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 161 selected statement(s) in Australia |
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Percy Grainger | Year:1938 |
| Free Music Machines | ||
| Work Type:- | ||
| Location(s):- | ||
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Warren Burt | Year:1972 |
| Aardvarks IV | ||
| Work Type:Noise Composition |  |
|
| Location(s): | ||
|
David Worrall | Year:1973 |
| Mobile 1 | ||
| Work Type:Instrumental Composition | ||
| Location(s): | ||
|
David Worrall | Year:1975 |
| Iquaqua | ||
| Work Type:Musique concr�te for 2 channel tape. | ||
| Location(s): | ||
|
Bill Fontana | Year:1976 |
| Kiribilli Wharf | ||
| Work Type:multichannel soundsculpture / Radio Broadcast | ||
| Location(s):ABC FM | ||
|
Jon Rose | Year:1976 |
| The Relative Violin | ||
| Work Type: | ||
| Location(s): | ||
|
David Worrall | Year:1976 |
| Chamber Variations | ||
| Work Type:Instrumental Composition | ||
| Location(s): | ||
|
Ros Bandt | Year:1977 |
| Winds and Circuits, and Surfaces and Cavities | ||
| Work Type:Installation | ||
| Location(s):Clifton Hill Community Music Centre | ||
| Warren Burt | Year:1977 | |
| Nocturnal B | ||
| Work Type:Video | ||
| Location(s): | ||
|
Ros Bandt | Year:1978 |
| The Flagong, | ||
| Work Type:Instrument Design | ||
| Location(s):The Third Sculpture Triennial | ||
|
Warren Burt | Year:1979 |
| SoundBath | ||
| Work Type:Live Performance Recording | |
|
| Location(s): | ||
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David Dunn | Year:1981 |
| Rainfall at Launching Place | ||
| Work Type: | |
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| Location(s):National Gallery of Victoria | ||
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Ros Bandt | Year:1981 |
| The Sound Playground | ||
| Work Type:Installation | |
|
| Location(s):Temple Park | ||
|
Warren Burt | Year:1981 |
| Lo Fi Melodic Electronics 1979-81 | ||
| Work Type:Lo Fi Plunderphonics | |
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| Location(s): | ||
|
Warren Burt | Year:1981 |
| Still for Eva - Dawn II | ||
| Work Type:Sound for Dance | |
|
| Location(s): | ||
|
Warren Burt | Year:1982 |
| In the Solomans (for Bill Viola) | ||
| Work Type:Composition | |
|
| Location(s): | ||
|
Warren Burt | Year:1982 |
| In Memoriam Bill Evans | ||
| Work Type:Video | ||
| Location(s): | ||
|
Jon Rose | Year:1983 |
| Squash | ||
| Work Type:Performance | ||
| Location(s):Praxis, Freemantle, Perth | ||
|
Warren Burt | Year:1985 |
| Almond Bread Harmonies II | ||
| Work Type:Experimental Composition | |
|
| Location(s): | ||
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Ros Bandt | Year:1985 |
| Touch Sound, | ||
| Work Type:Sound Sculpture | ||
| Location(s):Roar Studios | ||
|
Ros Bandt | Year:1985 |
| SSIIPP, | ||
| Work Type:Installation | ||
| Location(s):unspecified | ||
|
Jon Rose | Year:1985 |
| Relative Band plays Cricket | ||
| Work Type:Performance | ||
| Location(s):The Performance Space,Sydney | ||
| Merzbow | Year:1985 | |
| Age Of 369 Chant 2 | ||
| Work Type:CD | ||
| Location(s):Extreme, XLTD 002 | ||
|
David Worrall | Year:1986 |
| A Sensitive Chaos | ||
| Work Type:Music for Dance | ||
| Location(s): | ||
|
Ros Bandt | Year:1987 |
| Aqua Musica, | ||
| Work Type:Installation | ||
| Location(s):Rollins College Swimming Pool | ||
|
Ros Bandt | Year:1987 |
| Aeolian Harps, | ||
| Work Type:Instrument Design | ||
| Location(s): | ||
|
Ros Bandt | Year:1987 |
| Sound Icons, | ||
| Work Type:Installlation | ||
| Location(s):The Quarries Project, | ||
|
David Worrall | Year:1987 |
| Butterflies Flutter By | ||
| Work Type:Musique concr�te | ||
| Location(s): | ||
|
