Articles
McCartney-2003-Sound Studio.pdf
Dixon-2006-ThesisFormattingReferences.pdf
Kendall-1995-3-DAudio Primer.pdf
Maubrey-1995-Audio Jackets and Other Electroacoustic Clothes.pdf
Kucklich-2001-Review of Ryan book.pdf
Wynne-2006-Language Ecology.pdf
Schaeffer_J-1995-Audio and Image dissertation.pdf
Gawthrop-2000-One.pdf
A History of Buchla’s Musical Instruments.pdf
Hansen-2006-Mapping the Studio (Fat Chance Matmos).pdf
Miller-xxxx-Across the Morphic Field- The Art of Mariko Mori.pdf
Bosca-2007-A Reusable 3D Visualization Component for the Semantic Web.pdf
Review of Ryan book.pdf
Bert Bongers -Physical Interfaces in the Electronic Arts.pdf
Dhomont-2004-Acousmatic Update.pdf
Zouhar-2005-Hearing Varese's Poeme Electronique inside a Virtual Philips Pavilion.pdf
Schaeffer_J-1994-6 Elements of Installation.pdf
Worral-1998-Space in Sound.pdf
Dyson-Knowing the Datasphere.pdf
Celant-1981-Artsound.pdf
Karjewski-2004-Viewpoint.pdf
Monahan-1981-Piano_Mechanics_Score.pdf
ontology of UI controls, properties.pdf
Ohlin-2003-New Sound System- Bruce Odland's Tonic.pdf
ixi_software2.pdf
Schaeffer _P-1966-Solfege de l'objet Sonore.pdf
Ruyter-2005-Volume minimal, un art de la projection du son.pdf
audioscape_pdconv07_final.pdf
Sebastian-1990-Kittler-Discourse_Networks.pdf
Blasius-2007-kubisch-aisII.pdf
Ryan, D-2006-Stephen Vitiello- Richmond.pdf
Thompson-2005- [soundasart] what is sound art.pdf
Wishart-1977-SPANNER_part1.pdf
Poulos-xxxx-A Semantic Broadcasting Method for the Exchange of Encoded Texts between Different XML Schemas.pdf
Moore-2007- Making Choices in Electroacoustic Music.pdf
Spielmann-2001-Noise.Water, Meat (review).pdf
Moritz-1996-Mary Ellen Bute_ Seeing Sound.pdf
Goldstein-1987-Sounding the Circle _p1.pdf
bowers-improvising_machines.pdf
Masoaka -2006- Interview with Keiko Uenishi (aka o.blaat).pdf
p109-stewart-adding interactie audio to x3d.pdf
Hartnett-1996-Ballast Reduction & the Audio Arts - soundculture 1996.pdf
van Peer-2002-Waterfall Music (Lopez).pdf
Lopez-1998-environmental sound matter.pdf
SoundAsArtConference2.pdf
Lander & Lexier-1990- A Discography of Recorded Works by Artists.pdf
Gfader-2002-Sound Art - How to show immaterial sound works.pdf
Glandien-2001-Sound Art discourse in England.pdf
francisco_lopez-schizophrenia.pdf
open sound control-NIME03_Wright.pdf
Wyse-2003-Free Music.pdf
Bowers & Kunin-xxxx-The Electronics of Music-Aspen no4.pdf
Cardew-1971-Towards an Ethic of Improvisation.pdf
Henritzi -2001-Otomo Yoshihide Interview.pdf
Obadike-2001-What's in a name! Seeing sound art in black visual traditions.pdf
Neuhaus-2005-Auracle.pdf
Dezeuze-2005-George Brecht Events - A Heterospective.pdf
Migone-2003-volume.pdf
Wozniewski-2006-A framework for immersive spatial audio performance.pdf
Dobriakov-Experimental Electronic Music and Sound Art in Lithuania.pdf
Frischer-2002-FutureLibrary.pdf
Penwarden-2002-New York, new sound, new spaces.pdf
Risset-2004-The liberation of sound.pdf
Elen-2003-Alternatives to 5.1 for Multichannel Music.pdf
Ambisonic_dot_org-SoundField_B_Format.pdf
Real-Time Sound Source Spatialization as used in challenging bodies - u of regina.pdf
Madsen-xxxx-Notes Towards Sound Ecology in the Garden of Listening.pdf
Kahn-Audio Art in the Deaf Century.pdf
Kofoed-2003-Sound of Art - Roden.pdf
DuVernois-xxxx-The Cut-Up Method of Brion Gysin.pdf
