|
|||
 636 selected statement(s) in England |
|||
 |
Percy Grainger | Year:1902 |
| Hill Song I | ||
| Work Type:Experimental Composition | ||
| Location(s):- | ||
 |
Percy Grainger | Year:1906 |
| British Folk Music Settings | ||
| Work Type:Transcriptions | ||
| Location(s):- | ||
 |
Jean Tinguely | Year:1959 |
| Cyclo-Matic | ||
| Work Type:Happening | ||
| Location(s):Institute of Contemporary Arts, London | ||
|
William Furlong | Year:1967 |
| unknown | ||
| Work Type:Exhibition | ||
| Location(s):Tate Gallery | ||
 |
Karlheinz Stockhausen | Year:1967 |
| Stockhausen and the Beatles | ||
| Work Type:Album Art | ||
| Location(s):- | ||
 |
Cornelius Cardew | Year:1968 |
| Treatise | ||
| Work Type:Graphic Score |  |
|
| Location(s):- | ||
|
William Furlong | Year:1969 |
| unknown | ||
| Work Type:Exhibition | ||
| Location(s):John Moores Liverpool Exhibition | ||
|
Trevor Wishart | Year:1970 |
| Landscape | ||
| Work Type:Site Specific Event | ||
| Location(s):Calder Valley, Yorkshire | ||
 |
David Toop | Year:1970 |
| Pass The Distance | ||
| Work Type:Album | ||
| Location(s):- | ||
|
David Toop | Year:1970 |
| Rain in the Face | ||
| Work Type:Improvising Duo | ||
| Location(s):- | ||
|
Vito Acconci | Year:1971 |
| Waterways: Four Saliva Studies | ||
| Work Type:Video | ||
| Location(s):[sonic]SQUARE series, Kaaitheaterstudios, Brussels, Belgium. Monday June 3 | ||
|
Trevor Wishart | Year:1971 |
| Seaside | ||
| Work Type:Site Specific Event | ||
| Location(s):Yorkshire Coast | ||
 |
Throbbing Gristle | Year:1971 |
| Catalyst | ||
| Work Type:- | ||
| Location(s):- | ||
|
Cornelius Cardew | Year:1971 |
| Scratch Orchestra | ||
| Work Type:Improvising Orchestra | ||
| Location(s): | ||
 |
Pol Bury | Year:1971 |
| 2000 Billes sur un Plateau, No. 5 of 8 | ||
| Work Type:Kinetic Sculpture | ||
| Location(s): | ||
|
Trevor Wishart | Year:1972 |
| Wicked Wizard of Whitworth | ||
| Work Type:community-school based event | ||
| Location(s):Sun - Creativity and Environment | ||
 |
Throbbing Gristle | Year:1972 |
| World Premier of The Alien Brain | ||
| Work Type:Performance | ||
| Location(s):Hull Art Lab, Hull | ||
|
William Furlong | Year:1973 |
| Audio Arts Magazine | ||
| Work Type:Magazine, Cassette | ||
| Location(s):unspecified | ||
|
Meredith Monk | Year:1973 |
| Biography, Education of the Girlchild | ||
| Work Type:Interdisciplinary Performance | ||
| Location(s):WBAI, NYC, May 15, 1976) from Big Ego (Giorno Poetry Systems) | ||
 |
Throbbing Gristle | Year:1973 |
| Photos of Actions 1973-76 | ||
| Work Type:Action | ||
| Location(s):- | ||
 |
Bernard Parmegiani | Year:1973 |
| LOil Ecoute | ||
| Work Type:Musical Video | ||
| Location(s):Label: INA GRM (FRANCE) Catalog #: INA 2026 | ||
|
Bernard Parmegiani | Year:1973 |
| LEcran Transparent | ||
| Work Type:Musical Video | ||
| Location(s):- | ||
 |
Trevor Wishart | Year:1974 |
| Audible Design | ||
| Work Type:Book | ||
| Location(s):- | ||
|
Denis Smalley | Year:1974 |
| Pentes | ||
| Work Type:Composition | ||
| Location(s):- | ||
 |
Throbbing Gristle | Year:1974 |
| Thrills | ||
| Work Type:Promotional Leaflet | ||
| Location(s):NME | ||
 |
Throbbing Gristle | Year:1974 |
| Couming Of Age | ||
| Work Type:Performance | ||
| Location(s):Oval House Theatre, London | ||
|
Brian Eno | Year:1975 |
| Discrete Music | ||
| Work Type:CD | |
|
| Location(s):EG Records | ||
|
David Toop | Year:1975 |
| New and Rediscovered Musical Instruments | ||
| Work Type:Album | ||
| Location(s):- | ||
|
Brian Eno | Year:1975 |
| Oblique Strategies - Edition 1 | ||
| Work Type:Deck of Cards | ||
| Location(s):Signed and numbered edition of 500 | ||
 |
Max Eastley | Year:1975 |
| New and Rediscovered Musical Instruments | ||
| Work Type:CD | ||
| Location(s):Obscure No.4 | ||
 |
Trevor Wishart | Year:1975 |
| On Sonic Art | ||
| Work Type:Book | ||
| Location(s):- | ||
 |
Throbbing Gristle | Year:1975 |
| coumdensation mucus | ||
| Work Type:Action | ||
| Location(s):9th Biennale, Mus�e dArt Moderne, Paris | ||
 |
Throbbing Gristle | Year:1976 |
| Prostitution | ||
| Work Type:Exhibition | |
|
| Location(s):ICA (Institute of Contemporary Arts), London | ||
 |
Throbbing Gristle | Year:1976 |
| Best Of Volume I | ||
| Work Type:Cassette (C90) | |
|
| Location(s):IRC0. Mono | ||
|
Throbbing Gristle | Year:1976 |
| THROBBING GRISTLE WITH ALBRECHT D | ||
| Work Type:Cassette (C60) | |
|
| Location(s):10 Martello St. Hackney, London | ||
|
Denis Smalley | Year:1976 |
| Darkness After Time's Colours | ||
| Work Type:Acousmatic Composition | |
|
| Location(s):UEA Electroacoustic Studios | ||
|
William Furlong | Year:1976 |
| Academic Board | ||
| Work Type:Installation | ||
| Location(s):unspecified | ||
|
Trevor Wishart | Year:1976 |
| Fidelio | ||
| Work Type:Music Theatre | ||
| Location(s):University of York | ||
|
Trevor Wishart | Year:1976 |
| Son et Lumiere, Domestic | ||
| Work Type:- | ||
| Location(s):ICA (Institute of Contemporary Arts), London | ||
|
Max Eastley | Year:1976 |
| Exhibition (details unknown) | ||
| Work Type: | ||
| Location(s):Serpentine Gallery, London | ||
|
Trevor Wishart | Year:1977 |
| Red Bird | ||
| Work Type:- | |
|
| Location(s):Bourges Festival, France | ||
|
Trevor Wishart | Year:1977 |
| Beach Singularity | ||
| Work Type:Site Specific Event | |
|
| Location(s):the holiday beach: North West England. | ||
|
Trevor Wishart | Year:1977 |
| Beach Singularity | ||
| Work Type:Site Specific Event | |
|
| Location(s):the holiday beach: North West England. | ||
 |
Throbbing Gristle | Year:1977 |
| THE SECOND ANNUAL REPORT | ||
| Work Type:LP | |
|
| Location(s):Industrial Records IR0002 | ||
|
Throbbing Gristle | Year:1977 |
| Live - Winchester Art School | ||
| Work Type:Performance | |
|
| Location(s):Winchester Art School | ||
 |
Throbbing Gristle | Year:1977 |
| Best of Volume II | ||
| Work Type:Cassette (C60) | |
|
| Location(s):STEREO IRC1. Stereo | ||
|
Brian Eno | Year:1977 |
| Kurts Rejoinder | ||
| Work Type:- | ||
| Location(s):Before and after Science. | ||
|
Trevor Wishart | Year:1977 |
| Forest Singularity | ||
| Work Type:Site Specific Event | ||
| Location(s):for woodland: Southern England | ||
|
Trevor Wishart | Year:1977 |
| Spanner | ||
| Work Type:Project for a large group of adults using materials and sounds brought by them | ||
| Location(s):New Music in Action Summer School at the University of York | ||
|
Throbbing Gristle | Year:1977 |
| Coum | ||
| Work Type:Letter | ||
| Location(s):Flash Art 78/79, Nov/Dec | ||
 |
Throbbing Gristle | Year:1977 |
| GARY GILMORE MEMORIAL SOCIETY | ||
| Work Type:Postcard | ||
| Location(s):COUM Transmissions | ||
| Throbbing Gristle | Year:1977 | |
| Vile magazine | ||
| Work Type:Promotional Postcard | ||
| Location(s):Vile magazine | ||
 |
Throbbing Gristle | Year:1977 |
| Nags Head | ||
| Work Type:Performance | ||
| Location(s):High Wycombe | ||
|
Throbbing Gristle | Year:1977 |
| Highbury Roundhouse | ||
| Work Type:Performance | ||
| Location(s):London | ||
 |
Throbbing Gristle | Year:1977 |
| Rat Club | ||
| Work Type:Performance | ||
| Location(s):Valentino Rooms, London | ||
 |
Throbbing Gristle | Year:1978 |
| UNITED / ZYKLON B ZOMBIE | ||
| Work Type:7 vinyl | |
|
| Location(s):Industrial Records IR0003 | ||
|
Throbbing Gristle | Year:1978 |
| D.O.A. THE THIRD AND FINAL REPORT | ||
| Work Type:LP | |
|
| Location(s):Industrial Records IR0004 | ||
|
Brian Eno | Year:1978 |
| Unfamiliar Wind (Leeks Hills) | ||
| Work Type:Composition | |
|
| Location(s): | ||
|
Brian Eno | Year:1978 |
| Oblique Strategies - Edition 2 | ||
| Work Type:Deck of Cards | ||
| Location(s):unspecified | ||
 |
Trevor Wishart | Year:1978 |
| Tuba Mirum | ||
| Work Type:Music Theatre | ||
| Location(s):Gaudeamus Festival, Rotterdam, Holland | ||
|
Max Eastley | Year:1978 |
| Circadian Rhythm | ||
| Work Type:Album | ||
| Location(s):Incus | ||
|
Jonty Harrison | Year:1978 |
| Pair/Impair | ||
| Work Type:Composition | ||
| Location(s):University of East Anglia, 1978. | ||
| Throbbing Gristle | Year:1978 | |
| Scenes Of Victory | ||
| Work Type:Mail-art Exhibition | ||
| Location(s):- | ||
 |
Throbbing Gristle | Year:1978 |
| Architectural Association | ||
| Work Type:Performance | ||
| Location(s):London | ||
 |
Throbbing Gristle | Year:1978 |
| Film-Makers Co-Op | ||
| Work Type:Performance | ||
| Location(s):London | ||
|
Throbbing Gristle | Year:1978 |
| Cryptic One Club | ||
| Work Type:Performance | ||
| Location(s):London | ||
|
Llorenc Barber | Year:1978 |
| untitled | ||
| Work Type:Performance | ||
| Location(s): | ||
|
Throbbing Gristle | Year:1979 |
| 20 JAZZ FUNK GREATS | ||
| Work Type:LP | |
|
| Location(s):Industrial Records IR0008 | ||
|
Chris Watson | Year:1979 |
| Nag Nag Nag | ||
| Work Type:Single | |
|
| Location(s):with Caberet Voltaire | ||
 |
Trevor Wishart | Year:1979 |
| Pastorale / Walden 2 | ||
| Work Type:Music Theatre | ||
| Location(s):ICA (Institute of Contemporary Arts), London | ||
|
Max Eastley | Year:1979 |
| Exhibition (details unknown) | ||
| Work Type: | ||
| Location(s):Ikon Gallery, Birmingham | ||
|
Max Eastley | Year:1979 |
| Water Wrackets | ||
| Work Type:Film Work | ||
| Location(s):- | ||
 |
Throbbing Gristle | Year:1979 |
| Guildhall | ||
| Work Type:Performance | ||
| Location(s):Northampton | ||
 |
Throbbing Gristle | Year:1979 |
| Butlers Wharf | ||
| Work Type:Performance | ||
| Location(s):London | ||
|
Bernard Parmegiani | Year:1979 |
| Jeux dArtifices | ||
| Work Type:Musical Video | ||
| Location(s):- | ||
|
Jonty Harrison | Year:1979 |
| A Vent | ||
| Work Type:Composition | ||
| Location(s):York | ||
 |
David Cunningham | Year:1979 |
| Flying Lizards | ||
| Work Type:Band / Studio Project | ||
| Location(s):- | ||
|
Trevor Wishart | Year:1980 |
| Vox Cycle | ||
| Work Type:Electroacoustic Composition | |
|
| Location(s):- | ||
 |
Throbbing Gristle | Year:1980 |
| Goldsmiths College | ||
| Work Type:Performance | |
|
| Location(s):London | ||
 |
Throbbing Gristle | Year:1980 |
| Sheffield University | ||
| Work Type:Performance | |
|
| Location(s):Sheffield | ||
|
Throbbing Gristle | Year:1980 |
| Live - Goldsmiths College | ||
| Work Type:Performance | |
|
| Location(s):Goldsmiths College, London | ||
|
Throbbing Gristle | Year:1980 |
| Live - Oundle Public School | ||
| Work Type:Performance | |
|
| Location(s):Oundle Public School | ||
|
Trevor Wishart | Year:1980 |
| Vox Cycle | ||
| Work Type:Electroacoustic Composition | |
|
| Location(s):- | ||
 |
Stephen Stapleton | Year:1980 |
| Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella | ||
| Work Type:Album | |
|
| Location(s): | ||
|
Max Eastley | Year:1980 |
| Exhibition (details unknown) | ||
| Work Type: | ||
| Location(s):Arnolfini Gallery | ||
|
Max Eastley | Year:1980 |
