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( 41 1954 Peter Cusack images/artists/Cusak.jpg England 1232 Half life - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg s/t 41 1954 Peter Cusack images/artists/Cusak.jpg England 1233 Stojan - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg s/t 41 1954 Peter Cusack images/artists/Cusak.jpg England 1234 Jewny McNeilly - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg s/t 41 1954 Peter Cusack images/artists/Cusak.jpg England 1235 Oparet - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg s/t 41 1954 Peter Cusack images/artists/Cusak.jpg England 1236 Hasretim - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg s/t 41 1954 Peter Cusack images/artists/Cusak.jpg England 1237 Dendelion Clock - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg The Aerial #3 41 1954 Peter Cusack images/artists/Cusak.jpg England 1238 Depford Grid Sub Station - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg Sonic Postcards 41 1954 Peter Cusack images/artists/Cusak.jpg England 1239 Talp Club presenta d_inf - England El Sonoscop archivo de arte sonoro, Barcelona images/spacer.jpg Talp Club presenta d_inf 41 1954 Peter Cusack images/artists/Cusak.jpg England 1533 The Horse was Alive. The Cow was Dead. CD England - images/spacer.jpg Field recordings by Peter Cusak up and down the Lea Valley in East London. Sound and waterscapes, machine-life, folk tales and recollections - with an occasional instrument set in the environment. A highly unusual and very engaging record. 41 1954 Peter Cusack images/artists/Cusak.jpg England 679 A Host Of Golden Daffodils CD England 1996 Plate Lunch images/spacer.jpg Documents a 1996 live performance by Peter Cusack (guitar, bouzouki, whistling) and Nicolas Collins (electronics). 41 1954 Peter Cusack images/artists/Cusak.jpg England 680 Day For Night CD England 2000 Paradigm images/works/Cusack_and_Eastley-2000-Day.jpg Over the last 25 years Cusack and Eastley have been gradually adding episodes to the collection of compositions that make up this CD. The foundation of this work consists of location recordings layered with the live or recycled sounds of Eastleys kinetic sculpture. Perhaps whats most impressive about Day For Night is that nothing is overdone; the pieces sound spontaneous, their simplicity is beguiling. —Brian Marley, Avant This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his work with Toop in the 70s on Brain Eno s Obscure label -- which debuted his self-designed electro-acoustic instruments. Said instruments are highly developed kinetic sculptures powered by a range of forces from small engines to the wind or running water. The duo creates intriguing delicate compositions with these instruments, abetted by the transformed string instruments and electronics of guitarist $Cusack, whose guitar is at times so far removed from its traditional use that it is hard to still call it a guitar. —Skip Jansen, All-Music Guide. Accessed 4.11.06 from http://www.impetusdistribution.co.uk/css/pages.ID/paraD.id.html audio/CusackandEastley_2000-Day_for_night_CD-tk-PeepShow.mp3 41 1954 Peter Cusack images/artists/Cusak.jpg England 678 Where is the Green Parrot CD England 2000 ReR images/spacer.jpg release from this subtle but complex composer- performer -instrument designer. More than musical, these are dramatic constructions with environmental sound, birdsong, conversation, narrative... the guitar shop section of two small boys go shopping is a masterpiece.. A record hard to describe since it deftly side-steps all the usual categories. 41 1954 Peter Cusack images/artists/Cusak.jpg England 682 Baikal Ice CD England 2002 ReR images/spacer.jpg In 2004 Peter took a field trip out to lake Baikal to record the ice breaking up (its a dramatic annual event) and to make an aural document of the environs (port, jettys, generators, the trans-siberian express, settlements andc.). These are beautifully recorded sound-in-time snapshots, with excellent visual co-documentation. Such works belong nowhere and begin to constitute a new genre; this is one of the pioneering works in that genre. Accessed 2.11.06 from http://www.rermegacorp.com/ audio/Cusack-lake_baikal-Track1.mp3 41 1954 Peter Cusack images/artists/Cusak.jpg England 682 Baikal Ice CD England 2002 ReR images/spacer.jpg In 2004 Peter took a field trip out to lake Baikal to record the ice breaking up (its a dramatic annual event) and to make an aural document of the environs (port, jettys, generators, the trans-siberian express, settlements andc.). These are beautifully recorded sound-in-time snapshots, with excellent visual co-documentation. Such works belong nowhere and begin to constitute a new genre; this is one of the pioneering works in that genre. Accessed 2.11.06 from http://www.rermegacorp.com/ audio/Cusack-lake_baikal-Track10.mp3 41 1954 Peter Cusack images/artists/Cusak.jpg England 681 Your Favourite London Sounds 1998-2001 CD England 2002 Resonance FM 104.4, London images/spacer.jpg this is a collection of the sounds that Londoners chose when asked for their favourite London Sound. Its a soundscape of the City that has the benefit of hundreds of ears. One should be made for every Capital. Personally I would say this is a document not to miss, bringing out so much not only about London, but also about the way that memory works and how sound can mean 41 1954 Peter Cusack images/artists/Cusak.jpg England 3960 Chernobyl Dawn Field Recording Russia 2007 images/spacer.jpg released with Autumn Leaves book audio/cusack-chernobyl_dawn.wav )