Wilson-2003-Days like These(Cunningham).pdf
Tebbutt-1979-Flying Lizards Interview (Cunningham).pdf
Benjamin-1968-The Work of Art in the Age of Mechanical Reproduction.pdf
Helyer-2008-The Nomadic Ear.pdf
Whitehead-1991-Holes in the Head.pdf
Interactive Public Sound Art- a case study.pdf
McCartney,-2002- Journeys in Soundscape Composition.pdf
Aberdeen - Frauke.pdf
Maubrey-1982-audioclothesanduniforms.pdf
Dzuverovic-2005-Tate Online Discussion - Oswald, Kahn, Goldsmith.pdf
Oliveros-1996-four_meditations_score.pdf
Nixdorf&Gerhard-2006-Real-Time Sound Source Spatialization.pdf
stockhausen-1983-kathinkas_gesang.pdf
Dunn-2008-Acoustic Ecology and the Experimental Music Tradition.pdf
Cutler-1994- Dockstader Interview.pdf
Oliveros-1999-Quantum_listening.pdf
Buchla-2005-A History of Buchla’s Musical Instruments.pdf
Carlyle-2007-Autumn_Leaves2.pdf
Hoffman-2003-AN INDEPENDENT DECLARATIVE 3D AUDIO FORMAT.pdf
Malcolm Goldstein - Sounding the Circle _preface.pdf
Thatcher-2007- Audio Arts.Plymouth Arts Centre.pdf
Vitiello & Rosenfeld -2004- Sound Artist vs Composer.pdf
Bongers -xxxx-Physical Interfaces in the Electronic Arts.pdf
Landy-2003-Book Review.pdf
Techniques for Multi-Channel Real-Time Spatial Distribution.pdf
Bulut-2006-The problem of archiving sound works.pdf
Oliveros-1999-Quantum_improvisation.pdf
Proy-2002-Sound and sign.pdf
Ostertag-2002-Human bodies, Computer Music.pdf
Kittler-1987-Gramophone_Film_Typewriter.pdf
Beyst- 2004-Bill Fontana's musical sculptures_ the shadows of John Cage.pdf
Octaga_Technical_Specs_2008.pdf
Gysin-xxxx-Sound Waves.pdf
Dyson-2004-A Philosophonics of Space.pdf
Wyness-2008.pdf
Faria-2007-Immersive Audio for Complete Virtual Reality Systems.pdf
Masaoka-2002-Deep and Wide (Pauline Oliveros Interview).pdf
Franco-2004-Issues for Designing a flexible expressive audiovisualsystem for real-time performance & composition.pdf
Vitiello-2004-Sound affects.pdf
Kuivila-1998-Composing with Shifting Sand.pdf
Labelle-xxxx-Speaking Volumes.pdf
Frischer-FutureLibrary.pdf
Offenhuber-2005-Semaspace.pdf
Malcolm Goldstein - Sounding the Circle _p1.pdf
NPS-MV-07-003.pdf
Goldstein-1987-Sounding the Circle _preface.pdf
Carlyle-2007-Autumn_Leaves3.pdf
Frost-1987-Why Sound Art Works and the German Hörspiel.pdf
Ghazala-2004-Circuit Bending.pdf
Gobin-1999-Sound.pdf
La_Barbara-2002-Voice is the original instrument.pdf
Amacher-2006-COMPOSING PERCEPTUAL GEOGRAPHIES.pdf
Willis-xxxx-Nicheworks-Interactive Visualisation of very large graphs.pdf
notbored_dot_org-Attali-Noise critique.pdf
Hamilton-2003-The Art of Recording and the Aesthetics of Perfection.pdf
Bandt-2005-Designing Sound in Public Space.pdf
Aberdeen - Dugal.pdf
A framework for immersive spatial audio performance.pdf
miller_puckette-theory and techniques of electronic music.pdf
Young-2000-Notes on his Practice.pdf
AuSIM Inc-2002-3D Audio Relieves Militray Information Overload.pdf
Issues for Designing a flexible expressive audiovisualsystem for real-time performance & composition.pdf
Pelletier-2005_089-A Graphical Interface for Real-Time Signal Routing.pdf
Maximin-2006-Chinese Sound Art.pdf
Polli-1999-Controlling Sound with Eye Movements.pdf
Panhuysen-xxxx-What is Sound Art.pdf
Drucker-2001-Digital Ontologies.pdf
Vibrofiles-2004-ArtistList.pdf
Migone-1997-spit.pdf
