of_time.pdf Truckenbrod-1992-Transcending_the_Boundaries_Art, Music, Literature.pdf Miller-2002-Music and technology.pdf Frost-1987-Sound_Art_&Horspiel.pdf; Cutler-2002-Dockstader Interview.pdf Cunningham-2003-The Listening Room .pdf Aberdeen - Hansen.pdf Maubrey-1989-audioballerinas.pdf McCartney-2000-Hildegard Westerkamp.pdf Toop-2005-John Cage and education.pdf Kahn-2005-Audio Art in the Deaf Century.pdf Future_Proof_Recording_Explained.pdf Tucker-2006-Stephen Vitiello-Tetrasomia.pdf Friedman-1998-Fluxus Reader.pdf Tucker-2005-A Re-Vistation of Laurie Anderson's Home of the Brave.pdf Schaeffer_J-2001-AudiOh! - Appropriation, Accident, & Alteration.pdf Miller-2002-Errata Erratum - Duchamp Remix.pdf Fluxus Reader -ed by Ken Friedman.pdf Maubrey-1982-audiosculptures.pdf Smith-1998-Pre Fluxus Conceptual Developments and Generative Influences.pdf Perloff-2002-Postmodernism and the Music of John Cage.pdf Milutis-1996-Radiophonic Ontologies and the Avantgarde.pdf soundonclick.pdf ridley_2004-post_literacy.pdf Bandt-2003-Aeolian sound practices in Australasia.pdf wills, grham j, nicheworks - interactive visualisation of very large graphs - amstat.org.pdf Masaoka-1999-Examining Obsession (Laurie Anderson Interview).pdf Wilson-2005-Making Waves-Art Review.pdf Hamilton-2007-Music and the Aural Arts.pdf Kendall3-DPrimer1995.pdf Miller-2005-David Dunn Interview.pdf Voegelin-2006-Sonic memory.pdf anaphoria - tuning system - allesandro.pdf Silbermann-1997- What is Sound Sculpture (Everyboady got ears, but few can listen) (Kuntzel).pdf Manuel Rocha Iturbide-TheSoundInstallation.pdf Music and Sound Waves.pdf Wishart-2000-Computer Sound Transformation.pdf Ostertag-humanbodies.pdf Chatterji -1999- The Culture-specific use of Sound in Indian cinema.pdf Merrit-2001-From Memory Arts to the New Code Paradigm.pdf Heon-2005-hearing art in the twenty-first century.pdf St Andrews, Sound and Anthropology conferenceoutline.pdf Moritz-1999-The Absolute Film.pdf McLennan-1994- A Topology of Australian Radio & Sound Art.pdf Bandt-Australian Sound Design Project.pdf Kostelanetz-1977-Text-Sound Art-2.pdf Magnusson-2006-IXI SOFTWARE OPEN CONTROLLERS FOR.pdf A Personal Chronology of audiovisual systems research-levin.pdf Davies-1996-Lost In Space-(Adventures in Australian Sound Art).pdf oliverio-ISAS-A Human-Centric Digital Media Interface.pdf francisco_lopez-cage.pdf Oliveros-Tripping On Wires.pdf Maubrey-1997-asianthemes.pdf Yoshihara-1956-The Gutai Manifesto.pdf Fischer-1981-Sound Waves(Soundings Catalog).pdf Kuivila_&Behrman;_1998-Ephemerality_of_Technology.pdf Wilson-1989-anaphoria - tuning system - allesandro.pdf Vibrofiles-2004-Good_Morning Camberwell.pdf Lina_Lapelyte-2008-Aus.pdf Vetrocq-2006-Sound Art.White Noise, in Seven-Part Harmony..pdf van Veen - Noise Water Meat Review.pdf Thompson-2006-SoundAsArtConference.pdf Masaoka-1996-Koto Explorations.pdf Wright-2003-open sound control-.pdf Hunter-2001-Stuttering Screams and Beastly Poetry(Noise Water Meat review).pdf Helgarson-2006-Sounds Abstract, Making strange, Abstract sound and Abstract listening in Audio-Visual context.pdf Zurbrugg-1989-Sound Art, Radio Art and post Radio Performance in Australia.pdf Taylor-2007-Copyright and research_ an academic publisher’s perspective.pdf Bull-1993-Radio Art in a Gallery.pdf Bain-2003-Resonant Architectures.pdf Gysin-xxxx-Sound and The Mind.pdf Stockhausen Serves Imperialism and Other Articles (1974).pdf Miller-xxxx-Fluid Neon Bright Shadows- The Music of Iannis Xenakis.pdf Kendall-1995-Decorrelation.pdf Ilic-19940Extreme Noise Terrors-Japanese Underground.pdf Smith-2002-Why Hardcore Goes Soft- Adorno, Japanese Noise and Dissonance.pdf Fry-1997-organic information design - thesis.pdf Post-LiteracyArticle-FINALVERSION-Globe.pdf Tajitsu-2003-Listening Spaces (Cunningham).pdf Pure Data-2006-bangbook.pdf Riley-2005-Bill Fontana -Speeds of Time.pdf B!AS International Sound Art Exhibition - Taipei 2005.pdf Heimbecker-2008-Illusion of Repetition.pdf Schnell-2002-Introducing Composed Instruments.pdf Gary-2002-A Survey of 4 Contemporary Sound Artists (Vibrofiles).pdf Lopez-1996-John cage.pdf MASS MoCA -1999-In Your Ear-Hearing Art in the 21st century.pdf Oren-1993-Anti-Art.pdf Weil-2002-Digital_Art.pdf kahn-2006-Sound Art, Art, Music.pdf Introducing Composed Instruments.pdf Clark_2000-Youre Twisting my melon, noise water meat reivew.pdf Making Waves-2005-Art Review.pdf adrian Moore- 3piecestex.pdf Myers-2004-Dockstader Interview.pdf Bull and Adrian - 1979- Sound On-Audio Scene '79 at Modern Art Galerie, Vienna.pdf McKinnon-2006-Spectral Memories. The Aesthetics of the Record.pdf Migone-1999-slippery.pdf Licht-2007-Sound in Space.pdf Joran-2003-a sound installation.pdf Roden-2006-The New Sonic Boom.pdf Bull-1979-Boy Can See With His Ears.pdf Moore- 3 Pieces Text.pdf Journal of Acoustic Ecology - Soundscape 1.pdf Visualization of Semantic Metadata and Ontologies.pdf Eastley-2005-ice-garden_catalog.pdf Behrendt-2006-Sound Art on the Move.pdf Friedman-2002-The_Fluxus_Performance_Workbook.pdf
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