| Whirled Music | ||
| Work Type:Album | ||
| Location(s):Quartz | ||
|
Jonty Harrison | Year:1980 |
| EQ | ||
| Work Type:LP | ||
| Location(s):Arts Council of Great Britain. John Harle Premiere: John Harle; St Johns, Smith Square, London, 1981. Appears on LP Daniel Kientzy - Daniel Kientzy LP, Electrecord (cat. no. ST-CS 0201), 1986 | ||
 |
Throbbing Gristle | Year:1980 |
| HEATHEN EARTH (the live sound of T.G.) | ||
| Work Type:LP | ||
| Location(s):Industrial Records IR0009 | ||
 |
Throbbing Gristle | Year:1980 |
| SUBHUMAN / SOMETHING CAME OVER ME | ||
| Work Type:7 | ||
| Location(s):Industrial Records IR0013 | ||
 |
Throbbing Gristle | Year:1980 |
| S036 Club | ||
| Work Type:Performance | ||
| Location(s):Berlin | ||
 |
Throbbing Gristle | Year:1980 |
| Kunsthofschule | ||
| Work Type:Performance | ||
| Location(s):Frankfurt | ||
 |
Throbbing Gristle | Year:1980 |
| Rafters | ||
| Work Type:Performance | ||
| Location(s):Manchester | ||
 |
Throbbing Gristle | Year:1981 |
| DISCIPLINE | ||
| Work Type:12 Single | |
|
| Location(s):Fetish FET006 | ||
 |
Throbbing Gristle | Year:1981 |
| WE HATE YOU (LITTLE GIRLS) / FIVE KNUCKLE SHUFFLE | ||
| Work Type:7 vinyl | |
|
| Location(s):Sordide Sentimental SS45001 US 1979 7 Adolescent AR-TT 010 UK 1981 | ||
|
Chris Watson | Year:1981 |
| Hafler Trio | ||
| Work Type:Group | ||
| Location(s):unspecified | ||
|
Nigel Ayers | Year:1981 |
| Tissue of Lies | ||
| Work Type:Album | ||
| Location(s):- | ||
 |
Nigel Ayers | Year:1981 |
| Fruiting Body | ||
| Work Type:LP | ||
| Location(s):Sterile Records ION2 LP | ||
 |
Throbbing Gristle | Year:1981 |
| MISSION OF DEAD SOULS | ||
| Work Type:LP | ||
| Location(s):Fetish FR2007 | ||
 |
Throbbing Gristle | Year:1981 |
| IN THE SHADOW OF THE SUN | ||
| Work Type:LP | ||
| Location(s):Illuminated JAMS35 | ||
 |
Z'EV | Year:1981 |
| Just Another Asshole | ||
| Work Type:Compilation | ||
| Location(s):Label: Just Another Asshole Catalog#: #5 | ||
|
David Cunningham | Year:1981 |
| the yellow box | ||
| Work Type:Album | ||
| Location(s):piano 504. Available from http://www.stalk.net/piano/pianocat.htm | ||
|
David Cunningham | Year:1982 |
| But Everybody Loved Dominic Lynch | ||
| Work Type:- | |
|
| Location(s):From the LP Live To Air: Artists Sound Works (Audio Arts Magazine, Volume 5, Nos 3 and 4, 1982) | ||
|
Ros Bandt | Year:1982 |
| Musica Viva, La Romanesca | ||
| Work Type:Concert | ||
| Location(s):Early Music International tour | ||
|
William Furlong | Year:1982 |
| Live to Air | ||
| Work Type:Exhibition | ||
| Location(s):Tate Gallery | ||
|
William Furlong | Year:1982 |
| The Sculpture Show | ||
| Work Type:Curation | ||
| Location(s):Hayward Gallery | ||
|
Jonty Harrison | Year:1982 |
| Klang | ||
| Work Type:LP | ||
| Location(s):Magyar Radio/MAFILM. Premiere: the University of Birmingham, 1982. Second Prize, Bourges International Electroacoustic Awards 1983; Euphonie dor, Bourges 1992. Appears on Various Artists - Interpenetrations LP, UEA (cat. no | ||
|
Vito Acconci | Year:1982 |
| Now Do You Believe The Dirty Dogs Are Dead? | ||
| Work Type:- | ||
| Location(s):From the LP Live To Air: Artists Sound Works (Audio Arts Magazine, Volume 5, Nos 3 and 4, 1982) | ||
|
Jonty Harrison | Year:1982 |
| (SQ)Wheeze | ||
| Work Type:Composition | ||
| Location(s):BEAST, Birmingham | ||
|
Trevor Wishart | Year:1982 |
| Anticredos | ||
| Work Type:Tape Composition | ||
| Location(s):recorded March/April 1982 in the Music Centre, University of East-Anglia, Norwich. Previously released on Mouth Music LP (Hyperion A66060) in 1982. | ||
|
Nigel Ayers | Year:1983 |
| Drowning in a Sea of Bliss | ||
| Work Type:LP | ||
| Location(s):Sterile Records SR3 LP | ||
 |
Nigel Ayers | Year:1983 |
| Befehlsnotstand | ||
| Work Type:LP | ||
| Location(s):Sterile Records SR5 LP | ||
 |
Nigel Ayers | Year:1983 |
| Chaos (live) | ||
| Work Type:LP | ||
| Location(s):Cause For Concern CFCLP2 | ||
|
Jonty Harrison | Year:1983 |
| Sons transmutants/sans transmutant | ||
| Work Type:LP / cassette | ||
| Location(s):Musicon/Northern Arts. Premiere: Fine Arts Brass Ensemble; Durham, 1983.. Appears on LP/cassette Fine Arts Brass Ensemble - Contemporary Works for Brass Quintet, Merlin (cat. no. 86041), 1986 | ||
 |
Z'EV | Year:1983 |
| The Last Testament | ||
| Work Type:Compilation | ||
| Location(s):Label: Fetish Records Catalog#: FR 2011 | ||
 |
Stephen Stapleton | Year:1984 |
| Brained By Falling Masonry | ||
| Work Type:Album | |
|
| Location(s): | ||
 |
Nigel Ayers | Year:1984 |
| Shake Those Chains Rattle Those Cages | ||
| Work Type:LP | ||
| Location(s):Sterile Records SR9 | ||
 |
Nigel Ayers | Year:1984 |
| No Sacrifice | ||
| Work Type:12 Single | ||
| Location(s):Sterile Records SR6 | ||
|
Chris Watson | Year:1984 |
| Bang! - An Open Letter | ||
| Work Type:LP/CD | ||
| Location(s):Doublevision DVR 04 | ||
|
Justin Broadrick | Year:1984 |
| Fall Of Because | ||
| Work Type:Early Band | ||
| Location(s):- | ||
|
Justin Broadrick | Year:1984 |
| Post Mortem Rekordings | ||
| Work Type:Cassette Label | ||
| Location(s):- | ||
|
Cornelius Cardew | Year:1985 |
| Memorial Concert There is only one lie | ||
| Work Type:Composition | |
|
| Location(s): | ||
|
Denis Smalley | Year:1985 |
| Clarinet Threads | ||
| Work Type:Electroacoustic Composition | |
|
| Location(s):UEA Electroacoustic Studios | ||
|
William Furlong | Year:1985 |
| Sound/Vision | ||
| Work Type:Exhibition | ||
| Location(s):Plymouth Arts Centre and Spacex Centre | ||
 |
Nigel Ayers | Year:1985 |
| Songs Of Love And Revolution | ||
| Work Type:LP | ||
| Location(s):Sterile Records SR7 LP | ||
|
Jonty Harrison | Year:1985 |
| Lament | ||
| Work Type:Composition | ||
| Location(s):BRMB Radio. Premiere: BRMB transmission, 1985. Mention, Bourges International Electroacoustic Awards 1986. | ||
|
Chris Watson | Year:1985 |
| Soundtrack to Alternation, Perception and Resistance- A Comprehension Exercise | ||
| Work Type:LP/CD | ||
| Location(s):Antirecords | ||
 |
Chris Watson | Year:1985 |
| Seven Hours Sleep | ||
| Work Type:Double LP | ||
| Location(s):Antirecords | ||
 |
Stephen Stapleton | Year:1985 |
| Sylvie and Babsi Hi Fi Companion | ||
| Work Type:Album | ||
| Location(s):- | ||
|
Justin Broadrick | Year:1985 |
| Napalm Death | ||
| Work Type:Death Metal Band | ||
| Location(s):- | ||
|
William Furlong | Year:1986 |
| 0782 272121 six works on the telephone | ||
| Work Type:Cassette | ||
| Location(s): | ||
|
William Furlong | Year:1986 |
| Arris | ||
| Work Type:Cassette | ||
| Location(s):ICA | ||
|
Max Eastley | Year:1986 |
| Exhibition (details unknown) | ||
| Work Type: | ||
| Location(s):International Sound Sculpture touring exhibition including Barbican, London, and Arnolfini galleries, Bristol | ||
 |
Chris Watson | Year:1986 |
| Brain Song | ||
| Work Type:12 Single | ||
| Location(s):Touch T33.5 | ||
|
Chris Watson | Year:1986 |
| The Sea Org | ||
| Work Type:- | ||
| Location(s):- | ||
 |
Chris Watson | Year:1986 |
| Three Ways Of Saying Two - The Netherlands Lectures | ||
| Work Type:LP | ||
| Location(s):Charrm CHARRMLP 03 | ||
|
William Furlong | Year:1986 |
| Uhms and Ahhs | ||
| Work Type:Recorded Work | ||
| Location(s):UK | ||
|
Denis Smalley | Year:1987 |
| Wind Chimes | ||
| Work Type:Composition | |
|
| Location(s):South Bank Centre, London. first performance: Electric Weekend, Queen Elizabeth Hall, London. Appeared on CD Impacts int�rieurs (2004) and 1992 original release | ||
|
Max Eastley | Year:1987 |
| Exhibition (details unknown) | ||
| Work Type: | ||
| Location(s):Electronic Music Festival, Queen Elizabeth Hall Foyer | ||
|
Chris Watson | Year:1987 |
| A Thirsty Fish | ||
| Work Type:- | ||
| Location(s):- | ||
 |
Z'EV | Year:1987 |
| Project One | ||
| Work Type:Compilation | ||
| Location(s):Label: Produkt Korps Catalog#: PKLP 010 | ||
 |
Justin Broadrick | Year:1988 |
| Godflesh | ||
| Work Type:Band Project | |
|
| Location(s):http://www.godflesh.com/ | ||
|
William Furlong | Year:1988 |
| unknown | ||
| Work Type:Installation, 45rpm record | ||
| Location(s):Interim Art | ||
|
David Cunningham | Year:1988 |
| greaves,cunningham | ||
| Work Type:Album | ||
| Location(s):piano 506. Available from http://www.stalk.net/piano/pianocat.htm | ||
|
Denis Smalley | Year:1990 |
| Piano Nets | ||
| Work Type:Acousmatic Composition | |
|
| Location(s):UEA Electroacoustic Studios | ||
|
William Furlong | Year:1990 |
| Radio Garden | ||
| Work Type:Installation | ||
| Location(s):Tyne International Exhibition of Contemporary Art | ||
 |
Nigel Ayers | Year:1990 |
| Beyond Logic Beyond Belief | ||
| Work Type:LP | ||
| Location(s):Earthly Delights | ||
|
Brian Eno | Year:1990 |
| Contemporary Data Lounge | ||
| Work Type:Audio-Visual Installation | ||
| Location(s):Todd Soho Gallery, London | ||
|
Max Eastley | Year:1990 |
| Clocks Of The Midnight Hours: The Work of Max Eastley | ||
| Work Type:TV | ||
| Location(s):Channel 4 and The Arts Council Elements, Tyne Tees Television | ||
|
Justin Broadrick | Year:1990 |
| Techno Animal | ||
| Work Type:Noise-based Industrial Breakbeat | ||
| Location(s):- | ||
|
Katherine Norman | Year:1991 |
| Trying to translate | ||
| Work Type:Composition | |
|
| Location(s):- | ||
 |
Denis Smalley | Year:1991 |
| Valley Flow | ||
| Work Type:Composition | |
|
| Location(s):Birmingham Electro-acoustic Sound Theatre with funds provided by West Midlands Arts. first performance: Radio 3 live broadcast, BBC Pebble Mill Studios, Birmingham. | ||
|
Christian Marclay | Year:1991 |
| Christian Marclay | ||
| Work Type:- | ||
| Location(s):Interim Art, London | ||
|
Max Eastley | Year:1991 |
| The Pool | ||
| Work Type:For TV | ||
| Location(s):Channel 4 | ||
|
Jonty Harrison | Year:1991 |
| PulseRates | ||
| Work Type:Composition | ||
| Location(s):Birmingham City Council. Premiere: Centenary Square and the International Convention Centre, Birmingham, 1991. | ||
|
Z'EV | Year:1991 |
| 1968-1990: One Foot In The Grave | ||
| Work Type:CD | ||
| Location(s):Label: Touch Catalog#: TO:13 | ||
|
Katherine Norman | Year:1992 |
| In her own time | ||
| Work Type:- | |
|
| Location(s):Studio of Composition: Princeton University | ||
|
Jonty Harrison | Year:1992 |
| ...et ainsi de suite... | ||
| Work Type:Composition | |
|
| Location(s):BBC Pebble Mill (live transmission of BEAST concert), 1992. Distinction, Prix Ars Electronica, Linz, Austria, 1993; First Prize, Musica Nova, Prague 1994; preselected, Bourges International Electroacoustic Awards 1994. | ||
|
Brian Eno | Year:1992 |
| Innocenti | ||
| Work Type:Soundwork | |
|
| Location(s):- | ||
|
David Cunningham | Year:1992 |
| water | ||
| Work Type:Album | |
|
| Location(s):piano 510. Available from http://www.stalk.net/piano/pianocat.htm | ||
 |