Allen-2001-The Flying Lizards.pdf
Arnost-2005-Comparison of Spatial Audio Simulation Systems.pdf
Higgins-1980-A Taxonomy of Sound Poetry.pdf
Japanese Noise.pdf
DeSouza-2005-An Atlas for Ireland’s Artists .pdf
Dyson-2004-Circuits of the Voice.pdf
Wynne-2008-PARALLAX-PRESS-RELEASE.pdf
Ouzounian-2006-Aural architectures and the body.pdf
Oliveros-1998-out_of_the_dark_score.pdf
francisco_lopez-environmental sound matter (1998).pdf
Introduction to Essays in Sound 2, Technophonia (Australian Sound Art).pdf
Huberman-2005-The Sound of Space.pdf
Harrison-1999-Imaginary Space.pdf
Aldrich-2003-What is Sound Art.pdf
Dodge-2004-An Atlas of Cyberspaces.pdf
Kahn-1996-Australian Sound Art.pdf
Beckmann-1992-Linkage of perception-(Kuntzel Review).pdf
Vivancos-2004-Furlong Interview (Vibrofiles).pdf
Green-2006-More than ‘Just a Hammer’-Critical Techniques in Electroacoustic Practice.pdf
Hammer-2006-Lydkunst.pdf
Hollings-2005-Dockstader Interview.pdf
Flynt-1982-Personhood's Self Cancellation.pdf
Bowers-2002-improvising_machines.pdf
MacDonald-1996-Audio Arts Review.pdf
Quadraphonic Sound.pdf
Beck-2003-Listening to radio plays_ fictional soundscapes.pdf
Hearn-2000-The Untimely Past-Foucault Bibliography.pdf
Wynnychuk-xxxx-sutoolz 1.0 alpha.pdf
journal of acoustic ecology 1.pdf
Oliveros-1998-Deep Listening- A Bridge to Collaboration.pdf
du_Boulay-Virtual Instrument.pdf
odwyer_potard_burnett.pdf
Klein-2003-Sound Installation.pdf
Ingram-2006-David Dunn.pdf
Barbosa-2005-Public Sound Objects.pdf
Goldstein-1987-Sounding the Circle _p2.pdf
Torchia-2004-Techniques for Multi-Channel Real-Time Spatial Distribution.pdf
Migone-1999-spit.pdf
Magnusson-2005-ixi software-The Interface as Instrument.pdf
Morgan-1994-A New Musical Reality- Futurism, Modernism and The Art of Noises.pdf
Kostelanetz-1977-Text-Sound Art-1.pdf
Krukowski-2001-Unstrung Hero-Nam June Paik.pdf
Carlyle-2007-Autumn_Leaves1.pdf
McCartney-2003-Soundscape Composition and the Subversion of Electroacoustic Norms.pdf
Toop-1998-Detachable Music.pdf
Cox-2003-Neo-modernist sound art .pdf
Fry-1999-valence .pdf
Paik-xxxx-NEW ONTOLOGY OF MUSIC.pdf
Bowers-1998-Lightwork.pdf
Cardew-1974-Stockhausen Serves Imperialism and Other Articles.pdf
Kittler-2001-Perspective_and_the_Book.pdf
Higgins-1965-Synaethesia and Intersenses-Intermedia.pdf
Wendt-2002-Narrative as Genealogy.pdf
Cubitt-1997-Cultural_Translation.pdf
Drever-1999-Soundscape recording.pdf
Gebhardt-1996-SoundCulture (festival review) What is Sound Art.pdf
Matossian-1979-Review_Xenakiss Diatope of Bonn.pdf
Lopez-1997-Schizophonia.pdf
russolo_the art of noise futurist manifesto.pdf
Worby-2001-Listening to Stockhausen.pdf
Harrison-1999-Diffusion_ theories and practices...pdf
Hanhardt-1990-Resoundings-The Art of Bill Fontana.pdf
Marrinetti-Geometric and Mechanical Splendour and the Numerical Sensibility.pdf
Ranaldo-1996-Into The Mystic.pdf
Stuart-2002-Yasunao Tone's Wounded and Skipping Compact Disc.pdf
francisco_lopez-musicworks_2002.pdf
Apple-2003-RADIO CULTURE.pdf
pd-bangbook.pdf
doctorow-2006-giving_away.pdf
thomas gardner001.pdf
Young-2008-Sound Art (review of Licht).pdf
Kim-Cohen-2005-Vitiello.pdf
Whitehead-1996-Radio Play Is No Place.pdf
Connor_&_Wong-2002-Emergent Properties.pdf
Landy-2005-Cox Audio Culture Review.pdf
Battier-2003-Electroacoustic music studies and the danger of loss.pdf