Warren Burt | Year:1988 |
| Not for Public Consumption | ||
| Work Type:Sound Collage | |
|
| Location(s): | ||
|
David Worrall | Year:1989 |
| Life Dreaming | ||
| Work Type:Multimedia Performance | ||
| Location(s): | ||
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Minoru Sato | Year:1990 |
| contact electricity noise | ||
| Work Type:multiple | ||
| Location(s):SoundCulture, THE PERFORMANCE SPACE , Sydney Australia | ||
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Warren Burt | Year:1990 |
| 38:37 - A Machine for Making Sense | ||
| Work Type:Video | ||
| Location(s): | ||
|
Warren Burt | Year:1991 |
| 24 Chorales for Chris Mann | ||
| Work Type:Algorithmic Composition | |
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| Location(s): | ||
|
David Worrall | Year:1991 |
| Meditation on Ganesha | ||
| Work Type:Electroacoustic Composition | ||
| Location(s): | ||
| Les Gilbert | Year:1992 | |
| Southgate Soundscape | ||
| Work Type:Outdoor Installation | ||
| Location(s):Southgate | ||
|
Warren Burt | Year:1992 |
| Slogans and Abstracts | ||
| Work Type:Video | ||
| Location(s): | ||
|
Ros Bandt | Year:1993 |
| Audite | ||
| Work Type:Installation | ||
| Location(s):Mechanics Institute, | ||
|
David Worrall | Year:1993 |
| Chromachron | ||
| Work Type:Multimedia Performance | ||
| Location(s): | ||
|
Jodi Rose | Year:1994 |
| Anzac Bridge Sydney | ||
| Work Type:Recording | |
|
| Location(s): | ||
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David Chesworth and Sonia Leber | Year:1994 |
| Environment Videowall | ||
| Work Type:Soundscape Installation | ||
| Location(s):Museum of Sydney | ||
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David Chesworth and Sonia Leber | Year:1994 |
| David Chesworth Ensemble | ||
| Work Type:Performance Group | ||
| Location(s):Selected performance highlights 2006 Performance at Classical Music Awards Sydney (Award winner Instrumental Work of the Year for Panopticon) 2005 Music to See Through CD launch performances in Melbourne and Sydney 2004 Ensemble membe | ||
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Iain Mott | Year:1994 |
| Squeezebox | ||
| Work Type:Installation | ||
| Location(s): | ||
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Joan Grounds and Sherre de Lys | Year:1994 |
| Transpoes | ||
| Work Type:Sound Installation | ||
| Location(s): | ||
| Joyce Hinterding | Year:1995 | |
| Aeriology | ||
| Work Type:Installation | ||
| Location(s):Artspace Auckland New Zealand , 1997 Artspace Sydney Australia ,1998 V2 Institute for unstable media Rotterdam Holland , 2001 7th Istanbul Biennale Turkey http://www.istfest.org | ||
| Joan Grounds and Sherre de Lys | Year:1995 | |
| Cecis N'est Pas Une Pipe | ||
| Work Type:Sound sculpture | ||
| Location(s): | ||
| Joan Grounds and Sherre de Lys | Year:1995 | |
| Les Deux Myst�res | ||
| Work Type:Sound sculpture | ||
| Location(s):Anandale Galleries | ||
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Ros Bandt | Year:1996 |
| Voicing the Murray | ||
| Work Type:Installation | |
|
| Location(s):The Mildura Arts Festival | ||
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Iain Mott | Year:1996 |
| The Talking Chair | ||
| Work Type:Listening Environment | ||
| Location(s): | ||
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David Worrall | Year:1996 |
| A Doing Resounds | ||
| Work Type:Electroacoustic Composition | ||
| Location(s): | ||
|
Ros Bandt | Year:1997 |
| A Garden for Percy�s Delight | ||
| Work Type:Installation | ||
| Location(s): | ||
| Ros Bandt | Year:1997 | |
| A Global Bridge for Percy | ||
| Work Type:Installation | ||
| Location(s):unspecified | ||
| Ros Bandt | Year:1997 | |