William Furlong | Year:1992 |
| Radio Beyond | ||
| Work Type:Radiophonic | ||
| Location(s):BBC Radio 3 | ||
|
William Furlong | Year:1992 |
| Documenta 9, Audio Arts, | ||
| Work Type:Book | ||
| Location(s):Reclam Verlag | ||
 |
Hans Peter Kuhn | Year:1992 |
| Five Floors | ||
| Work Type:Installation | ||
| Location(s):Angel Square London, Artangel London | ||
|
Max Eastley | Year:1992 |
| On The Edge | ||
| Work Type:TV | ||
| Location(s):BBC TV | ||
|
Jonty Harrison | Year:1992 |
| Ottone | ||
| Work Type:Composition | ||
| Location(s):Fine Arts Brass Ensemble/West Midlands Arts. Premiere: Fine Arts Brass Ensemble; Adrian Boult Hall, Birmingham, 1992. Preselected, Bourges International Electroacoustic Awards 1994. | ||
 |
David Cunningham | Year:1992 |
| voiceworks | ||
| Work Type:Album | ||
| Location(s):piano 505. Available from http://www.stalk.net/piano/pianocat.htm | ||
|
Philip Jeck | Year:1993 |
| Vinyl Requiem. | ||
| Work Type:Installation / Performance | ||
| Location(s):Union Chapel | ||
 |
Nigel Ayers | Year:1993 |
| The Quickening | ||
| Work Type:LP | ||
| Location(s):Earthly Delights EARTH008 LP | ||
|
Max Eastley | Year:1993 |
| Untitled live show | ||
| Work Type:Performance | ||
| Location(s):Pit Rivers Museum, Oxford | ||
 |
Denis Smalley | Year:1993 |
| Tides | ||
| Work Type:CD | ||
| Location(s):Groupe de Recherches Musicales, Paris. first performance: Maison de Radio France. prize: second prize in the Newcomp Award. Ode Records | MANU 1433 | ||
|
John Wynne | Year:1993 |
| Circuitry | ||
| Work Type:Composition | ||
| Location(s):- | ||
|
John Wynne | Year:1993 |
| Continuity | ||
| Work Type:Composition | ||
| Location(s):- | ||
 |
Justin Broadrick | Year:1993 |
| FINAL | ||
| Work Type:Electronic Music Project | ||
| Location(s):- | ||
|
Justin Broadrick | Year:1993 |
| Final - One | ||
| Work Type:Album | ||
| Location(s):released by Sentrax in Europe and Bill Laswells label Subharmonic in the U.S.A | ||
|
Katherine Norman | Year:1994 |
| Trilling Wire | ||
| Work Type:Composition | |
|
| Location(s):- | ||
|
William Furlong | Year:1994 |
| Audio Arts: Discourse and Practice in Contemporary Art | ||
| Work Type:Book | ||
| Location(s):Academy Editions | ||
|
Christina Kubisch | Year:1994 |
| Watching out, | ||
| Work Type: | ||
| Location(s):Goethe House | ||
 |
Scanner | Year:1994 |
| The Electronic Lounge | ||
| Work Type:Curation, DJ | ||
| Location(s):Institute of Contemporary Arts | ||
|
Steve Roden | Year:1994 |
| Network | ||
| Work Type:CD | ||
| Location(s):discus, uk Unknown Public 4 | ||
 |
Max Eastley | Year:1994 |
| Buried Dreams | ||
| Work Type:Album | ||
| Location(s):Beyond Catalog#: RBADCD 6 | ||
|
David Cunningham | Year:1994 |
| The Listening Room | ||
| Work Type:Installation | ||
| Location(s):Chisenhale Gallery, London | ||
 |
Denis Smalley | Year:1994 |
| N�v� | ||
| Work Type:CD | ||
| Location(s):Groupe de Musique Exp�rimentale de Marseille with funds provided by the Arts Council of Great Britain. first performance: Marseille. On CD Effects Input | EI 03 | ||
|
Morphogenesis | Year:1994 |
| Solarisation | ||
| Work Type:CD | ||
| Location(s):Germany Streamline 1006 | ||
 |
Merzbow | Year:1994 |
| Electroknots Parts 1 and 2 | ||
| Work Type:7 picture disc | ||
| Location(s):Joint released with Dirter Promotions in an edition of 1000 copies. Deleted. | ||
|
Hayley Newman | Year:1994 |
| Record and Kiss | ||
| Work Type:Performance | ||
| Location(s):Nosepaint | ||
| David Cunningham | Year:1995 | |
| artificial homeland -angela jaeger and david cunningham | ||
| Work Type:Album | |
|
| Location(s):piano 509. Available from http://www.stalk.net/piano/pianocat.htm | ||
 |
David Cunningham | Year:1995 |
| danger in paradise | ||
| Work Type:CD Album | |
|
| Location(s):piano 503 Performed by: david toop: guitar, prepared guitar, bass, percussion, flute, alto flute, glockenspiel, voice, tapes, noises, rhythm tracks steve beresford: bass, piano, farfisa organ, prophet 5, trumpet, flugelhorn, euphonium, percussion, g | ||
|
David Cunningham | Year:1995 |
| the secret dub life of the flying lizards | ||
| Work Type:CD Album | |
|
| Location(s):piano 501. Available from http://www.stalk.net/piano/pianocat.htm | ||
|
Janek Schaefer | Year:1995 |
| Self Storage Recorded Delivery | ||
| Work Type:Installation | ||
| Location(s):Acorn Self Storage | ||
|
William Furlong | Year:1995 |
| The Oily Men of Mill Dam Bank | ||
| Work Type:Installation | ||
| Location(s):Customs House | ||
|
William Furlong | Year:1995 |
| Hearing is Believing | ||
| Work Type:Radiophonic | ||
| Location(s): | ||
 |
Scanner | Year:1995 |
| I/O/D | ||
| Work Type:Director Project | ||
| Location(s):unspecified | ||
 |
Scanner | Year:1995 |
| The Grand Ceremonial | ||
| Work Type:Theatre, Soundtrack | ||
| Location(s):Lyric Hammersmith | ||
 |
Scanner | Year:1995 |
| Transgressions | ||
| Work Type:Installation | ||
| Location(s):Secret Central London Location | ||
 |
Scanner | Year:1995 |
| Seven Adverts across Europe | ||
| Work Type:Video Idents | ||
| Location(s):MTV | ||
|
David Toop | Year:1995 |
| Screen Ceremonies | ||
| Work Type:Album | ||
| Location(s):- | ||
|
Brian Eno | Year:1995 |
| Self-Storage | ||
| Work Type:Installation | ||
| Location(s):Wembley, London | ||
|
John Wynne | Year:1995 |
| James Kamotho Kimani | ||
| Work Type:Sonic Portrait | ||
| Location(s):International Society for Contemporary Music (ISCM), Copenhagen Released by Unknown Public, London (UP05: Voicebox) | ||
|
Max Eastley | Year:1995 |
| Untitled live show | ||
| Work Type:Performance | ||
| Location(s):Purcell Room, South Bank, London | ||
 |
Z'EV | Year:1995 |
| Touch Sampler 1 | ||
| Work Type:CD Compilation | ||
| Location(s):Label: Touch Catalog#: T_ZERO_1 | ||
|
Philip Jeck | Year:1995 |
| Anatomy | ||
| Work Type:Composition | ||
| Location(s):Touch CD Loopholes | ||
|
Philip Jeck | Year:1995 |
| Harry and Krishna | ||
| Work Type:Composition | ||
| Location(s):Touch CD Loopholes | ||
|
Philip Jeck | Year:1995 |
| Incassum, Casio | ||
| Work Type:Composition | ||
| Location(s):Touch CD Loopholes | ||
|
Philip Jeck | Year:1995 |
| Louies Riddle | ||
| Work Type:Composition | ||
| Location(s):Touch CD Loopholes | ||
|
Hayley Newman | Year:1995 |
| That�s why they�re doing it | ||
| Work Type:- | ||
| Location(s):- | ||
|
Katherine Norman | Year:1996 |
| Bells and Gargoyles | ||
| Work Type:digitally created soundscape | |
|
| Location(s):- | ||
 |
Justin Broadrick | Year:1996 |
| Final - Two | ||
| Work Type:Album | |
|
| Location(s):Sentrax | ||
 |
David Cunningham | Year:1996 |
| ghost dance -michael giles, jamie muir, david cunningham | ||
| Work Type:CD Album | |
|
| Location(s):piano 502. Music composed and performed by: michael giles: kit drums, assorted percussion, mouth horns, mouth reeds, bow, voice, keyboard jamie muir: assorted percussion, hand drums, bow, thumb piano, mouthpiece, conch david cunningham: loops, treatme | ||
 |
Ryoji Ikeda | Year:1996 |
| +/- | ||
| Work Type:Album | |
|
| Location(s):Touch TO:30 | ||
|
William Furlong | Year:1996 |
| Image, Sequence of Time | ||
| Work Type:Installation | ||
| Location(s):BFF | ||
|
William Furlong | Year:1996 |
| Hearing is Believing | ||
| Work Type:CD | ||
| Location(s):unspecified | ||
 |
Philip Jeck | Year:1996 |
| Off The Record | ||
| Work Type:Installation / Performance | ||
| Location(s):Bluecoat Gallery | ||
 |
Scanner | Year:1996 |
| The Brood | ||
| Work Type:Performance | ||
| Location(s):Royal Festival Hall, South Bank | ||
 |
Scanner | Year:1996 |
| Rude Mechanic | ||
| Work Type:Group Show | ||
| Location(s):Beaconsfield Art Gallery, | ||
|
Chris Watson | Year:1996 |
| Low Pressure | ||
| Work Type:CD | ||
| Location(s):Touch | ||
|
Peter Cusack | Year:1996 |
| A Host Of Golden Daffodils | ||
| Work Type:CD | ||
| Location(s):Plate Lunch | ||
|
Tacita Dean | Year:1996 |
| Foley Artist | ||
| Work Type:Installation | ||
| Location(s):Art Now Project Room, Tate Gallery, London | ||
 |
Tacita Dean | Year:1996 |
| Delft Hydraulics | ||
| Work Type:Film | ||
| Location(s):- | ||
 |
Brian Eno | Year:1996 |
| Oblique Strategies - Edition 4 | ||
| Work Type:Deck of Cards | ||
| Location(s):unspecified | ||
|
Brian Eno | Year:1996 |
| Generative Music I | ||
| Work Type:audio screen savers | ||
| Location(s):- | ||
|
Jonty Harrison | Year:1996 |
| Articles ind�finis | ||
| Work Type:CD | ||
| Location(s):empreintes DIGITALes (cat. no. IMED 9627), April 1996 | ||
|
Jonty Harrison | Year:1996 |
| �vidence mat�rielle | ||
| Work Type:CD | ||
| Location(s):empreintes DIGITALes (cat. no. IMED 0052), 2000 | ||
 |
Chris Watson | Year:1996 |
| Stepping Into The Dark | ||
| Work Type:CD | ||
| Location(s):Touch TO:27 | ||
 |
Sonic Youth | Year:1996 |
| HWY Song | ||
| Work Type:Installation | ||
| Location(s):1996-99. Show 2000 at Sonic Boom, Hayward Gallery, London | ||
 |
Project Dark | Year:1996 |
| SIN0035 | ||
| Work Type:Art Object | ||
| Location(s):- | ||
 |
Project Dark | Year:1996 |
| SIN0057 | ||
| Work Type:Art Object | ||
| Location(s):- | ||
 |
Merzbow | Year:1996 |
| The Prosperity Of Vice - The Misfortune Of Virtue | ||
| Work Type:CD | ||
| Location(s):I Records, IRE2022 | ||
| David Cunningham | Year:1996 | |
| rude mechanic -pan sonic/hayley newman/david crawforth | ||
| Work Type:CD Album | ||
| Location(s):piano 200 - rude mechanic was financially supported by the arts council of england and the finnish institute . Available from http://www.stalk.net/piano/pianocat.htm | ||
 |
Justin Broadrick | Year:1996 |
| Final - Solaris | ||
| Work Type:CD E.P | ||
| Location(s):- | ||
 |
Justin Broadrick | Year:1996 |
| Urge,Fail | ||
| Work Type:Single | ||
| Location(s):- | ||
|
Hayley Newman | Year:1996 |
| Shot in the Dark | ||
| Work Type:Performance | ||
| Location(s):Geben und Nehmen, Kuenstlerhaus Schloss Plueschow, Mecklenburg: The Madrid Autumn Festival, Madrid: Club Foot, Nijmegen and Visionfest, Liverpool. The British Ambience, various sound works, Berlin. | ||
|
Denis Smalley | Year:1997 |
| Empty Vessels | ||
| Work Type:Acousmatic Composition | |
|
| Location(s):- | ||
|
Sonic Youth | Year:1997 |
| Legend of the Blood Yeti | ||
| Work Type:Album | |
|
| Location(s):- | ||
|
David Cunningham | Year:1997 |
| ext.night | ||
| Work Type:Album | |
|
| Location(s):piano 507. Available from http://www.stalk.net/piano/pianocat.htm | ||
| David Cunningham | Year:1997 | |
| nothing - owada | ||
| Work Type:Producer Credit | |
|
| Location(s):piano 508. Available from http://www.stalk.net/piano/pianocat.htm | ||
|
Susan Philipsz | Year:1997 |
| Metropola | ||
| Work Type:Installation | ||
| Location(s):supermarket | ||
|
Susan Philipsz | Year:1997 |
| Susan, Barbara, Joan and Sarah, A Song Apart | ||
