Gilles Gobeil - Point de passage” (“Crossing Point”)
  Year :   1997
  Location :   Canada
  Worktype :   Acousmatic Work
  Materials:   -
  Info :   Empreintes DIGITALes. Compliled on CD ...dans la silence de la nuit.... IMED 0155

  Work Details  
  is, says Gobeil, “a free adaptation of ‘The Time Machine’ (1895) by H. G. Wells (1866 – 1946)”. It begins in a furious speed, accelerating in volume, but dissipates into – once again – a “breathing” state of relative silence… Anyone who has read the book by Wells knows and remembers the story, so this is supposed, then, to be programmatic music, re-enacting the story of the British scientist who invented a time machine and went to a distant future - 800 000 years ahead! - where humanity was divided into a naïve and innocent breed (the Eloi) living on the surface of the planet like we do, and a dark, evil and intelligent breed (the Morlochs) residing beneath the ground, in tunnels and halls deep inside the earth, appearing on the surface only to abduct the fair and gentle ones, tearing them apart for the sake of their flesh. Of course, the plot is inspired by the findings of Sigmund Freud and his concept of the Subconscious and the Unconscious, and particularly the sexual and creative implications for the individual, who has to balance the surge and might of millions of years of evolution – tucked away in his unconscious – on a razor’s edge of civil varnish. There is a lot of movement in this piece; rushing sounds as from haywire subway trains, and I can feel the cold steel of the evil subterraneans’ machinery, and the smell of oil and fuel… A cold rain is falling over the steel dome into which the scientist has pulled his time machine… These sounds from Gobeil’s fantasy are immensely lonely, as from a god who has given up his supremacy… A slow breath, on the verge of snoring, pictures this god asleep in his loneliness. Accessed 15.11.06 from