| A Global Garden for Percy | ||
| Work Type:Network Performance | ||
| Location(s):Melbourne International Festival | ||
| Joan Grounds and Sherre de Lys | Year:1997 | |
| Say Ahh | ||
| Work Type:Public Installation | ||
| Location(s):New Children's Hospital at Westmead, NSW, Australian Perspecta 1997: Between Art and Nature | ||
|
David Worrall | Year:1997 |
| Square wave | ||
| Work Type: | ||
| Location(s): | ||
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Merzbow | Year:1997 |
| Maldoror | ||
| Work Type:Noise Duo | ||
| Location(s): | ||
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Ros Bandt | Year:1998 |
| Beaming the Theremin | ||
| Work Type:Curation /Installation | |
|
| Location(s):Melbourne International Festival | ||
|
Warren Burt | Year:1998 |
| Warren Burt: Texts and Music 1987-1998 | ||
| Work Type:CD | |
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| Location(s): | ||
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Warren Burt | Year:1998 |
| Miss Furr and Miss Skene | ||
| Work Type:Voice Piece | |
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| Location(s): | ||
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Ros Bandt | Year:1998 |
| The Aeolian Pier and Sound Garden, | ||
| Work Type:Installation | ||
| Location(s):Lillies Beach | ||
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Ed Osborn | Year:1998 |
| Swarm | ||
| Work Type:Installation | ||
| Location(s):Institute of Modern Art, Brisbane | ||
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Iain Mott | Year:1998 |
| Sound Mapping | ||
| Work Type:Installation | ||
| Location(s): | ||
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Paul Carter | Year:1998 |
| Nearamnew | ||
| Work Type:Public Sound Installation | ||
| Location(s): | ||
|
Ros Bandt | Year:1999 |
| Speak Before Its Too Late, | ||
| Work Type:Installation | ||
| Location(s):Catholic University | ||
|
Ros Bandt | Year:1999 |
| The Invisible Cities. | ||
| Work Type:Installation | ||
| Location(s):Equus, the Stables | ||
|
Ros Bandt | Year:1999 |
| Water Medicine, Alchemy | ||
| Work Type:Exhibition | ||
| Location(s):touring exhibition curated by Kevin Murray | ||
|
Ros Bandt | Year:1999 |
| Stack , | ||
| Work Type:Electroacoustic Work | ||
| Location(s):Move Records | ||
| Joyce Hinterding | Year:1999 | |
| Undertow | ||
| Work Type:Installation | ||
| Location(s):Australian Centre for the Moving Image in the exhibition remembrance + the moving image. Curated by Ross Gibson. | ||
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Simo Alitalo | Year:1999 |
| The Transit of Venus | ||
| Work Type:Radio Work | ||
| Location(s):ABC | ||
|
Paul Carter | Year:1999 |
| Relay | ||
| Work Type:Public Sound Installation | ||
| Location(s): | ||
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Warren Burt | Year:1999 |
| Summerlake | ||
| Work Type:Installation | ||
| Location(s):Ripponlea Estate | ||
|
Warren Burt | Year:1999 |
| Calvinesque Connections | ||
| Work Type:Daily Live Laptop Performance | ||
| Location(s): | ||
| David Chesworth and Sonia Leber | Year:2000 | |
| 5000 Calls | ||
| Work Type:large-scale multi-channel sound installation | |
|
| Location(s):Sydney Olympics. Two versions of the work were subsequently installed in Cardiff (2002) and Ljubljana, Slovenia (2003). | ||
| Jon Rose | Year:2000 | |
| The Hyperstring Project | ||
| Work Type:Violin Modification | |
|
| Location(s):- | ||
| Joyce Hinterding | Year:2000 | |
| The Levitation Grounds | ||
| Work Type:Installation | |
|
| Location(s):Artspace Sydney, CAST Hobart, Arco Art Fair Madrid. The China Millennium Monument Art Museum Beijing as part of MAAP multi media Asia Pacific. | ||