| Work Type:Installation | ||
| Location(s):unspecified | ||
 |
Scanner | Year:1997 |
| Actual Factual | ||
| Work Type:Dance | ||
| Location(s):Queen Elizabeth Hall, | ||
|
Steve Roden | Year:1997 |
| unknown | ||
| Work Type:live improv. to silent movies | ||
| Location(s):Los Angeles Contemporary Exhibitions (LACE), | ||
|
Steve Roden | Year:1997 |
| Encounters in the Garden | ||
| Work Type:UK tour | ||
| Location(s): | ||
|
Steve Roden | Year:1997 |
| Cloud Moving | ||
| Work Type:performance | ||
| Location(s):Institute of Contemporary Arts | ||
|
Zbigniew Karkowski | Year:1997 |
| Disruptor | ||
| Work Type:CD | ||
| Location(s):OR | ||
|
Zbigniew Karkowski | Year:1997 |
| Or some computer music | ||
| Work Type:CD | ||
| Location(s):OR | ||
|
Zbigniew Karkowski | Year:1997 |
| Datastream | ||
| Work Type:CD | ||
| Location(s):OR | ||
|
Tacita Dean | Year:1997 |
| Mosquito (Magnetic) | ||
| Work Type:- | ||
| Location(s):Frith Steet Galery, London. Funded by The British Council | ||
|
Tacita Dean | Year:1997 |
| Trying to Find the Spiral Jetty | ||
| Work Type:CD | ||
| Location(s):Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris | ||
|
David Toop | Year:1997 |
| Pink Noir | ||
| Work Type:Album | ||
| Location(s):- | ||
|
Brian Eno | Year:1997 |
| 3Music for White Cube2 | ||
| Work Type:Sound Installation | ||
| Location(s):White Cube Gallery, London | ||
 |
Joe Banks | Year:1997 |
| Blackout | ||
| Work Type:Installation | ||
| Location(s):WAVES exhibition. August 25 - September 17, 2006 at the Exhibition Hall ARSENALS of the Latvian National Museum of Art | ||
|
Max Eastley | Year:1997 |
| Untitled live show | ||
| Work Type:Performance | ||
| Location(s):ICA (Institute of Contemporary Arts), London | ||
 |
Max Eastley | Year:1997 |
| the Arc | ||
| Work Type:Instrument | ||
| Location(s):- | ||
 |
David Cunningham | Year:1997 |
| Open Square | ||
| Work Type:Installation | ||
| Location(s):Part of the exhibition Out of Nowhere curated by John Wynne and Michael Madsen, June, Copenhagen | ||
|
William Furlong | Year:1997 |
| Mute Dialogue | ||
| Work Type:- | ||
| Location(s):unspecified | ||
|
Morphogenesis | Year:1997 |
| Formative Causation | ||
| Work Type:CD | ||
| Location(s):Label: Mycophile | ||
|
Kaffe Matthews | Year:1997 |
| CdAnn | ||
| Work Type:CD | ||
| Location(s):- | ||
 |
Project Dark | Year:1997 |
| SIN0089 | ||
| Work Type:Art Object | ||
| Location(s):- | ||
 |
Justin Broadrick | Year:1997 |
| Final -the first millionth of a second | ||
| Work Type:Album | ||
| Location(s):Manifold | ||
|
Dallas Simpson | Year:1997 |
| The Kindergarten Suite: Incarnations (For the Elimination of | ||
| Work Type:environmental sound work | ||
| Location(s): | ||
 |
Chris Watson | Year:1998 |
| Ouside the Circle of Fire | ||
| Work Type:CD | |
|
| Location(s):Touch TO:37 | ||
 |
Gregory Whitehead | Year:1998 |
| The Bone Trade | ||
| Work Type:Radio Work | |
|
| Location(s):BBC Radio 4 | ||
|
Gregory Whitehead | Year:1998 |
| The Hidden Language of Trees | ||
| Work Type:Radio Work | |
|
| Location(s):BBC Radio 4 | ||
 |
Janek Schaefer | Year:1998 |
| untitled | ||
| Work Type:Concert | ||
| Location(s):International Symposium of Electronic | ||
|
William Furlong | Year:1998 |
| Sound Garden | ||
| Work Type:Installation | ||
| Location(s):Serpentine Gallery | ||
|
William Furlong | Year:1998 |
| Sound Corridor | ||
| Work Type:Installation | ||
| Location(s):Sculpture at Goodwood. | ||
|
William Furlong | Year:1998 |
| An Imagery or Absence | ||
| Work Type:Installation | ||
| Location(s):Imperial War Museum | ||
 |
Scanner | Year:1998 |
| Incarceration | ||
| Work Type:Installation | ||
| Location(s):Shoreditch Town Hall | ||
 |
Scanner | Year:1998 |
| Alphaville | ||
| Work Type:Live Film Soundtrack | ||
| Location(s):Institute of Contemporary Arts | ||
 |
Scanner | Year:1998 |
| Snowglobe | ||
| Work Type:Artwork | ||
| Location(s):Time Out Magazine | ||
|
Steve Roden | Year:1998 |
| unknown | ||
| Work Type: | ||
| Location(s): various sites, | ||
|
Zbigniew Karkowski | Year:1998 |
| Traceroute | ||
| Work Type:CD | ||
| Location(s):Ash R.I.P. | ||
|
Chris Watson | Year:1998 |
| The Life of Birds | ||
| Work Type:Television | ||
| Location(s):BBC TV | ||
|
Gregory Whitehead | Year:1998 |
| The Bottom of the Mind | ||
| Work Type:Radio Work | ||
| Location(s):BBC Radio 4 | ||
|
Gregory Whitehead | Year:1998 |
| Mind, Body and Soul | ||
| Work Type:Radio Work | ||
| Location(s):BBC Radio 4 | ||
 |
Brown Sierra | Year:1998 |
| Gri Gri 1 | ||
| Work Type:Exhibit with live crickets singing in glass cabinet | ||
| Location(s):workfortheeyetodo 63 chaterhouse st. 5 june | ||
|
Trevor Wishart | Year:1998 |
| Two Women | ||
| Work Type:Electro-acoustic Composition | ||
| Location(s):DAAD, Berlin First performance: Parochialkirke, Berlin. Recording on Voiceprints CD | ||
 |
Morphogenesis | Year:1998 |
| Charivari Music | ||
| Work Type:CD | ||
| Location(s):Paradigm | ||
|
William Furlong | Year:1998 |
| Spoken For/Spoken About | ||
| Work Type:Installation | ||
| Location(s):Voice Over:Sound and Vision in Current Art: National Touring Exhibition organised by Hayward Gallery for the Arts Council | ||
 |
Project Dark | Year:1998 |
| 10,000 Volt Spark Generating Record Player | ||
| Work Type:Object | ||
| Location(s):- | ||
 |
Hayley Newman | Year:1998 |
| Connotations Performance Images 1994-1998 | ||
| Work Type:Series of Images | ||
| Location(s):- | ||
 |
Hayley Newman | Year:1998 |
| Lock-jaw Lecture Series | ||
| Work Type:Lecture Series | ||
| Location(s):Part of Connotations Performance Images 1994-1998 | ||
 |
Hayley Newman | Year:1998 |
| Bass in a Space | ||
| Work Type:Fictional | ||
| Location(s):Part of Connotations Performance Images 1994-1998 | ||
|
Hayley Newman | Year:1998 |
| Exploding LEGO | ||
| Work Type:Fictional Public Performance Intervention | ||
| Location(s):Part of Connotations Performance Images 1994-1998 | ||
|
Hayley Newman | Year:1998 |
| You Scratch Mine and I�ll Scratch Yours | ||
| Work Type:Fictional Performance | ||
| Location(s):Part of Connotations Performance Images 1994-1998 | ||
|
Hayley Newman | Year:1998 |
| Head | ||
| Work Type:Fictional Project | ||
| Location(s):Part of Connotations Performance Images 1994-1998 | ||
|
Hayley Newman | Year:1998 |
| Football Audio Cup | ||
| Work Type:Fictional Performance | ||
| Location(s):Part of Connotations Performance Images 1994-1998 | ||
|
Hayley Newman | Year:1998 |
| Hook and Eye | ||
| Work Type:Performance | ||
| Location(s):made in residence at De Fabriek, Einhoven for the exhibition Ron Ton Tonnie, also performed at The NO TECH Festival, Podewill, Berlin: Tolve Netter, Bergen, The Tingle Factor, ICA, London: in collaboration with Kaffe Mathews in London and Vienna. | ||
|
J. Milo Taylor | Year:1998 |
| Baby Data | ||
| Work Type:Band Project | ||
| Location(s): | ||
|
Dallas Simpson | Year:1998 |
| Three Bridges | ||
| Work Type:Performance | ||
| Location(s):London College of Music | ||
|
Dallas Simpson | Year:1998 |
| Environmental workshop | ||
| Work Type: | ||
| Location(s):John Moores University | ||
|
John Wynne | Year:1999 |
| Upcountry | ||
| Work Type:Sonic Portrait | |
|
| Location(s):Purcell Room, Royal Festival Hall, South Bank, London Octaphonic version premiered at the AGON Festival in Milan. Broadcast in UK, Germany, Canada, Australia and the US. | ||
 |
Christina Kubisch | Year:1999 |
| Oase 2000 | ||
| Work Type: | |
|
| Location(s):Hayward Gallery | ||
 |
Janet Cardiff and George Bures Miller | Year:1999 |
| The Missing Voice (Case Study B) | ||
| Work Type:Soundwalk | |
|
| Location(s):Whitechapel Gallery, London | ||
|
Janek Schaefer | Year:1999 |
| untitled | ||
| Work Type:Concert | ||
| Location(s):Interference | ||
|
Susan Philipsz | Year:1999 |
| The Internationale | ||
| Work Type:Installation | ||
| Location(s): | ||
|
Philip Jeck | Year:1999 |
| Matrix | ||
| Work Type:Installation / Performance | ||
| Location(s):Below BCP Carpark | ||
|
Carsten Nicolai | Year:1999 |
| Major Group Show | ||
| Work Type: | ||
| Location(s):Whitechapel Art Gallery ( | ||
 |
Scanner | Year:1999 |
| Flood | ||
| Work Type: | ||
| Location(s): and global Postcard project. | ||
 |
Scanner | Year:1999 |
| Sound Polaroids | ||
| Work Type:Installation, performance | ||
| Location(s):Institute of Contemporary Arts | ||
 |
Scanner | Year:1999 |
| Surface Noise | ||
| Work Type:Installation | ||
| Location(s):Artangel Commission, | ||
 |
Tacita Dean | Year:1999 |
| Sound Mirrors | ||
| Work Type:Film | ||
| Location(s):- | ||
|
David Toop | Year:1999 |
| Spirit World | ||
| Work Type:Album | ||
| Location(s):- | ||
|
Gregory Whitehead | Year:1999 |
| Mr. Whitehead, Are You There? | ||
| Work Type:Radio Work | ||
| Location(s):- | ||
|
Brown Sierra | Year:1999 |
| tea | ||
| Work Type:exhibit | ||
| Location(s):Gallery/flat Wellington buildings 9th Sept-19 Sept | ||
|
Max Eastley | Year:1999 |
| Wind Flute Sculpture | ||
| Work Type:Exhibition | ||
| Location(s):Capel Manor, Enfield | ||
|
Morphogenesis | Year:1999 |
| Improvisations | ||
| Work Type:CD | ||
| Location(s):Label: CEDI | ||
 |
Morphogenesis | Year:1999 |
| Stromatolites | ||
| Work Type:CD | ||
| Location(s):Label: Vintage Electronic | ||
 |
Joe Banks | Year:1999 |
| Artifical Lighting | ||
| Work Type:Spectrogram | ||
| Location(s):Sonic Boom | ||
 |
Merzbow | Year:1999 |
| A Perfect Pain | ||
| Work Type:CD | ||
| Location(s):- | ||
|
Dallas Simpson | Year:1999 |
| The Valley of Crows | ||
| Work Type:environmental sound work | ||
| Location(s):Lambley, Notts | ||
 |
Scanner | Year:2000 |
| The Collector | ||
| Work Type:Installation | |
|
| Location(s):Hayward Gallery, | ||
|
Project Dark | Year:2000 |
| Step 1, Step 2, Step 3 | ||
| Work Type:- | |
|
| Location(s):Sonic Boom | ||
| Peter Cusack | Year:2000 | |
| Day For Night | ||
| Work Type:CD | |
|
| Location(s):Paradigm | ||
 |
David Lee Myers | Year:2000 |
| Pond | ||
| Work Type:CD Album | |
|
| Location(s):ReR Cat#:TDDM1 | ||
|
David Lee Myers | Year:2000 |
| Pond | ||
| Work Type:CD Album | |
|
| Location(s):ReR Cat#:TDDM1 | ||
 |
Christian Marclay | Year:2000 |
| Guitar Drag | ||
| Work Type:- | |
|
| Location(s):Sonic Boom | ||
|
Philip Jeck | Year:2000 |
| Off the Record | ||
| Work Type:Installation / Performance | |
|
| Location(s):Hayward Gallery | ||
 |
Brian Eno | Year:2000 |
| Kites III | ||
| Work Type:Soundwork | |
|
| Location(s):Sonic Boom Exhibition CD | ||
|
Joe Banks | Year:2000 |
| National Grid | ||
| Work Type:Performance | |
|
| Location(s):Sonic Boom Exhibition CD, Disobey, and The Museum of Installation | ||
 |
David Cunningham | Year:2000 |
| This is a Sentence | ||
| Work Type:CD-ROM | |
|
