|
|||
 101 selected statement(s) in Japan |
|||
 |
Yasunao Tone | Year:1960 |
| Group Ongaku | ||
| Work Type:Group |  |
|
| Location(s): | ||
|
Yasunao Tone | Year:1962 |
| One Man Show by a Composer | ||
| Work Type:Concert | ||
| Location(s): | ||
|
Akio Suzuki | Year:1963 |
| Self Discovery Exercise | ||
| Work Type:Event | ||
| Location(s):- | ||
|
Yasunao Tone | Year:1963 |
| Hi-Red Center | ||
| Work Type:Group | ||
| Location(s): | ||
|
Yasunao Tone | Year:1963 |
| Sweet Sixteen | ||
| Work Type:event festival | ||
| Location(s): | ||
| Karlheinz Stockhausen | Year:1966 | |
| TELEMUSIK | ||
| Work Type:Electronic Composition | ||
| Location(s):NHK, the Japanese Radio , Tokyo | ||
| Karlheinz Stockhausen | Year:1966 | |
| SOLO | ||
| Work Type:Electronic Composition | ||
| Location(s):NHK, the Japanese Radio , Tokyo | ||
|
Yasunao Tone | Year:1966 |
| Biogode Process Music Festival | ||
| Work Type:computer art festival | ||
| Location(s): | ||
|
Yasunao Tone | Year:1966 |
| Theater Piece for Computer | ||
| Work Type:Composition | ||
| Location(s): | ||
|
Yasunao Tone | Year:1969 |
| Intermedia Festival | ||
| Work Type:Festival | ||
| Location(s): | ||
 |
Karlheinz Stockhausen | Year:1970 |
| Spherical Concert Hall | ||
| Work Type:- | ||
| Location(s):World Expo,Osaka | ||
|
Merzbow | Year:1979 |
| Lowest Music and Arts | ||
| Work Type:Record Label | ||
| Location(s): | ||
|
Merzbow | Year:1980 |
| Remblandt Assemblage | ||
| Work Type:Noise Cassette | ||
| Location(s): | ||
 |
Merzbow | Year:1981 |
| Metal Acoustic Music | ||
| Work Type:Noise | ||
| Location(s):Lowest Music and Arts | ||
|
Merzbow | Year:1981 |
| Collection Era Vol. 1 | ||
| Work Type:Cassette Noise | ||
| Location(s): | ||
|
Merzbow | Year:1984 |
| ZSF Produkt | ||
| Work Type:Record Label | ||
| Location(s): | ||
|
Merzbow | Year:1984 |
| Mechanization Takes Command | ||
| Work Type:Album | ||
| Location(s):ZSF Produckt | ||
| Akio Suzuki | Year:1988 | |
| Hinatabokko no kukan (Space in the Sun) | ||
| Work Type:Sound Project | ||
| Location(s):- | ||
|
Paul DeMarinis | Year:1988 |
| Alien Voices | ||
| Work Type:Installation | ||
| Location(s):Kanagawa Science Park, Permanent collection, | ||
|
Brian Eno | Year:1989 |
| Sound and Light | ||
| Work Type:Audio-Visual Installation | ||
| Location(s):Seed Gallery, Shibuya Seibu,Tokyo | ||
|
Brian Eno | Year:1990 |
| Natural Selections | ||
| Work Type:Installation | ||
| Location(s):Tokyo | ||
| Merzbow | Year:1990 | |
| Cloud Cock 00 Grand | ||
| Work Type:CD | ||
| Location(s):ZSF Produkt, MERZ CD-01 | ||
|
Otomo Yoshihide | Year:1990 |
| Ground Zero | ||
| Work Type:Group | ||
| Location(s):1990-99 | ||
|
Atau Tanaka | Year:1990 |
| Biosensors | ||
| Work Type:- | ||
| Location(s): | ||
 |
Christina Kubisch | Year:1991 |
| Music Between Parallel Wires | ||
| Work Type:Outdoor Installation | ||
| Location(s):Xebec Hall | ||
|
Christina Kubisch | Year:1991 |
| Magnetic Forest | ||
| Work Type:Outdoor Installation | ||
| Location(s):Junior College of the Arts,University for Art | ||
|
Steve Roden | Year:1991 |
| Fireworks | ||
| Work Type:Japan Tour: | ||
| Location(s):Fandangos, Osaka; Stage Senin, Sayama, Theatre Poo,Shinjuku, Tokyo | ||