| Garth Paine | Year:2000 | |
| Reeds | ||
| Work Type:Installation | |
|
| Location(s):Ornamental lake - Royal Botanic Gardens | ||
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Ros Bandt | Year:2000 |
| Serendipity, | ||
| Work Type:Installation | ||
| Location(s):unspecified | ||
| Ed Osborn | Year:2000 | |
| Recoil | ||
| Work Type:Installation | ||
| Location(s):Artspace, Sydney | ||
|
Paul Carter | Year:2000 |
| Tracks | ||
| Work Type:Public Sound Installation | ||
| Location(s):-2003 | ||
| Garth Paine | Year:2000 | |
| Gestation | ||
| Work Type:Installation | ||
| Location(s): | ||
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Warren Burt | Year:2000 |
| Shaman- In Memoriam Terrance McKenna | ||
| Work Type:Sound Installation | ||
| Location(s): | ||
| Merzbow | Year:2000 | |
| Merzbox | ||
| Work Type:50 CD BoxSet | ||
| Location(s): | ||
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David Chesworth and Sonia Leber | Year:2001 |
| The Masters Voice | ||
| Work Type:Installation | |
|
| Location(s):City Walk, Canberra - ongoing project | ||
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Ai Yamamoto | Year:2001 |
| Lullaby | ||
| Work Type:Composition | |
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| Location(s): | ||
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Warren Burt | Year:2001 |
| Playing in Traffic | ||
| Work Type:Composition | |
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| Location(s): | ||
|
Ros Bandt | Year:2001 |
| Stack Sound | ||
| Work Type:Installation | ||
| Location(s):Mildura Art Gallery | ||
|
Ros Bandt | Year:2001 |
| Palimpsest | ||
| Work Type:Installation | ||
| Location(s):Mildura Art Gallery | ||
|
Ros Bandt | Year:2001 |
| The Australian Sound Design Project | ||
| Work Type:Website | ||
| Location(s):http://www.sounddesign.unimelb.edu.au | ||
|
Carsten Nicolai | Year:2001 |
| Major Group Show | ||
| Work Type: | ||
| Location(s):Art/Music: Rock, Pop, Punk, Techno. | ||
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Joyce Hinterding | Year:2001 |
| The Blinds and the Shutters | ||
| Work Type:Installation | ||
| Location(s):Space Odysseys - Sensation and Immersion at the Art Gallery of NSW and as part of Deep Space - Sensation and Immersion at the Australian Center for the Moving image Melbourne. | ||
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Iain Mott | Year:2001 |
| Close | ||
| Work Type:Binaural sound and video installation | ||
| Location(s): | ||
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Warren Burt | Year:2001 |
| Paul Panhuysen/Warren Burt: Number Made Visible Made Audible | ||
| Work Type:Soundscape | ||
| Location(s): | ||
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Paul Panhuysen | Year:2001 |
| Paul Panhuysen/Warren Burt: Number Made Visible Made Audible | ||
| Work Type:Soundscape | ||
| Location(s): | ||
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David Worrall | Year:2001 |
| The Twins | ||
| Work Type:Sound sculpture | ||
| Location(s): | ||
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Jon Rose | Year:2002 |
| Great Fences of Australia | ||
| Work Type:Outdoor Performance | |
|
| Location(s):The Melba Fence, Melbourne Festival 2002 | ||
|
Ai Yamamoto | Year:2002 |
| Ai Remember | ||
| Work Type:Composition | |
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| Location(s): | ||
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Ai Yamamoto | Year:2002 |
| Flying Magic Carpet | ||
| Work Type:Composition | |
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| Location(s): | ||
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Bruce Mowson | Year:2002 |