| Location(s):piano 511. Available from http://www.stalk.net/piano/pianocat.htm | ||
|
Joe Banks | Year:2000 |
| National Grid No 5608 | ||
| Work Type:Performances / Exhibitions | |
|
| Location(s):Troywood Nuclear Command Centre, Fifie | ||
|
J. Milo Taylor | Year:2000 |
| Internet Radio | ||
| Work Type:Radio Show | |
|
| Location(s):Fuzz Fm Internet Radio | ||
|
David Toop | Year:2000 |
| Sonic Boom: The Art of Sound, | ||
| Work Type:Curation | ||
| Location(s):Hayward Gallery | ||
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Scanner | Year:2000 |
| Audible Communities | ||
| Work Type:Soundtoys, CD, CD-ROM | ||
| Location(s):Lovebytes Festival, | ||
|
Scanner | Year:2000 |
| On Broad Street | ||
| Work Type:Installation | ||
| Location(s):Ikon Gallery , | ||
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Scanner | Year:2000 |
| Sound Curtain | ||
| Work Type:Installation | ||
| Location(s):Science Museum, | ||
|
Steve Roden | Year:2000 |
| Unfolding Resonance | ||
| Work Type: | ||
| Location(s):Hayward Gallery, | ||
|
Zbigniew Karkowski | Year:2000 |
| SPL with MAZK | ||
| Work Type:CD | ||
| Location(s):OR | ||
|
Peter Cusack | Year:2000 |
| Where is the Green Parrot | ||
| Work Type:CD | ||
| Location(s):ReR | ||
 |
Nigel Ayers | Year:2000 |
| Imaginary Time | ||
| Work Type:10 EP | ||
| Location(s):Disaster Area DA 014 | ||
|
Toplap | Year:2000 |
| slub premiere | ||
| Work Type:Performance | ||
| Location(s):Hoxton Foundry, London @ antispod | ||
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Jem Finer | Year:2000 |
| Longplayer | ||
| Work Type:Installation | ||
| Location(s):Trinity Buoy Wharf, London E14,Bibliotheca Alexandria, Alexandria, Egypt,Powerhouse, Brisbane, Australia,Rufford Park, near Nottingham, Englandlans are in an advanced stage for other listening posts around the world. | ||
|
David Toop | Year:2000 |
| Needle In the Groove | ||
| Work Type:album | ||
| Location(s):released on Scanners Sulphur label | ||
|
Gregory Whitehead | Year:2000 |
| The Marilyn Room | ||
| Work Type:Radio Work | ||
| Location(s):BBC Radio 4 | ||
.gif) |
Ryoji Ikeda | Year:2000 |
| matrix [for acoustic dislocation] | ||
| Work Type:Installation | ||
| Location(s):The Mind Zone, The Millennium Dome, London | ||
|
Trevor Wishart | Year:2000 |
| Machine 2 | ||
| Work Type:Experimental Vocal Work | ||
| Location(s):University of York Music Press | ||
|
Trevor Wishart | Year:2000 |
| Fleeting Opera (episode one, Birthrite) | ||
| Work Type:Site Specific Event | ||
| Location(s):River Thames, London, in front of Battersea Park and Houses of Parliament | ||
|
Trevor Wishart | Year:2000 |
| American Triptych. | ||
| Work Type:Electro-acoustic Composition | ||
| Location(s):French Ministry of Culture. First performance: Radio France, Paris, 2000. Available on the CD Voiceprints. | ||
 |
Kim Cascone | Year:2000 |
| with hidden noise | ||
| Work Type:Album | ||
| Location(s):Anechoic | ||
|
Max Eastley | Year:2000 |
| - | ||
| Work Type:Exhibition | ||
| Location(s):The Big Chill, Larmer Tree Gardens, Dorset | ||
 |
Denis Smalley | Year:2000 |
| Sources/sc�nes | ||
| Work Type:CD | ||
| Location(s):empreintes DIGITALes | IMED 0054 | 2000 | ||
|
Max Eastley | Year:2000 |
| Domain of Presences | ||
| Work Type:Soundwork | ||
| Location(s):Sonic Boom Exhibition CD | ||
|
Max Eastley | Year:2000 |
| In Concert | ||
| Work Type:- | ||
| Location(s):Sonic Boom Exhibition CD | ||
 |
Otomo Yoshihide | Year:2000 |
| London Musicians Collective ...the First 25 Years | ||
| Work Type:CD Compilation | ||
| Location(s):LMC, RES8.2CD/RES9.1CD | ||
 |
Hayley Newman | Year:2000 |
| Pointy Stunt | ||
| Work Type:CD | ||
| Location(s):The CD was published by Audioview , Belgium. | ||
|
Dallas Simpson | Year:2000 |
| Inside out and Outside In | ||
| Work Type:environmental sound sculpture | ||
| Location(s):Unstone Grange, Derbyshire | ||
 |
Carsten Nicolai | Year:2000 |
| atem | ||
| Work Type:Sound Installation | ||
| Location(s):Liverpool Biennale | ||
|
Vicki Bennet | Year:2001 |
| Jingle | ||
| Work Type:CD | |
|
| Location(s):- | ||
|
Vicki Bennet | Year:2001 |
| Mr Rotovator | ||
| Work Type:CD | |
|
| Location(s):- | ||
|
Vicki Bennet | Year:2001 |
| Another kind of | ||
| Work Type:CD | |
|
| Location(s):- | ||
|
Katherine Norman | Year:2001 |
| Anything from the minibar? | ||
| Work Type:short computer-processed soundscape | |
|
| Location(s):- | ||
|
Katherine Norman | Year:2001 |
| Something Quite Atrocious | ||
| Work Type:short computer-processed soundscape | |
|
| Location(s):- | ||
|
Katherine Norman | Year:2001 |
| You need a cab? | ||
| Work Type:short computer-processed soundscape | |
|
| Location(s):- | ||
 |
J. Milo Taylor | Year:2001 |
| Club of Rome | ||
| Work Type:Band Project | |
|
| Location(s): | ||
|
Vicki Bennet | Year:2001 |
| Untitled Performance | ||
| Work Type:Performance | ||
| Location(s): | ||
|
Barry Truax | Year:2001 |
| Acoustic Communication | ||
| Work Type:Book | ||
| Location(s):Ablex Publishing | ||
|
Janek Schaefer | Year:2001 |
| The Rumble | ||
| Work Type:Exhibition | ||
| Location(s):Royal Society of British Sculptors | ||
|
Philip Jeck | Year:2001 |
| Off the Record: Black and Blue | ||
| Work Type:Installation / Performance | ||
| Location(s):Mid Pennine Gallery | ||
|
Chris Watson | Year:2001 |
| Hazard - Wind | ||
| Work Type:CD | ||
| Location(s):Touch | ||
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Janet Cardiff and George Bures Miller | Year:2001 |
| Forty Part Motet | ||
| Work Type:Installation / Composition | ||
| Location(s):2001 | ||
|
David Toop | Year:2001 |
| Museum of Fruit | ||
| Work Type:Album | ||
| Location(s):- | ||
|
David Toop | Year:2001 |
| Unknown sound collages | ||
| Work Type:Soundwork | ||
| Location(s):Brassai, Hayward Gallery | ||
|
Gregory Whitehead | Year:2001 |
| American Heavy | ||
| Work Type:Radio Work | ||
| Location(s):BBC Radio 4 | ||
|
Brown Sierra | Year:2001 |
| rotating wave form | ||
| Work Type:Sound Installation | ||
| Location(s):- | ||
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Max Eastley | Year:2001 |
| The Time of the Ancient Astronaut | ||
| Work Type:Album | ||
| Location(s):Bip-Hop | ||
|
Katherine Norman | Year:2001 |
| Oranges and Lemons | ||
| Work Type:digitally created soundscape | ||
| Location(s):- | ||
|
Morphogenesis | Year:2001 |
| In Streams, Vol. 1: 1996-1999 | ||
| Work Type:CD | ||
| Location(s):Label: Paradigm | ||
 |
Iris Garrelfs | Year:2001 |
| Shiftage | ||
| Work Type:Installation | ||
| Location(s):4x4 commissions, Centre of Contemporary Art, Glasgow | ||
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Hayley Newman | Year:2001 |
| The Daily Hayley | ||
| Work Type:Performance | ||
| Location(s):Matts Gallery, London, 2001 | ||
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Hayley Newman | Year:2001 |
| Performancemania | ||
| Work Type:Book | ||
| Location(s):Published by Matt�s Gallery, 2001 Distributed by Cornerhouse. | ||
|
Rolf Julius | Year:2001 |
| (Halb) schwarz | ||
| Work Type:CD | ||
| Location(s): | ||
|
Brown Sierra | Year:2001 |
| BVM | ||
| Work Type:Video | ||
| Location(s): | ||
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Stephen Stapleton | Year:2001 |
| Funeral Music For Perez Prado | ||
| Work Type:Album | ||
| Location(s): | ||
|
Peter Cusack | Year:2002 |
| Baikal Ice | ||
| Work Type:CD | |
|
| Location(s):ReR | ||
|
Peter Cusack | Year:2002 |
| Baikal Ice | ||
| Work Type:CD | |
|
| Location(s):ReR | ||
 |
David Cunningham | Year:2002 |
| The Listening Room | ||
| Work Type:Installation | |
|
| Location(s):The Connecting Principle, Newcastle | ||
|
Patrick McGinley | Year:2002 |
| eyes like a fish part 1:3 | ||
| Work Type:- | |
|
| Location(s):From the album of the same name. Released by sagita recordings | ||
|
Patrick McGinley | Year:2002 |
| rumer (excerpt) | ||
| Work Type:- | |
|
| Location(s):From the album .murmer. Released by bake records | ||
|
Patrick McGinley | Year:2002 |
| framework 1 | ||
| Work Type:Unreleased Soundwork | |
|
| Location(s):unspecified | ||
|
Patrick McGinley | Year:2002 |
| the garden | ||
| Work Type:Unreleased Soundwork | |
|
| Location(s):unspecified | ||
 |
Iris Garrelfs | Year:2002 |
| Parallel Textures | ||
| Work Type:6-channel audio installation | |
|
| Location(s):Art at the Centre, Reading | ||
|
J. Milo Taylor | Year:2002 |
| Behold!Your Future Executioners! | ||
| Work Type:Solo Project | |
|
| Location(s): | ||
 |
Brown Sierra | Year:2002 |
| rotating electro magnetic fields | ||
| Work Type:Guitar pickups Small computer fans Battery holders, with batteries coat-hangers mixing desk small PA. | ||
| Location(s):check year | ||
 |
J. Milo Taylor | Year:2002 |
| Evil_art | ||
| Work Type:Curation - Multimedia Event Series | ||
| Location(s):291 Gallery | ||
|
Janek Schaefer | Year:2002 |
| Grooves | ||
| Work Type:Exhibition | ||
| Location(s):Huddersfield Art Gallery | ||
|
Susan Philipsz | Year:2002 |
| The Internationale - 7 version | ||
| Work Type:Installation | ||
| Location(s):The International 3 | ||
|
Project Dark | Year:2002 |
| unknown | ||
| Work Type:Installation | ||
| Location(s):Huddersfield Art Gallery | ||
|
Philip Jeck | Year:2002 |
| To the Bridge | ||
| Work Type:Installation | ||
| Location(s):Huddersfield Art Gallery | ||
|
Christian Marclay | Year:2002 |
| Untitled | ||
| Work Type:Installation | ||
| Location(s):The International 3 | ||
|
Philip Jeck | Year:2002 |
| To The Bridge II | ||
| Work Type:Installation / Performance | ||
| Location(s):Huddersfield Art Gallery | ||
|
Scanner | Year:2002 |
| 2 Bungalow Street | ||
| Work Type:Installation | ||
| Location(s):38 Langham Street Gallery | ||
 |
Scanner | Year:2002 |
| Doughnut | ||
| Work Type:Installation | ||
| Location(s):Image Gallery | ||
 |
Scanner | Year:2002 |
| Friendscan | ||
| Work Type:Installation | ||
| Location(s):Barbican Gallery, | ||
 |
Scanner | Year:2002 |
| Listening at the Pictures | ||
| Work Type:Installation | ||
| Location(s):Warner Brothers Cinema, | ||
 |
Scanner | Year:2002 |
| Enamel | ||
| Work Type:Installation | ||
| Location(s):291 Gallery, London | ||
|
Chris Watson | Year:2002 |
| The Life of Mammals | ||
| Work Type:Television | ||
| Location(s):BBC TV | ||
|
Chris Watson | Year:2002 |
| A Swallow�s Journey | ||
| Work Type:Radio | ||
| Location(s):BBC Radio 4 | ||
|
Chris Watson | Year:2002 |
| A Small Slice of Tranquillity | ||
| Work Type:Radio | ||
| Location(s):BBC Radio 4 | ||
|
Chris Watson | Year:2002 |
| A Robin�s Tale | ||
| Work Type:Radio | ||
| Location(s):BBC Radio 4 | ||
 |
Chris Watson | Year:2002 |
| Hazard - Land | ||
| Work Type:CD | ||
| Location(s):Touch TONE 17 | ||
|
Peter Cusack | Year:2002 |
| Your Favourite London Sounds 1998-2001 | ||
| Work Type:CD | ||