 |
Minoru Sato | Year:1991 |
| sound of electro-magnetic field by fluorescent lamps | ||
| Work Type:installation | ||
| Location(s):Kawasaki City Museum, | ||
| Christina Kubisch | Year:1992 | |
| The True and The False | ||
| Work Type:Installation | ||
| Location(s): | ||
|
James Tenney | Year:1992 |
| Love Me Do and Do You Want to Know a Secret. | ||
| Work Type:Composition | ||
| Location(s):Commissioned by Toshiba EMI for Aki Takahashi. Copyright JT. [R: Aki Takahashi, �Let It Be�, Toshiba EMI CD TOCE-8021] | ||
| John Oswald | Year:1993 | |
| Plexture | ||
| Work Type:CD | |
|
| Location(s):Avant DIW | ||
|
Max Eastley | Year:1993 |
| Exhibition (details unknown) | ||
| Work Type: | ||
| Location(s):Artec Biennale, Nagoya | ||
|
Max Eastley | Year:1993 |
| Untitled live show | ||
| Work Type:Performance | ||
| Location(s):Xebec Hall, Kobe | ||
| Minoru Sato | Year:1993 | |
| linear manifold | ||
| Work Type:site-specific installation | ||
| Location(s):SoundCulture Japan Old salt-storehouse of Yurin-kan | ||
|
Atau Tanaka | Year:1993 |
| SensorBand | ||
| Work Type:Ensemble | ||
| Location(s): | ||
|
Minoru Sato | Year:1994 |
| WrK | ||
| Work Type:Label | ||
| Location(s):- | ||
|
Merzbow | Year:1994 |
| Noisembryo | ||
| Work Type:Sounding Object | ||
| Location(s): | ||
|
Toshiya Tsunoda | Year:1995 |
| Cavity of Cylinder | ||
| Work Type:Soundwork | |
|
| Location(s): | ||
|
Toshiya Tsunoda | Year:1995 |
| Curved Pipe | ||
| Work Type:Soundwork | |
|
| Location(s): | ||
|
Steve Roden | Year:1995 |
| Asphalt Opera #9 | ||
| Work Type: | ||
| Location(s):Zenko Temple, , | ||
|
Steve Roden | Year:1995 |
| Communicating Vessels | ||
| Work Type:performance | ||
| Location(s): | ||
|
Achim Wollscheid | Year:1995 |
| say | ||
| Work Type:Installation | ||
| Location(s):Kawasaki City Museum | ||
| Otomo Yoshihide | Year:1995 | |
| Tatakiuri: Japan/China Point of Sales Tour | ||
| Work Type:CD | ||
| Location(s):Sank-ohso Discs/Creativeman Disc., CMDD-00017 | ||
| Minoru Sato | Year:1995 | |
| surface | ||
| Work Type:site-specific installation | ||
| Location(s):street at Aoyama | ||
| Minoru Sato | Year:1995 | |
| emerge from the perturbation field | ||
| Work Type:installation | ||
| Location(s):Gallery KIGOMA, | ||
| Akio Suzuki | Year:1995 | |
| Make Up | ||
| Work Type:Sound Installation | ||
| Location(s): | ||
|
Otomo Yoshihide | Year:1996 |
| MC HellShit and DJ Carhouse | ||
| Work Type:Duo | ||
| Location(s): | ||
|
Achim Wollscheid | Year:1996 |
| Kunitachi sound transformation | ||
| Work Type:Installation | ||
| Location(s):Kunitachi City | ||
 |
Hans Peter Kuhn | Year:1996 |
| Sounds for a Space in the Sun | ||
| Work Type:Installation | ||
| Location(s):3rd Festival for an ancient hill, Tango | ||
|
Otomo Yoshihide | Year:1996 |
| Twins | ||
| Work Type:CD | ||
| Location(s):- | ||
 |
Otomo Yoshihide | Year:1996 |
| Revolutionary Pekinese Opera (ver 1.28) | ||
| Work Type:Plunderphonic Performance | ||
| Location(s):ReR, GZ1, 1996 (UK); Locus Solus, LSI 1007 (Japan). | ||
 |
Minoru Sato | Year:1996 |
| circuit model of physical vibration for power source | ||
| Work Type:performance/multiple | ||
| Location(s):1996-2002 | ||
 |
Minoru Sato | Year:1996 |