Mazzoleni-xxxx-CiVeDi.pdf
Miller-2005-Deleuze & Guattarri.pdf
Malcolm Goldstein - Sounding the Circle _p2.pdf
Weiss-1996-Radio Icons, Short Circuits, Deep Schisms.pdf
Bandt-2006-Sound installation.pdf
Waterworth-2001-Acoustical Visions.pdf
Puckette-2005-Theory and techniques of electronic music.pdf
Wagstaff-2003-Soundwalking.pdf
2006_Katalog_Deutscher_Klangkunst_Preis.pdf
Young-1993-Redefinition within the Changing Acoustic Environment.pdf
Laliberte-1998-Pop Goes the Art World.pdf
Migone-2000-ricochets.pdf
Oliveros-Gamper-1998-Expanded_Instrument_System.pdf
her_noise event programme 2005.pdf
Schnickel-BS Contact PriceList.en.pdf
Oliverio-2007-ISAS-A Human-Centric Digital Media Interface.pdf
Emmerson-1998-Aural Landscape.pdf
Masaoka -2000-Keeping It Simple (Meredith Monk Interview).pdf
Romero-2001-Structured Design of Virtual Environments.pdf
Programming OSC Hooks into Reactor.pdf
dworkin_unheard_musics.pdf
Thurman-Jajes-2005-Exhibition project on Sound Art.pdf
Hartnett-1996-Audio Arts - soundculture 1996.pdf
England-1993-Sound by Artists (review) in Varient Magezine Vol 13_All.pdf
Frank-1982-Soundings at SUNY.pdf
Russolo-1913-The Art of Noise.pdf
Thomson-2004-Microsound.pdf
Birchfield-2006-Interactive Public Sound Art- a case study.pdf
Knowles-2002-Sound Ideologies(Australia).pdf
Flynt-1982-Self_Cancellation.pdf
Maubrey-2003-videopeacock.pdf
Ancona-1998-Visual XML.pdf
hetherington-2005-Engineering Virtual Environments with X3D.pdf
Oliveros-1998-primordial_score.pdf
Keller-1995-Use_The_Dress.pdf
Aberdeen - Owen.pdf
Golding-2007-assassination_of_time.pdf
Truckenbrod-1992-Transcending_the_Boundaries_Art, Music, Literature.pdf
Miller-2002-Music and technology.pdf
Frost-1987-Sound_Art_&Horspiel.pdf
Cutler-2002-Dockstader Interview.pdf
Cunningham-2003-The Listening Room .pdf
Aberdeen - Hansen.pdf
Maubrey-1989-audioballerinas.pdf
McCartney-2000-Hildegard Westerkamp.pdf
Toop-2005-John Cage and education.pdf
Kahn-2005-Audio Art in the Deaf Century.pdf
Future_Proof_Recording_Explained.pdf
Tucker-2006-Stephen Vitiello-Tetrasomia.pdf
Friedman-1998-Fluxus Reader.pdf
Tucker-2005-A Re-Vistation of Laurie Anderson's Home of the Brave.pdf
Schaeffer_J-2001-AudiOh! - Appropriation, Accident, & Alteration.pdf
Miller-2002-Errata Erratum - Duchamp Remix.pdf
Fluxus Reader -ed by Ken Friedman.pdf
Maubrey-1982-audiosculptures.pdf
Smith-1998-Pre Fluxus Conceptual Developments and Generative Influences.pdf
Perloff-2002-Postmodernism and the Music of John Cage.pdf
Milutis-1996-Radiophonic Ontologies and the Avantgarde.pdf
soundonclick.pdf
ridley_2004-post_literacy.pdf
Bandt-2003-Aeolian sound practices in Australasia.pdf
wills, grham j, nicheworks - interactive visualisation of very large graphs - amstat.org.pdf
Masaoka-1999-Examining Obsession (Laurie Anderson Interview).pdf
Wilson-2005-Making Waves-Art Review.pdf
Hamilton-2007-Music and the Aural Arts.pdf
Kendall3-DPrimer1995.pdf
Miller-2005-David Dunn Interview.pdf
Voegelin-2006-Sonic memory.pdf
anaphoria - tuning system - allesandro.pdf
Silbermann-1997- What is Sound Sculpture (Everyboady got ears, but few can listen) (Kuntzel).pdf
Manuel Rocha Iturbide-TheSoundInstallation.pdf
Music and Sound Waves.pdf
Wishart-2000-Computer Sound Transformation.pdf
Ostertag-humanbodies.pdf
Chatterji -1999- The Culture-specific use of Sound in Indian cinema.pdf