| Location(s):Resonance FM 104.4, London | ||
|
Toplap | Year:2002 |
| Dorkbot christmas party | ||
| Work Type:Performance | ||
| Location(s):London - lottie loungecore | ||
|
David Toop | Year:2002 |
| Siren Space | ||
| Work Type:composition | ||
| Location(s):Thames Festival, London. | ||
 |
Ryoji Ikeda | Year:2002 |
| op. | ||
| Work Type:Album | ||
| Location(s):Touch TO:60 | ||
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Brown Sierra | Year:2002 |
| Pattern Perception Pattern Recognition | ||
| Work Type:A Pocket Installation | ||
| Location(s):check year | ||
 |
Brown Sierra | Year:2002 |
| metal detector | ||
| Work Type:- | ||
| Location(s):Sub Org Multimedia Event. 291 gallery hackney london. 25 October | ||
 |
Brown Sierra | Year:2002 |
| relayed pipes | ||
| Work Type:Large Outdoor installation | ||
| Location(s):78s Of a Second, Canon Hill Park Birmingham. | ||
 |
Stephen Stapleton | Year:2002 |
| Thunder Perfect Mind | ||
| Work Type:Album | ||
| Location(s): | ||
|
Cathy Lane | Year:2002 |
| The Memory Machine | ||
| Work Type:Museum Installation | ||
| Location(s):British Museum. Premiered at Cybersonica at Global Cafe, Soho, London. | ||
|
Cathy Lane | Year:2002 |
| Scan | ||
| Work Type:collaborative installation project | ||
| Location(s):Hayward Gallery, London | ||
|
Vicki Bennet | Year:2002 |
| We Edit Life | ||
| Work Type:- | ||
| Location(s):- | ||
|
Max Eastley | Year:2002 |
| Plants and Ghosts | ||
| Work Type:Sound Composition for Dance | ||
| Location(s):- | ||
 |
Vicki Bennet | Year:2002 |
| Recyclopaedia Britannica | ||
| Work Type:Album | ||
| Location(s):Mess Media/Soleilmoon Cat#: MM040302 | ||
|
Ron Kuivila | Year:2002 |
| Outgoing message | ||
| Work Type:Composition | ||
| Location(s):Sonic Arts 24 Date: 30 April 2002 Time: 19:30 Location: School of Music, University of East Anglia Featuring Ron Kuivila and Jem Finer. | ||
|
Ron Kuivila | Year:2002 |
| The Beatification of the Facsimile Tone | ||
| Work Type:Composition | ||
| Location(s):Sonic Arts 24 Date: 30 April 2002 Time: 19:30 Location: School of Music, University of East Anglia Featuring Ron Kuivila and Jem Finer. | ||
|
Ron Kuivila | Year:2002 |
| Technoirama (obsessive/compulsive) | ||
| Work Type:Composition | ||
| Location(s):Sonic Arts 24 Date: 30 April 2002 Time: 19:30 Location: School of Music, University of East Anglia Featuring Ron Kuivila and Jem Finer. | ||
|
Jonah Brucker-Cohen | Year:2002 |
| Musical/Devices | ||
| Work Type:Installation | ||
| Location(s):Cybersonica, Global Cafe, Soho, London | ||
|
David Lee Myers | Year:2002 |
| Environs 2 | ||
| Work Type:Soundwork | ||
| Location(s):Resonance Magazine Feedback compilation CD/magazine, London | ||
|
Scanner | Year:2002 |
| The Sounds of Love | ||
| Work Type:Soundwork | ||
| Location(s):BBC | ||
 |
Hayley Newman | Year:2002 |
| Roundabouts | ||
| Work Type:7 inch picture disc | ||
| Location(s):The picture disc was commissioned by Work and Leisure International, Manchester. | ||
 |
Hayley Newman | Year:2002 |
| Connotations II | ||
| Work Type:Series of Images | ||
| Location(s):Ikon Gallery, Birmingham | ||
 |
Hayley Newman | Year:2002 |
| Chalmers Bequest (a project by Elizabeth Price) - the Librarian | ||
| Work Type:Performance | ||
| Location(s):Hackney Museum, London, 5 December 2002 - 7 January 2003. Duration: 3 Days. | ||
|
Akio Suzuki | Year:2002 |
| Mogari | ||
| Work Type:Performance | ||
| Location(s):Brunei Gallery at the School of Oriental and African Studies | ||
 |
David Cunningham | Year:2003 |
| The Listening Room | ||
| Work Type:Installation | |
|
| Location(s):Second Floor Galleries 23 September - 9 November, Ikon Gallery, Birmingham | ||
|
David Cunningham | Year:2003 |
| The Listening Room | ||
| Work Type:Installation | |
|
| Location(s):Second Floor Galleries 23 September - 9 November, Ikon Gallery, Birmingham | ||
 |
David Cunningham | Year:2003 |
| Listening to the Architecture | ||
| Work Type:Installation | |
|
| Location(s):for the launch event of BBC2s Restoration project.. Clerkenwell Magistrates Court, London | ||
 |
David Cunningham | Year:2003 |
| A position between two curves | ||
| Work Type:Installation | |
|
| Location(s):TATE TRIENNIAL OF CONTEMPORARY BRITISH ART Exhibition, Tate Britain, London | ||
|
David Cunningham | Year:2003 |
| A position between two curves | ||
| Work Type:Installation | |
|
| Location(s):TATE TRIENNIAL OF CONTEMPORARY BRITISH ART Exhibition, Tate Britain, London | ||
|
David Cunningham | Year:2003 |
| A position between two curves | ||
| Work Type:Installation | |
|
| Location(s):TATE TRIENNIAL OF CONTEMPORARY BRITISH ART Exhibition, Tate Britain, London | ||
 |
Max Eastley | Year:2003 |
| INTERIOR LANDSCAPE | ||
| Work Type:kinetic sound drawing | |
|
| Location(s):Reading Hindu Temple and Community Association, 112 Whitley Street, Reading | ||
|
Kaffe Matthews | Year:2003 |
| Out with the Cold | ||
| Work Type:Soundwork | |
|
| Location(s):- | ||
|
Patrick McGinley | Year:2003 |
| oracle extended (excerpt) | ||
| Work Type:- | |
|
| Location(s):From the album definition released by absurd | ||
|
Patrick McGinley | Year:2003 |
| Buzzing Intercom, Gospel Oak | ||
| Work Type:Field Recording | |
|
| Location(s):- | ||
|
Patrick McGinley | Year:2003 |
| untitled (william english) | ||
| Work Type:Unreleased Soundwork | |
|
| Location(s):unspecified | ||
|
Patrick McGinley | Year:2003 |
| binaural haircut, london, 10.2003 | ||
| Work Type:Unreleased Soundwork | |
|
| Location(s):unspecified | ||
 |
Iris Garrelfs | Year:2003 |
| Dumplinks | ||
| Work Type:audio-visual interactive installation | |
|
| Location(s):Watermans Artcentre, Brentford, June 03. Also presented as part of Arborescence Festival, Marseille, September 04 and as part Circle of Sound at the Foundry in Londons Old Street in May 05. A 4 channel version was presented as part of Sonic Recycler 2 at | ||
|
Brian Eno | Year:2003 |
| Ambient Savage | ||
| Work Type:Soundwork | |
|
| Location(s):- | ||
|
Brian Eno | Year:2003 |
| castro haze | ||
| Work Type:Soundwork | |
|
| Location(s):- | ||
|
Brian Eno | Year:2003 |
| groan wash | ||
| Work Type:Soundwork | |
|
| Location(s):- | ||
 |
David Toop | Year:2003 |
| Black Chamber | ||
| Work Type:Album | |
|
| Location(s):Sub Rosa SR205 | ||
|
Justin Broadrick | Year:2003 |
| Jesu | ||
| Work Type:Band Project | |
|
| Location(s):- | ||
 |
Stephen Stapleton | Year:2003 |
| She And Me Fall Together In Free Death | ||
| Work Type:Album | |
|
| Location(s): | ||
 |
David Cunningham | Year:2003 |
| Lift Corridor | ||
| Work Type:Installation | ||
| Location(s):The Mailbox, Level 7 Piazza , Lift Corridor, 23 September - 1 October. | ||
|
Gregory Whitehead | Year:2003 |
| On One Lost Hair | ||
| Work Type:Radio Work | ||
| Location(s):BBC Radio 4 | ||
|
Janek Schaefer | Year:2003 |
| untitled | ||
| Work Type:Concert | ||
| Location(s):Tate Modern | ||
|
Janek Schaefer | Year:2003 |
| untitled | ||
| Work Type:Concert | ||
| Location(s):ICA | ||
|
Philip Jeck | Year:2003 |
| Ode to Joy | ||
| Work Type:Performance | ||
| Location(s):UK Tour | ||
 |
Scanner | Year:2003 |
| Je Veux | ||
| Work Type:Artists Publication | ||
| Location(s):Onestar press | ||
 |
Scanner | Year:2003 |
| Warhols Surfaces | ||
| Work Type:CD and performances | ||
| Location(s):unspecified | ||
 |
Scanner | Year:2003 |
| Qualia | ||
| Work Type:Ballet | ||
| Location(s):Royal Opera House | ||
|
Chris Watson | Year:2003 |
| The School of Sound | ||
| Work Type:Lecture / Workshop | ||
| Location(s):Purcell Room, Royal Festival Hall, South Bank, London | ||
 |
Chris Watson | Year:2003 |
| Weather Report | ||
| Work Type:CD | ||
| Location(s):Touch | ||
|
Toplap | Year:2003 |
| Live coding duet (SuperCollider 2) | ||
| Work Type:Performance | ||
| Location(s):Royal College of Art, London. | ||
|
Toplap | Year:2003 |
| supporting donna summer | ||
| Work Type:Performance | ||
| Location(s):not clickable v3.0 | ||
|
David Toop | Year:2003 |
| Hot Pants Idol | ||
| Work Type:Album | ||
| Location(s):- | ||
|
Gregory Whitehead | Year:2003 |
| Resurrection Ranch | ||
| Work Type:Radio Work | ||
| Location(s):BBC Radio 4 | ||
 |
Gregory Whitehead | Year:2003 |
| The Loneliest Road | ||
| Work Type:Radio Work | ||
| Location(s):- | ||
 |
Brandon LaBelle | Year:2003 |
| Active Ingredient | ||
| Work Type:picnic performance | ||
| Location(s):Hull Art Lab, Hull | ||
 |
Simon Elvins | Year:2003 |
| Sound Book | ||
| Work Type:Book with integrated speaker and stitched wire | ||
| Location(s):Writings on Sound in the Arts | ||
|
Cathy Lane | Year:2003 |
| Hidden Lives | ||
| Work Type:multi channel site specific sound installation | ||
| Location(s):Stoke Newington Festival | ||
|
Vicki Bennet | Year:2003 |
| The Remote Controller | ||
| Work Type:- | ||
| Location(s):- | ||
|
Max Eastley | Year:2003 |
| The Ship | ||
| Work Type:sound sculpture installation | ||
| Location(s):- | ||
 |
Max Eastley | Year:2003 |
| pangeia instrumentos | ||
| Work Type:Performance | ||
| Location(s):ICA (Institute of Contemporary Arts), London | ||
 |
David Cunningham | Year:2003 |
| Where a straight line meets a curve | ||
| Work Type:Installation | ||
| Location(s):- | ||
|
Jem Finer | Year:2003 |
| Jem Finer, GTR | ||
| Work Type:CD | ||
| Location(s):Published by artist | ||
|
Iris Garrelfs | Year:2003 |
| Just Desserts | ||
| Work Type:action research project | ||
| Location(s):New Town Primary School, West Bromwich | ||
|
Iris Garrelfs | Year:2003 |
| Empties | ||
| Work Type:soundtrack for a video | ||
| Location(s):CSV / BBC Training | ||
|
Sonic Youth | Year:2003 |
| Kim Gordon Solo Exhibiton | ||
| Work Type:exhibition | ||
| Location(s):Yorks Participant Inc Gallery | ||
 |
Z'EV | Year:2003 |
| Spire - Organ Works Past, Present and Future | ||
| Work Type:CD Compilation | ||
| Location(s):Label: Touch Catalog#: Tone 20 | ||
 |
Jonah Brucker-Cohen | Year:2003 |
| !Alerting Infrastructure! | ||
| Work Type:Installation | ||
| Location(s):Labcyberspaces Project, 3/30/07 - 6/30/07, LABORAL Centro de Arte y Creacion Industrial, Gijon, Spain. Connected,12/1-31/06, Breda, The Netherlands. Texelectronica, Fort Worth Modern Art Museum, 10/26-28/06, Dallas, Texas. OBORO, 9/16/06-10/21/06, Mont | ||
|
Jem Finer | Year:2003 |
| Slow Boat to China | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| Dimestone Acoustic Meets the Super Computer | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| 4K 161 | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| Animal | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| Between Planets | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| Tunnel Bird | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| Fiasco | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| Particle Guitar | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| A Guitar Slowly Eating Itself | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Jem Finer | Year:2003 |