| Flesh Antenna | ||
| Work Type:Sound Installation | ||
| Location(s): | ||
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Ros Bandt | Year:2002 |
| Silo Stories | ||
| Work Type:Installation | ||
| Location(s):Horsham Regional Art Gallery | ||
|
Ros Bandt | Year:2002 |
| Mack Memories | ||
| Work Type:Installation | ||
| Location(s):Geelong Art Gallery | ||
|
Ros Bandt | Year:2002 |
| Inside /Outside | ||
| Work Type:Radiophonic | ||
| Location(s):The Scent of Time | ||
|
Ros Bandt | Year:2002 |
| Kims Song | ||
| Work Type:Radiophonic | ||
| Location(s):unspecified | ||
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Scanner | Year:2002 |
| Biospheres: Secrets Of The City | ||
| Work Type:Installation | ||
| Location(s):Brisbane Powerhouse | ||
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Scanner | Year:2002 |
| Stories From the Market Place | ||
| Work Type:Outdoor Installation | ||
| Location(s):Adelaide Festival of Arts | ||
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Nigel Helyer | Year:2002 |
| Host | ||
| Work Type:Environmentally Sensitive Installation | ||
| Location(s):Biennale of Electronic Arts, Perth, Western Australia | ||
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Nigel Helyer | Year:2002 |
| Chant | ||
| Work Type:Sound Sculpture and Temporary Installation | ||
| Location(s):Biennale of Electronic Arts, Perth, Western Australia | ||
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Nigel Helyer | Year:2002 |
| Meta-Diva | ||
| Work Type:Outdoor Installation, Permanent Installation | ||
| Location(s):Werribee Park, Victoria | ||
|
Nigel Helyer | Year:2002 |
| Seed | ||
| Work Type:Audience Interactive Installation | ||
| Location(s):Biennale of Electronic Arts, Perth, Western Australia and NoiseFloor, Stanford University art Gallery 2003 | ||
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Nigel Helyer | Year:2002 |
| Haiku | ||
| Work Type:Environmentally Sensitive Installation | ||
| Location(s):Boutwell Draper Galley, Redfern, NSW | ||
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David Chesworth and Sonia Leber | Year:2002 |
| Polymerous | ||
| Work Type:Installation | ||
| Location(s):Sydney Olympic Park - ongoing project. (in association with CDP Media, Tony Caro Architecture and Emery Vincent Design) | ||
|
Paul Carter | Year:2002 |
| Solution | ||
| Work Type:Sound Installation | ||
| Location(s): | ||
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Warren Burt | Year:2003 |
| Pythagoras Babylonian Bathtub | ||
| Work Type:Live Recording | |
|
| Location(s): | ||
|
Ai Yamamoto | Year:2003 |
| Leaf | ||
| Work Type:Video and Sound Composition | ||
| Location(s): | ||
|
Ai Yamamoto | Year:2003 |
| Fish Swimming | ||
| Work Type:Video and Sound Composition | ||
| Location(s): | ||
|
Ros Bandt | Year:2003 |
| Water Medicine | ||
| Work Type:Installation | ||
| Location(s):unspecified | ||
|
Ros Bandt | Year:2003 |
| Silo Stories | ||
| Work Type:Installation | ||
| Location(s):RMIT. | ||
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Ros Bandt | Year:2003 |
| The Listening Place | ||
| Work Type:Sound Sculpture | ||
| Location(s): | ||
|
Ros Bandt | Year:2003 |
| Das Weiss Gold | ||
| Work Type:Radiophonic | ||
| Location(s):VCA Gallery, | ||
|
Ros Bandt | Year:2003 |
| Women in Sound, 360 Degrees, | ||
| Work Type:Installation | ||
| Location(s):RMIT | ||
|
Ros Bandt | Year:2003 |
| The Memory Grid Stack Video, | ||
| Work Type:Installation | ||
| Location(s):Centre for the Moving Image | ||
|
Ros Bandt | Year:2003 |
| Via Galah, Silos Stories from Merrinee to Ja | ||
| Work Type:Radiophonic | ||
| Location(s):unspecified | ||
