Stephen Stapleton - Funeral Music For Perez Prado
  Year :   2001
  Location :   England
  Worktype :   Album
  Info :  

  Work Details  
  Track Listing 1. Yagga Blues (5:52) [cmedd1161] [ud049] [ud099] 2. Yagga Blues (Instrumental) (5:42) [ud099] 3. Funeral Music for Perez Prado (Full Version) (33:29) [ud099] 4. I Am the Poison (9:53) [ud031] [ud036] 5. Journey Through Cheese (23:09) [ud031] Personnel Steven Stapleton Colin Potter Sarah Fuller Peat Bog Tony Wakeford Petr Vastl Sleeve Notes Steven Stapleton ..........etc. Colin Potter - mixing on 1 and 2 Sarah Fuller - vocal on 1 Peat Bog - guitar on 1 and 2 Tony Wakeford - bass on 4 Petr Vastl - studio work Mixed by S. Stapleton Remastered by Dennis Blackham Produced by United Dairies Cover Artwork by Babs Santini Assisted by Matt Black Notes Collects the tracks from the deleted Yagga Blues and Soresucker releases plus an expanded, complete version of the title track. Reviews Admittedly, Yagga Blues and Soresucker are not my favorite singles from NWW, but if you re developing your collection of Wound music and have yet to pick the two up, this disc will fill that gap conveniently. Unfortunately if you re a die-hard and own these two already, the extended versions of both the title track and Journey Through Cheese are a mild annoyance. Funeral Music is perhaps one of my fave NWW tracks. The music embraces beauty through layers of lengthy harmonically compatible samples, centering around a shakuhachi phrase played by David Jackman in 1987 (according to the original liner notes). On this collection it lives lavishly in its full form, stretching well over 35 minutes, as opposed to the 9+ minute version which originally appeared six years ago. Journey Through Cheese is also bigger, stretching to about 25 minutes, but the extra 15 minutes to me just drags the song out far longer than it needs to go. Yagga Blues of course is a classic tune, incorporating primitive rhythmic loops with sound effects and a haunting echoing vocal track. The beats and themes were completely exhausted however on the full-lengther Who Can I Turn To Stereo from 1996, the versions here are nice and compact, with a slightly abridged break time inbetween tracks (30 seconds on the previous release, down now to about five). Jon Whitney Accessed 24.07.2008 from