| Snoop | ||
| Work Type:Composition | ||
| Location(s):recording/CD: Jem Finer, GTR (Jem Finer, 2003) | ||
|
Zoe Irving | Year:2003 |
| Magnetic Migration Music - East London | ||
| Work Type:- | ||
| Location(s):Interference Public Sound and The East Wing Collection at the Courtauld Institute | ||
|
Brown Sierra | Year:2003 |
| Taliband Tapes | ||
| Work Type:Video | ||
| Location(s): | ||
|
Vicki Bennet | Year:2004 |
| Chistmas | ||
| Work Type:Performance | |
|
| Location(s):Tate Modern, London | ||
|
Patrick McGinley | Year:2004 |
| elements | ||
| Work Type:- | |
|
| Location(s):released by ground fault | ||
|
Patrick McGinley | Year:2004 |
| they were dreaming they were stones | ||
| Work Type:- | |
|
| Location(s):released by ground fault | ||
|
Patrick McGinley | Year:2004 |
| wind and sand, portugal, 07.2004 | ||
| Work Type:Unreleased Soundwork | |
|
| Location(s):unspecified | ||
|
Dallas Simpson | Year:2004 |
| Bottle Disposal | ||
| Work Type:Soundwork | |
|
| Location(s):- | ||
 |
Merzbow | Year:2004 |
| Merzbow Vs Nordvargr | Partikel | ||
| Work Type:CD | |
|
| Location(s):CSR55CD (July 2004) | ||
 |
Stephen Stapleton | Year:2004 |
| Angry Electric Finger (SpitchCock One) | ||
| Work Type:Album | |
|
| Location(s): | ||
 |
J. Milo Taylor | Year:2004 |
| Requiem | ||
| Work Type:Short film | ||
| Location(s): ICA | ||
 |
Scanner | Year:2004 |
| Belsay Hall | ||
| Work Type:Study and Telephone Room | ||
| Location(s):Belsay Hall | ||
 |
Scanner | Year:2004 |
| A Golden Age | ||
| Work Type:Installation | ||
| Location(s):Crystal Palace Park | ||
 |
Steve Roden | Year:2004 |
| sounding architecture | ||
| Work Type:Installation | ||
| Location(s):Serpentine Gallery, | ||
|
Toplap | Year:2004 |
| Live perl coding and drumming duet with Table | ||
| Work Type:Performance | ||
| Location(s):London Placard Headphone festival. | ||
 |
Toplap | Year:2004 |
| A Context-sensitive On-the-fly Audio Programm | ||
| Work Type:Performance | ||
| Location(s):ICMC, Audicle, Princeton | ||
|
Bernhard Gal | Year:2004 |
| (Talking) Space to Space | ||
| Work Type:radio art | ||
| Location(s):Resonance FM 104.4, London Performed as part of Radio Art Riot during the Frieze Art Fair | ||
|
Bernhard Gal | Year:2004 |
| Qui Le Bruit | ||
| Work Type:quadraphonic live performance | ||
| Location(s):Old Truman Brewery, Brick Lane, London | ||
|
Bernhard Gal | Year:2004 |
| Spoor | ||
| Work Type:Installtion | ||
| Location(s):EARATIONAL Festival for electronic music and audio art | ||
 |
David Toop | Year:2004 |
| Haunted Weather: Music, Silence and Memory | ||
| Work Type:Double Album | ||
| Location(s):Staubgold | ||
|
David Toop | Year:2004 |
| Breath-Taking | ||
| Work Type:Album | ||
| Location(s):Confront | ||
|
David Toop | Year:2004 |
| Doll Creature | ||
| Work Type:Album | ||
| Location(s):Bip-Hop | ||
|
Gregory Whitehead | Year:2004 |
| Project Jericho | ||
| Work Type:Radio Work | ||
| Location(s):BBC Radio 3 | ||
|
Brown Sierra | Year:2004 |
| window recorder | ||
| Work Type:- | ||
| Location(s):bookartbookshop, hoxton, london | ||
|
John Wynne | Year:2004 |
| Fallender ton f�r 207 lautsprecher boxen | ||
| Work Type:Sound installation | ||
| Location(s):- | ||
 |
Cathy Lane | Year:2004 |
| Hidden Voices | ||
| Work Type:dance piece | ||
| Location(s):unspecified | ||
 |
Max Eastley | Year:2004 |
| Doll Creature | ||
| Work Type:Album | ||
| Location(s):Bip-Hop Cat#: BLEEP25 | ||
 |
Paul D. Miller | Year:2004 |
| Rhythm Science | ||
| Work Type:Album | ||
| Location(s):Sub Rosa Cat#: SR201 | ||
 |
Denis Smalley | Year:2004 |
| Interior Impacts | ||
| Work Type:CD | ||
| Location(s):empreintes DIGITALes | IMED 0409 | 2004 | ||
|
Bill Fontana | Year:2004 |
| Primal Soundings | ||
| Work Type:Composition | ||
| Location(s):Leeds City Gallery and Contemporary Art Society . Performances * 2005-03-12: CBSO Centre, Birmingham, UK | ||
|
Bruce Nauman | Year:2004 |
| Raw Materials | ||
| Work Type:Installation | ||
| Location(s):Tate Modern, London | ||
|
Throbbing Gristle | Year:2004 |
| ASTORIA | ||
| Work Type:Performance | ||
| Location(s):London | ||
|
Throbbing Gristle | Year:2004 |
| CAMBER SANDS | ||
| Work Type:Performance | ||
| Location(s):- | ||
 |
Iris Garrelfs | Year:2004 |
| (Talking) Space to Space | ||
| Work Type:radio project | ||
| Location(s):Resonance FM in June 04 and as part of Radio Art Riot during the Frieze Art Fair, October 04. An extract was also featured as part of Radio Day of European Cultures in October 05. An extended version was listed for the PRS New Musci Award in 05. An extrac | ||
|
Iris Garrelfs | Year:2004 |
| Of Dual Nature | ||
| Work Type:audio-visual DVD | ||
| Location(s):Sonic Arts Network�s Sound Circus | ||
 |
Z'EV | Year:2004 |
| Headphones Musics, 1 to 6 | ||
| Work Type:CD | ||
| Location(s):Touch #TO:63 | ||
 |
Z'EV | Year:2004 |
| Tinnitus Vu | ||
| Work Type:CD, Maxi-Single | ||
| Location(s):Label: Touch Catalog#: Tone 19 | ||
|
George Brecht | Year:2004 |
| George Brecht - Works from 1959 - 1973 | ||
| Work Type:Exhibition | ||
| Location(s):Gagosian Gallery Heddon Street London | ||
 |
Bjorn Askefoss | Year:2004 |
| Circle Symphonique | ||
| Work Type:Happening | ||
| Location(s):CBSO Centre in Birmingham | ||
|
Zoe Irving | Year:2004 |
| Magnetic Migration Music - Inaudible City | ||
| Work Type:collaboration | ||
| Location(s):Arnolfini Interim Programme, Bristol | ||
|
Brown Sierra | Year:2004 |
| About Clouds | ||
| Work Type:Video | ||
| Location(s): | ||
 |
Stephen Stapleton | Year:2004 |
| Angry Eelectric Finger Part Three: Mute Bell Extinction Process | ||
| Work Type:Album | ||
| Location(s): | ||
|
Dallas Simpson | Year:2004 |
| Pipechant | ||
| Work Type:environmental sound work | ||
| Location(s): | ||
 |
Justin Bennett | Year:2005 |
| Shelters for Scarborough | ||
| Work Type:3 Seafront Installations | |
|
| Location(s):Sonic Arts Network. Scarborough, Yorkshire | ||
|
Brown Sierra | Year:2005 |
| Untitled Performance | ||
| Work Type:Live Show | |
|
| Location(s):- | ||
 |
David Cunningham | Year:2005 |
| The Listening Room | ||
| Work Type:Installation | |
|
| Location(s):Camden Arts Centre | ||
|
Jem Finer | Year:2005 |
| Live Performance | ||
| Work Type:- | |
|
| Location(s):LMC Festival | ||
|
Dallas Simpson | Year:2005 |
| Water Power | ||
| Work Type:Composition | |
|
| Location(s):- | ||
 |
Iris Garrelfs | Year:2005 |
| Changing Spaces | ||
| Work Type:- | |
|
| Location(s):Creative Partnership London North | ||
|
Iris Garrelfs | Year:2005 |
| Live in Brighton | ||
| Work Type:Live Performance | |
|
| Location(s):- | ||
 |
Iris Garrelfs | Year:2005 |
| Stimung | ||
| Work Type:audio visual project | |
|
| Location(s):Bip-Hop | ||
 |
J. Milo Taylor | Year:2005 |
| The Elementals | ||
| Work Type:Community and Schools Sound / Recyling Project | |
|
| Location(s):Arnos Grove, London | ||
|
Vicki Bennet | Year:2005 |
| Story without End | ||
| Work Type:Film | ||
| Location(s):Sonic Arts Network | ||
 |
Brandon LaBelle | Year:2005 |
| Phantom Radio Broadcast | ||
| Work Type:Installation | ||
| Location(s):Resonance FM 104.4, London_Unst Programme with Seth Kim-Cohen , Mark Schreiber, and the Unst Collective. Saturday, 3.30pm November 12 | ||
|
Janek Schaefer | Year:2005 |
| The Science of Aliens | ||
| Work Type:Exhibition Soundtrack Composition | ||
| Location(s):The Science Museum | ||
|
Francisco Lopez | Year:2005 |
| unknown | ||
| Work Type: | ||
| Location(s):LoveBytes Festival, | ||
 |
Scanner | Year:2005 |
| Crime and Punishment | ||
| Work Type:Installation | ||
| Location(s):Billboard Project | ||
 |
Scanner | Year:2005 |
| Convergence | ||
| Work Type:Residency | ||
| Location(s):Hysbys | ||
|
Steve Roden | Year:2005 |
| unknown | ||
| Work Type:Performance | ||
| Location(s):Serpentine Gallery, | ||
 |
Joe Banks | Year:2005 |
| Sense Data and Perception | ||
| Work Type:CD | ||
| Location(s):Published by Iris Light | ||
 |
Joe Banks | Year:2005 |
| The Analysis of Beauty Catalogue | ||
| Work Type:Book | ||
| Location(s):unspecified | ||
|
Joe Banks | Year:2005 |
| The Analysis of Beauty | ||
| Work Type:Installation | ||
| Location(s):unspecified | ||
|
Chris Watson | Year:2005 |
| Life in the Undergrowth | ||
| Work Type:Television | ||
| Location(s):BBC TV | ||
 |
Kaffe Matthews | Year:2005 |
| Sonic Bed - London | ||
| Work Type:Installation | ||
| Location(s):South London Gallery | ||
 |
Michael J. Schumacher | Year:2005 |
| Room piece London 2005 | ||
| Work Type:Installation | ||
| Location(s):MOT Unit 54 5th floor Regents Studios 8 Andrews Road London E8 4QN | ||
|
Toplap | Year:2005 |
| Kurator launch party | ||
| Work Type:Performance | ||
| Location(s):Tate Modern, London | ||
 |
Jem Finer | Year:2005 |
| The Centre of the Universe | ||
| Work Type:Installation | ||
| Location(s):- | ||
 |
Jem Finer | Year:2005 |
| Score for a Hole in the Ground | ||
| Work Type:Installation | ||
| Location(s):Kings Wood, Challock in Kent | ||
|
Bernhard Gal | Year:2005 |
| Space | ||
| Work Type:Performance | ||
| Location(s):unknown | ||
 |
David Toop | Year:2005 |
| 37th Floor At Sunset: Music For Mondophreneti | ||
| Work Type:CD | ||
| Location(s):Sub Rosa SR163 | ||
|
David Toop | Year:2005 |
| Unknown | ||
| Work Type:Installation | ||
| Location(s):John Latham�s Lisson Gallery exhibition, God Is Great and Belief Systems As Such | ||
|
David Toop | Year:2005 |
| retrospective of Bob Cobbings work | ||
| Work Type:Curation | ||
| Location(s):Bury Art Gallery, Lancashire | ||
|
David Toop | Year:2005 |
| Playing John Cage | ||
| Work Type:Curation | ||
| Location(s):Arnolfini Gallery, Bristol | ||
 |
Andrea Polli | Year:2005 |
| N. | ||
| Work Type:Sonification Project | ||
| Location(s):Lovebytes Festival, Sheffield | ||
 |
Simon Elvins | Year:2005 |
| Paper Record Player | ||
| Work Type:Fully working manual player | ||
| Location(s):400x330x50mm | ||
 |
Simon Elvins | Year:2005 |
| Silent London | ||
| Work Type:Map | ||
| Location(s):unspecified | ||
 |
Simon Elvins | Year:2005 |
| Sound Walk | ||
| Work Type:A3 Booklet, Audio CD | ||
| Location(s):- | ||
 |
Simon Elvins | Year:2005 |
| Direct Line | ||
| Work Type:Collaboration in Hyde Park | ||
| Location(s):London | ||
|
Keiko Uenishi | Year:2005 |
| Aboard: Fillip2 | ||
| Work Type:Installation | ||
| Location(s):Fortescue Gallery, London | ||
 |
John Wynne | Year:2005 |
| Hearing Voices | ||
| Work Type:Sound installation | ||
| Location(s):Botswana National Museum, National Art Gallery of Namibia, London Brunei Gallery | ||
 |
Max Eastley | Year:2005 |