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Scanner | Year:2003 |
| Echo Ricochet | ||
| Work Type:Installation | ||
| Location(s):Awesome Festival.Perth | ||
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Scanner | Year:2003 |
| In the Time of Distance | ||
| Work Type:Theatre performance | ||
| Location(s):Queens Theatre | ||
|
Joyce Hinterding | Year:2003 |
| Spectral | ||
| Work Type:CD | ||
| Location(s):Sigma Editions | ||
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Joyce Hinterding | Year:2003 |
| House 2 - The Great Artesian Basin Pennsylvan | ||
| Work Type:Installation | ||
| Location(s):Museum Of Contemporary Art, Sydney for the International group exhibition Liquid Sea. | ||
|
Hildegard Westerkamp | Year:2003 |
| At the Edge of Wilderness | ||
| Work Type:Sound-slide installation | ||
| Location(s):Hearing Place, Victorian College of the Arts, Melbourne, | ||
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David Chesworth and Sonia Leber | Year:2003 |
| The Persuaders | ||
| Work Type:7 channel video installation | ||
| Location(s):Australian Centre for the Moving Image | ||
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Rainer Linz | Year:2003 |
| New Listener | ||
| Work Type:Listener Software Project | ||
| Location(s):RMIT Project Space gallery and Spare Room (manager/curator Louiseann Zahra). They were devised as part of an Australia Council New Media Arts Fellowship program during 2002/3. The select machine was devised as part | ||
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Ed Osborn | Year:2003 |
| Particle Moves | ||
| Work Type:Installation | ||
| Location(s):Institute of Modern Art, Brisbane | ||
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Les Gilbert | Year:2003 |
| Love Is A Wonderful Thing | ||
| Work Type:Installation | ||
| Location(s): | ||
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David Chesworth and Sonia Leber | Year:2004 |
| The Gordon Assumption | ||
| Work Type:Installation | |
|
| Location(s):Subterranean Toilets, Gordon Reserve Melbourne International Arts Festival - Visual Arts Program | ||
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Jon Rose | Year:2004 |
| Pursuit | ||
| Work Type:Outdoor Perofmance | |
|
| Location(s):Ice Rink under the Big Top at Luna Park, Sydney | ||
|
Toshiya Tsunoda | Year:2004 |
| Scenery of Decacomania | ||
| Work Type:CD | |
|
| Location(s):Nature Strip | ||
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Bruce Mowson | Year:2004 |
| Pink Balls | ||
| Work Type:Site-specific Installation | ||
| Location(s):West Space Inc | ||
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Jon Rose | Year:2004 |
| The Ball | ||
| Work Type:Interactive Ball Games | ||
| Location(s):supported in a two year fellowship (2006/7) by The Australia Council. | ||
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Joan Grounds and Sherre de Lys | Year:2004 |
| Gargalesis | ||
| Work Type:Outdoor Sound Installation | ||
| Location(s): | ||
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Nigel Frayne | Year:2004 |
| Taronga Zoo | ||
| Work Type:Sound Design consultancy | ||
| Location(s): | ||
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Rainer Linz | Year:2005 |
| Banalities for the Perfect House | ||
| Work Type:collaborative installation and performance | |
|
| Location(s):Performance Space theatre, Sydney | ||
|
David Worrall | Year:2005 |
| I am on the net | ||
| Work Type:Network and Sound Installation | |
|
| Location(s): | ||
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Bruce Mowson | Year:2005 |
| INFRACINEMA | ||
| Work Type:Audio-visual Installation | ||
| Location(s):2005 Melbourne International Arts Festival at the North Melbourne Town Hall | ||