Merrit-2001-From Memory Arts to the New Code Paradigm.pdf
Heon-2005-hearing art in the twenty-first century.pdf
St Andrews, Sound and Anthropology conferenceoutline.pdf
Moritz-1999-The Absolute Film.pdf
McLennan-1994- A Topology of Australian Radio & Sound Art.pdf
Bandt-Australian Sound Design Project.pdf
Kostelanetz-1977-Text-Sound Art-2.pdf
Magnusson-2006-IXI SOFTWARE OPEN CONTROLLERS FOR.pdf
A Personal Chronology of audiovisual systems research-levin.pdf
Davies-1996-Lost In Space-(Adventures in Australian Sound Art).pdf
oliverio-ISAS-A Human-Centric Digital Media Interface.pdf
francisco_lopez-cage.pdf
Oliveros-Tripping On Wires.pdf
Maubrey-1997-asianthemes.pdf
Yoshihara-1956-The Gutai Manifesto.pdf
Fischer-1981-Sound Waves(Soundings Catalog).pdf
Kuivila_&Behrman_1998-Ephemerality_of_Technology.pdf
Wilson-1989-anaphoria - tuning system - allesandro.pdf
Vibrofiles-2004-Good_Morning Camberwell.pdf
Lina_Lapelyte-2008-Aus.pdf
Vetrocq-2006-Sound Art.White Noise, in Seven-Part Harmony..pdf
van Veen - Noise Water Meat Review.pdf
Thompson-2006-SoundAsArtConference.pdf
Masaoka-1996-Koto Explorations.pdf
Wright-2003-open sound control-.pdf
Hunter-2001-Stuttering Screams and Beastly Poetry(Noise Water Meat review).pdf
Helgarson-2006-Sounds Abstract, Making strange, Abstract sound and Abstract listening in Audio-Visual context.pdf
Zurbrugg-1989-Sound Art, Radio Art and post Radio Performance in Australia.pdf
Taylor-2007-Copyright and research_ an academic publisher’s perspective.pdf
Bull-1993-Radio Art in a Gallery.pdf
Bain-2003-Resonant Architectures.pdf
Gysin-xxxx-Sound and The Mind.pdf
Stockhausen Serves Imperialism and Other Articles (1974).pdf
Miller-xxxx-Fluid Neon Bright Shadows- The Music of Iannis Xenakis.pdf
Kendall-1995-Decorrelation.pdf
Ilic-19940Extreme Noise Terrors-Japanese Underground.pdf
Smith-2002-Why Hardcore Goes Soft- Adorno, Japanese Noise and Dissonance.pdf
Fry-1997-organic information design - thesis.pdf
Post-LiteracyArticle-FINALVERSION-Globe.pdf
Tajitsu-2003-Listening Spaces (Cunningham).pdf
Pure Data-2006-bangbook.pdf
Riley-2005-Bill Fontana -Speeds of Time.pdf
B!AS International Sound Art Exhibition - Taipei 2005.pdf
Heimbecker-2008-Illusion of Repetition.pdf
Schnell-2002-Introducing Composed Instruments.pdf
Gary-2002-A Survey of 4 Contemporary Sound Artists (Vibrofiles).pdf
Lopez-1996-John cage.pdf
MASS MoCA -1999-In Your Ear-Hearing Art in the 21st century.pdf
Oren-1993-Anti-Art.pdf
Weil-2002-Digital_Art.pdf
kahn-2006-Sound Art, Art, Music.pdf
Introducing Composed Instruments.pdf
Clark_2000-Youre Twisting my melon, noise water meat reivew.pdf
Making Waves-2005-Art Review.pdf
adrian Moore- 3piecestex.pdf
Myers-2004-Dockstader Interview.pdf
Bull and Adrian - 1979- Sound On-Audio Scene '79 at Modern Art Galerie, Vienna.pdf
McKinnon-2006-Spectral Memories. The Aesthetics of the Record.pdf
Migone-1999-slippery.pdf
Licht-2007-Sound in Space.pdf
Joran-2003-a sound installation.pdf
Roden-2006-The New Sonic Boom.pdf
Bull-1979-Boy Can See With His Ears.pdf
Moore- 3 Pieces Text.pdf
Journal of Acoustic Ecology - Soundscape 1.pdf
Visualization of Semantic Metadata and Ontologies.pdf
Eastley-2005-ice-garden_catalog.pdf
Behrendt-2006-Sound Art on the Move.pdf
Friedman-2002-The_Fluxus_Performance_Workbook.pdf