| eigen-state and the displacement | ||
| Work Type:site-specific installation | ||
| Location(s):XEBEC hall | ||
 |
Minoru Sato | Year:1996 |
| Detecting space conditions from phase-contrast by using sine waves and a gate on various sounds | ||
| Work Type:performance | ||
| Location(s):uplink factory | ||
|
Toshiya Tsunoda | Year:1997 |
| Wind Whistling | ||
| Work Type:Soundwork | |
|
| Location(s): | ||
|
Toshiya Tsunoda | Year:1997 |
| Ferry Passing | ||
| Work Type:Soundwork | |
|
| Location(s): | ||
| Benoit Maubrey | Year:1997 | |
| AUDIO GEISHAS | ||
| Work Type:- | ||
| Location(s):NTT- InterCommunication Center, Tokyo, Tokyo Opera City Tower, Spiral Hall, Akihabara | ||
|
Zbigniew Karkowski | Year:1997 |
| END ID | ||
| Work Type:CD | ||
| Location(s):Digital Narcis | ||
| Merzbow | Year:1997 | |
| Masami Akita and Zbigniew Karkowski (aka MAZK) | ||
| Work Type:CD | ||
| Location(s):OR, IF 2 | ||
| Minoru Sato | Year:1997 | |
| numerical wave observation | ||
| Work Type:drawing | ||
| Location(s):ear as eye | ||
|
Otomo Yoshihide | Year:1998 |
| Filament | ||
| Work Type:Duo | |
|
| Location(s):Ongoing Collaboration | ||
 |
Atau Tanaka | Year:1998 |
| 9m14s Over Vietnam | ||
| Work Type:Audio-visual composition | |
|
| Location(s): | ||
|
Steve Roden | Year:1998 |
| SoundWork | ||
| Work Type: | ||
| Location(s):Japan performances tour: | ||
|
Otomo Yoshihide | Year:1998 |
| I.S.O. | ||
| Work Type:Band Project | ||
| Location(s):Ongoing Collaboration | ||
|
Carsten Nicolai | Year:1999 |
| Major Group Show | ||
| Work Type: | ||
| Location(s):Watari-Um Museum, | ||
| Otomo Yoshihide | Year:1999 | |
| Turntable Solos | ||
| Work Type:CD Compilation | ||
| Location(s):Valve/AMOEBiC, AMO-VA-01 | ||
| Minoru Sato | Year:1999 | |
| solar cell camera | ||
| Work Type:instrument | ||
| Location(s):Sound Art - Sound as Media( ICC) exhibition catalogue | ||
| Atau Tanaka | Year:2000 | |
| Bondage | ||
| Work Type:Audio-visual composition | |
|
| Location(s): | ||
|
Carl Micheal von Hausswolff | Year:2000 |
| Group exhibition | ||
| Work Type:Exhibition | ||
| Location(s): ICC, | ||
|
Bernhard Gal | Year:2000 |
| Defragmentation/white | ||
| Work Type:Intermedia / Audio-architectural installation | ||
| Location(s):Gallery Shigpro, Tokyo 2000 | ||
| Otomo Yoshihide | Year:2000 | |
| Masters of Japanese Electronic Music | ||
| Work Type:CD Compilation | ||
| Location(s):Far East Experimental Sounds, FEES7 | ||
| Minoru Sato | Year:2000 | |
| finding of a state of light: distribution of luminous intensity and its fluctuation | ||
| Work Type:site-specific installation | ||
| Location(s):Sound Art - Sound as Media at ICC | ||
|
Atau Tanaka | Year:2000 |
| mp3q | ||
| Work Type:- | ||
| Location(s): | ||
|
Otomo Yoshihide | Year:2001 |
| New Jazz Quintet/Ensemble/Orchestra | ||
| Work Type:Band Project | |
|
| Location(s):Ongoing Collaboration | ||
|
Ryoji Ikeda | Year:2001 |
| untitled [for 10 turntables] | ||
| Work Type:Installation | ||
| Location(s):Maison de Hermes Japan, Tokyo | ||
|
Merzbow | Year:2001 |
| Zeitkratzer - Noise\...[l�rm] | ||
| Work Type:CD | ||
| Location(s):Tourette, TICK 4 | ||
 |
Miki Yui | Year:2001 |
| wanderland | ||