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Jon Rose | Year:2005 |
| The Violano Project | ||
| Work Type:Instrument Modification | ||
| Location(s):- | ||
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Rainer Linz | Year:2005 |
| Fugue | ||
| Work Type:Interactive Science and Art Installation | ||
| Location(s):Hypermedia Research Centre 12 Mar 05 Fugue prototype presented at the Hypermedia Research Centre , University of Westminster , London . EVA Conference 16 Feb 05 Fugue prototype presented at the EVA Conference (Electronic Imaging and the Visual Arts) | ||
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David Chesworth and Sonia Leber | Year:2006 |
| Proximities | ||
| Work Type:a public art project | |
|
| Location(s):William Barak Bridge, Melbourne commissioned by the Victorian Government to celebrate the Melbourne 2006 Commonwealth Games | ||
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David Chesworth and Sonia Leber | Year:2006 |
| Reiterations (Elizabeth Street) | ||
| Work Type:Web Project / Soundwalk | |
|
| Location(s):http://www.accaonline.org.au/plusfactors | ||
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Ros Bandt | Year:2006 |
| Mungo | ||
| Work Type:Installation | |
|
| Location(s):Lake Mungo, NSW | ||
|
Jodi Rose | Year:2006 |
| Green Bridge Brisbane | ||
| Work Type:Composition for Permanent Sound Installation | |
|
| Location(s): | ||
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Jodi Rose | Year:2006 |
| Global Bridge Symphony | ||
| Work Type:Sound Composition | |
|
| Location(s): | ||
|
James Hullick | Year:2006 |
| Is there a Spirit in those Bones? | ||
| Work Type:Robotic Sound Installation | ||
| Location(s):Westspace Gallery | ||
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Bruce Mowson | Year:2006 |
| Barney | ||
| Work Type:Audio-visual Installation | ||
| Location(s): | ||
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Bruce Mowson | Year:2006 |
| Absorption | ||
| Work Type:Installation | ||
| Location(s):RMIT School of Art Gallery | ||
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Nigel Helyer | Year:2006 |
| GeneMusik | ||
| Work Type:Research | ||
| Location(s):The School of Anatomy and Human Biology, The University of Western Australia | ||
|
Ryoji Ikeda | Year:2006 |
| data.spectra | ||
| Work Type:Installation | ||
| Location(s):ACMI, Melbourne | ||
 |
Warren Burt | Year:2006 |
| 5 Unconventional Realizations for Ruark Lewis | ||
| Work Type:Video | ||
| Location(s): | ||
|
Bruce Mowson | Year:2007 |
| Melting Moments | ||
| Work Type:Audio-visual Installation | ||
| Location(s): | ||
| Richard Chartier | Year:2007 | |
| Retrieval_paths | ||
| Work Type:stereo digital sound | ||
| Location(s):Brisbane Powerhouse [ Brisbane, Australia ] | ||
| James Hullick | Year:2007 | |
| The Amplified Elephants | ||
| Work Type:Sound Installation | ||
| Location(s): | ||
| James Hullick | Year:2007 | |
| Cranky Robotics | ||
| Work Type:Kinetic Robotics | ||
| Location(s): | ||
| Richard Chartier | Year:2007 | |
| series_addendum | ||
| Work Type:Soundwork | ||
| Location(s):SNO28, Sydney Non Objective | ||
|
Ros Bandt | Year:2008 |
| Isobue | ||
| Work Type:Double CD | ||
| Location(s): | ||
|
Ros Bandt | Year:2008 |
| Shima 8 Sonic Haiku for Kumi | ||
| Work Type:Installation | ||
| Location(s): | ||
|
Ros Bandt | Year:2008 |
| Iso Nagecki (Sea Lament) | ||
| Work Type:5.1 surround sound installation | ||
| Location(s): | ||
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Bruce Mowson | Year:2009 |
| BIRDLAND | ||
| Work Type:3D Digital Sound | ||
| Location(s):RMIT Design Research Institute | ||