Another departure, this time using guitar strings as the basis for most sounds--though you might not be able to tell. The music lies somewhere in the area between the Fripp and Eno material and more abstract sound field music. On many tracks feedbacking processors play the major role, and in a couple of cases there is no string input at all. This makes for a group of pieces which can vary between the quasi-melodic and atonal sound washes.
In Pulsewidth handpainted metal box. Signed and numbered in a limited edition of 200.