| Work Type:sound installation for anechoic chamber | ||
| Location(s): | ||
 |
Carsten Nicolai | Year:2001 |
| empty garden | ||
| Work Type: portable cd player, shoulder speakers, soundtrack | ||
| Location(s): | ||
 |
Atau Tanaka | Year:2002 |
| Sensors_Sonics_Sights | ||
| Work Type:dynamic sound/image environment | ||
| Location(s): | ||
|
Carsten Nicolai | Year:2002 |
| Major Group Show | ||
| Work Type: | ||
| Location(s):Watari Museum of Contemporary Art | ||
 |
Bernhard Gal | Year:2002 |
| Green Box | ||
| Work Type:Intermedia / Audio-architectural installation | ||
| Location(s):Musashino Public Art Project, Tokyo | ||
|
David Toop | Year:2002 |
| Dreaming of Inscription On Skin | ||
| Work Type:Installation | ||
| Location(s):ICC, Tokyo | ||
 |
Ryoji Ikeda | Year:2002 |
| db | ||
| Work Type:Installation | ||
| Location(s):ICC, Tokyo | ||
 |
Otomo Yoshihide | Year:2002 |
| Festival Beyond Innocence: A Brief History in 67 Chapters | ||
| Work Type:CD Compilation | ||
| Location(s):FBI Disc / Innocent Records, FBI 102/5 | ||
|
Minoru Sato | Year:2002 |
| circuit model of physical vibration for power source | ||
| Work Type:performance | ||
| Location(s):Tochigi Prefectural Museum of Fine Arts | ||
 |
Minoru Sato | Year:2002 |
| circuit model of physical vibration for power source | ||
| Work Type:multiple | ||
| Location(s):- | ||
|
Atau Tanaka | Year:2002 |
| Prom�th�e Num�rique | ||
| Work Type:- | ||
| Location(s): | ||
 |
David Cunningham | Year:2003 |
| The Listening Room and Stairwell (untitled) | ||
| Work Type:Installation | ||
| Location(s):ICC, Tokyo | ||
|
David Cunningham | Year:2003 |
| The Listening Room and Stairwell (untitled) | ||
| Work Type:Installation | ||
| Location(s):ICC, Tokyo | ||
 |
Janek Schaefer | Year:2003 |
| untitled | ||
| Work Type:Concert | ||
| Location(s):Space Invaders, Kyoto | ||
 |
David Cunningham | Year:2004 |
| Interior | ||
| Work Type:Installation | ||
| Location(s):Kanazawa | ||
 |
Ryoji Ikeda | Year:2004 |
| data.spectra [prototype] | ||
| Work Type:Installation | ||
| Location(s):Gallery Yada, Nagoya | ||
|
Otomo Yoshihide | Year:2004 |
| Haunted Weather | ||
| Work Type:CD Compilation | ||
| Location(s):Staubgold, staubgold 52) (Germany), (Headz, STAUB-JP 2 / HEADZ 26) | ||
 |
Otomo Yoshihide | Year:2004 |
| Intonarumori Orchestra | ||
| Work Type:CD | ||
| Location(s):Off Site, OFF SITE-004 | ||
 |
Minoru Sato | Year:2004 |
| observation of thermal states through a stationary wave | ||
| Work Type:site-specific installation | ||
| Location(s):Osaka Chikko Harbor Red Brick Warehouse in Osaka | ||
 |
Merzbow | Year:2005 |
| Cruelty Free Life | ||
| Work Type:Book | ||
| Location(s): | ||
| Akio Suzuki | Year:2007 | |
| Noiseless | ||
| Work Type:Group Show | |
|
| Location(s):MOMAK | ||
| Akio Suzuki | Year:2007 | |
| Noiseless | ||
| Work Type:Group Show | |
|
| Location(s):MOMAK | ||
| Minoru Sato | Year:2007 | |
| - | ||
| Work Type:CD | ||
| Location(s):Spekk | ||
| Minoru Sato | Year:2007 | |
| Practice for locality and non-locality derived from diffraction of lights | ||
| Work Type:installation | ||
| Location(s):- | ||
|
Rolf Julius | Year:2007 |
| NOISELESS | ||
| Work Type:Sound Installation | ||
| Location(s): | ||