| Glacial Sound-scape | ||
| Work Type:- | ||
| Location(s):THE ICE GARDEN, 15-18 December Clarendon Quad, Bodleian Library, Oxford. Group exhibition with Heather Ackroyd and Dan Harvey, Kathy Barber, David Buckland, Peter Clegg, Max Eastley, Ian McEwan | ||
 |
David Cunningham | Year:2005 |
| Exterior | ||
| Work Type:Installation | ||
| Location(s):Architectural Association, London | ||
 |
Chris Watson | Year:2005 |
| Number Zero | ||
| Work Type:CD | ||
| Location(s):Touch TONE 24 | ||
|
Chris Watson | Year:2005 |
| The Galapagos Islands - An Audio Diary | ||
| Work Type:Soundwork | ||
| Location(s):Touch | ||
|
Sonic Youth | Year:2005 |
| Reverse Karaoke | ||
| Work Type:Installation | ||
| Location(s):HER NOISE, SOUTH LONDON GALLERY, London | ||
|
Kaffe Matthews | Year:2005 |
| Sonic Bed, Menu Of Five Pleasures | ||
| Work Type:Installation | ||
| Location(s):HER NOISE, SOUTH LONDON GALLERY, London | ||
|
Christina Kubisch | Year:2005 |
| West End Electrical Walks | ||
| Work Type:Installation | ||
| Location(s):HER NOISE, SOUTH LONDON GALLERY, London | ||
|
Kaffe Matthews | Year:2005 |
| Live Performance - 30th April 2005 | ||
| Work Type:Performance | ||
| Location(s):- | ||
 |
Z'EV | Year:2005 |
| Number One | ||
| Work Type:CD | ||
| Location(s):Label: Touch Catalog#: Tone 24 | ||
|
Z'EV | Year:2005 |
| Untitled | ||
| Work Type:File, MP3 | ||
| Location(s):TouchRadio 4 | ||
 |
Hayley Newman | Year:2005 |
| Their feet should not be on anything solid | ||
| Work Type:Performance | ||
| Location(s):Camden Arts Centre, London | ||
 |
Hayley Newman | Year:2005 |
| Karaoke Record Cutting | ||
| Work Type:Performance | ||
| Location(s):Barbican Art Gallery, London, 20 April 2005. Performance. Duration: 2 hours. | ||
 |
Hayley Newman | Year:2005 |
| Woodshed | ||
| Work Type:Installation/Performance | ||
| Location(s):Beaconsfield, London, | ||
 |
Hayley Newman | Year:2005 |
| MiniFlux | ||
| Work Type:Installation/Performance | ||
| Location(s):Her Noise, South London Gallery, London, 10 November 2005 - 18 December 2005 | ||
 |
Hayley Newman | Year:2005 |
| The Mermaid | ||
| Work Type:Performance | ||
| Location(s):Variety, De La Warr Pavillion, Bexhill and The Mildmay Club, London, 12 November 2005 | ||
|
William Furlong | Year:2005 |
| Simple Folk | ||
| Work Type:Soundwork | ||
| Location(s):Plymouth Arts Centre | ||
|
Dallas Simpson | Year:2005 |
| Freefall | ||
| Work Type:sound art collective | ||
| Location(s):Eire: European Center for Culture Cork 2005 | ||
|
Z'EV | Year:2005 |
| BLACK PINE SPIN | ||
| Work Type:FOR DOPPLER SHIFTING STEEL METAL DISCS | ||
| Location(s):�POWER PLANT� SHOW � BOTANICAL GARDENS | ||
|
Vicki Bennet | Year:2006 |
| Boots | ||
| Work Type:Live Performance | |
|
| Location(s):PRS Foundation for New Music and Arts Council England. Quay Arts Centre in Newport | ||
 |
David Cunningham | Year:2006 |
| A piano in a gallery | ||
| Work Type:Installation | |
|
| Location(s):Carter Presents, London | ||
 |
Iris Garrelfs | Year:2006 |
| Specified Encounters | ||
| Work Type:CD | |
|
| Location(s):Bip-Hop | ||
|
Throbbing Gristle | Year:2006 |
| What a Day | ||
| Work Type:Soundwork | |
|
| Location(s):- | ||
 |
Justin Broadrick | Year:2006 |
| Final - Three | ||
| Work Type:Album | |
|
| Location(s):Neurot | ||
 |
J. Milo Taylor | Year:2006 |
| George and the Girl Downstaris | ||
| Work Type:Puppet Performance / Immersive Environment | |
|
| Location(s):Oxo Tower, South Bank | ||
|
J. Milo Taylor | Year:2006 |
| Bit-totem | ||
| Work Type:Contemporary Improvising Trio | |
|
| Location(s): | ||
 |
Scanner | Year:2006 |
| Night Haunts | ||
| Work Type:Installation | ||
| Location(s):Artangel, | ||
 |
Scanner | Year:2006 |
| Passing Beneath the Surface | ||
| Work Type:Installation | ||
| Location(s):Sunderland | ||
 |
Scanner | Year:2006 |
| Eagle Ward | ||
| Work Type:Installation | ||
| Location(s):The Great Hospital, | ||
|
Toplap | Year:2006 |
| Lusco-Fusco : Paul Dirac Party | ||
| Work Type:Performance | ||
| Location(s):Birmingham SuperCollider symposium | ||
|
Toplap | Year:2006 |
| Resonance Fm, London | ||
| Work Type:studio discussion | ||
| Location(s):Threshold Festival, London | ||
|
Toplap | Year:2006 |
| Untitled | ||
| Work Type:Performance | ||
| Location(s):We Love Technology, Huddersfield | ||
 |
Brandon LaBelle | Year:2006 |
| Sound/Stage | ||
| Work Type:Installation | ||
| Location(s):fa projects, London | ||
|
delire+pix | Year:2006 |
| fijuu | ||
| Work Type:3D, audio/visual installation | ||
| Location(s):- | ||
 |
delire+pix | Year:2006 |
| q3apd | ||
| Work Type:3D, audio/visual installation | ||
| Location(s):Lovebytes Festival, Sheffield | ||
 |
Simon Elvins | Year:2006 |
| Notation | ||
| Work Type:Audible prints using pencil and ink | ||
| Location(s):- | ||
 |
Simon Elvins | Year:2006 |
| FM Radio Map | ||
| Work Type:Modified radio and interactive print | ||
| Location(s):unspecified | ||
 |
John Wynne | Year:2006 |
| Sound CAD | ||
| Work Type:Sound installation | ||
| Location(s):E:vent Gallery, London | ||
 |
John Wynne | Year:2006 |
| 230 Unwanted Speakers | ||
| Work Type:Sound installation | ||
| Location(s):Hull Art Lab, Hull | ||
 |
Paul D. Miller | Year:2006 |
| Rebirth of a Nation | ||
| Work Type:Audio-visual Performance | ||
| Location(s):Optronica Festival , British Film Institutes IMAX cinema and the National Film Theatre | ||
|
Vicki Bennet | Year:2006 |
| Resemblage | ||
| Work Type:short film | ||
| Location(s):Optronica Festival , British Film Institutes IMAX cinema and the National Film Theatre | ||
|
Iris Garrelfs | Year:2006 |
| Performance Project with Alexander Selski | ||
| Work Type:- | ||
| Location(s):Performances have included Lovebytes Festival and South London Gallery | ||
|
Scanner | Year:2006 |
| Breakthrough | ||
| Work Type:- | ||
| Location(s):WAVES exhibition. August 25 - September 17, 2006 at the Exhibition Hall ARSENALS of the Latvian National Museum of Art | ||
|
Chris Watson | Year:2006 |
| Alcedo Volcano | ||
| Work Type:Soundwork | ||
| Location(s):Touch | ||
|
Chris Watson | Year:2006 |
| Siren | ||
| Work Type:CD | ||
| Location(s):Platform Projects / Morning Star BS 003 | ||
 |
Chris Watson | Year:2006 |
| Storm | ||
| Work Type:CD | ||
| Location(s):Touch TONE 27 | ||
|
Throbbing Gristle | Year:2006 |
| UNTITLED 3 | ||
| Work Type:3 CD | ||
| Location(s):- | ||
|
Throbbing Gristle | Year:2006 |
| IN THE SHADOW OF THE SUN | ||
| Work Type:Performance | ||
| Location(s):Volksbuhne Theatre, Berlin. | ||
|
Iris Garrelfs | Year:2006 |
| springtide | ||
| Work Type:5.1 piece | ||
| Location(s):Fatcat Records | ||
|
Merzbow | Year:2006 |
| Metamorphism | ||
| Work Type:CD | ||
| Location(s):Very Friendly | ||
|
Z'EV | Year:2006 |
| Atlantic Waves 2006 | ||
| Work Type:CD Compilation | ||
| Location(s):Label: Wire Magazine , Calouste Gulbenkian Foundation Catalog#: none, CGFCD106-2 | ||
|
Chris Watson | Year:2006 |
| Storm | ||
| Work Type:- | ||
| Location(s):- | ||
|
Zbigniew Karkowski | Year:2006 |
| Field | ||
| Work Type:Composition | ||
| Location(s):2006-05-05: Cut and Splice: Acousmonium, ICA London | ||
| J. Milo Taylor | Year:2006 | |
| Institute of Serendipitous Sonoptics | ||
| Work Type:Cinematic Improvisation | ||
| Location(s): | ||
|
J. Milo Taylor | Year:2006 |
| The Universe in a Hankerchief | ||
| Work Type:Soundwork | ||
| Location(s): | ||
 |
J. Milo Taylor | Year:2006 |
| Non_Ferrous Prostitution | ||
| Work Type:Audio-video circuit-bent puppetry performance | ||
| Location(s):Node.london Festival @ Threshold | ||
|
J. Milo Taylor | Year:2006 |
| 60x4 Random Play | Ver I, II and III | ||
| Work Type:4-channel indeterminate live soundwork | ||
| Location(s):Wormhole Saloon, Whitechapel Gallery | ||
|
J. Milo Taylor | Year:2007 |
| Astaroth | ||
| Work Type:Grimprovisation Duo | |
|
| Location(s): | ||
|
Throbbing Gristle | Year:2007 |
| PART TWO - The Endless Not | ||
| Work Type:CD | ||
| Location(s):- | ||
 |
Brian Eno | Year:2007 |
| The Constellations (77 Million Paintings) | ||
| Work Type:Installation | ||
| Location(s):Baltic, Gateshead | ||
 |
Christian Marclay | Year:2007 |
| Crossfire | ||
| Work Type:Installation | ||
| Location(s):White Cube Gallery, London | ||
|
Janek Schaefer | Year:2007 |
| Vacant Space | ||
| Work Type:Installation | ||
| Location(s):Sound Space Symposium, South Hill Park, Bracknell, UK | ||
 |
Joe Banks | Year:2007 |
| Circuit Blasting | ||
| Work Type:CD | ||
| Location(s):ADAADAT ADT0019/CD | ||
|
Brown Sierra | Year:2007 |
| APHASIA | ||
| Work Type:Film Performance / with Live Soundtrack | ||
| Location(s):London Kingsgate Gallery Wednesday 28 March 2007, at 7pm | ||
|
Brown Sierra | Year:2007 |
| AVEIMORE / LAKE WINDEMERE 1977 | ||
| Work Type:Film Performance / with Live Soundtrack | ||
| Location(s):London Kingsgate Gallery Wednesday 28 March 2007, at 7pm | ||
|
Brown Sierra | Year:2007 |
| THE ARCHITECTURE OF PSYCHOLOGY | ||
| Work Type:Film Performance / with Live Soundtrack | ||
| Location(s):London Kingsgate Gallery Wednesday 28 March 2007, at 7pm | ||
 |
Hayley Newman | Year:2007 |
| Luck be a Lady | ||
| Work Type:Performance | ||
| Location(s):Alma Enterprises, London, 13 April 2007 | ||
|
Chris Watson | Year:2007 |
| Interview | ||
| Work Type: | ||
| Location(s): | ||
 |
J. Milo Taylor | Year:2007 |
| Hallow'een Performance | ||
| Work Type:Intermedia | ||
| Location(s):Glue Rooms | ||
|
J. Milo Taylor | Year:2007 |
| Delayed Departures | ||
| Work Type:Sound recordist | ||
| Location(s):BBC Radio 4 Drama | ||
|
J. Milo Taylor | Year:2007 |
| Unknown Devices Laptop Orchestra | ||
| Work Type:Improvising Orchestra | ||
| Location(s): | ||
 |
Toplap | Year:2007 |
| A prehistory of live coding | ||
| Work Type:CD Compilation | ||
| Location(s): | ||
|
John Wynne | Year:2008 |
| ITU | ||
| Work Type:Video / Surround Sound | |
|
| Location(s): | ||
|
Christina Kubisch | Year:2008 |
| Tea Time (Autumn Leaves Mix) | ||
| Work Type:Soundwork / CD track | |
|
| Location(s): | ||
|
Jem Finer | Year:2008 |
| Water and Birds | ||
| Work Type:Soundwork / CD track | |
|
| Location(s): | ||
 |
J. Milo Taylor | Year:2008 |
| Aldgate Animation | ||
| Work Type:Commissioned Sound Design | |
|
| Location(s):Open City Exhibition | ||
 |
J. Milo Taylor | Year:2008 |
| Another Type of WorkSong (for Huddie Ledbetter ) | ||
| Work Type:Soundwork | |
|
| Location(s): | ||
 |
J. Milo Taylor | Year:2008 |
| Little Johnny Anger | ||
| Work Type:Solo Performance Project | |
|
| Location(s): | ||
|
J. Milo Taylor | Year:2008 |
| The Objectifiers | ||
| Work Type:Intermedia Performace | |
|
| Location(s):Whitechapel Gallery | ||
|
Zoviet France | Year:2008 |
| Variations VII | ||
| Work Type:Performance | ||
| Location(s):AV Festival , Baltic Centre | ||