La Monte Young - Dream House
  Year :   1979
  Location :   USA
  Worktype :   Sound and Light Installation
  Materials:   -
  Info :   6 Harrison Street Project of Dia Art Foundation, NYC





 
Immersion
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  Work Details  
  A public institution for the study and presentation of my work and the work of Marian Zazeela and Pandit Pran Nath, set in a 6-story building featuring multiple inter-related sound and light environments, exhibitions, performances, research and listening facilities and archives, ---- about Dream Music In Dream Music there is a radical departure from European and even much Eastern music in that the basis of musical relationship is entirely harmony. Not European harmony as textbooks have outlined it, but the intervallic proportions and acoustical consequences of the particular ratios which sound concomitantly in the overtone series when any simple fundamental is produced. Melody does not exist at all (The Disappearance of Melody) unless one is forced to hear the movement from group to group of various simultaneously sounded frequencies derived from the overtone series as melodic because of previous musical conditioning. Even before the first man moved successively from one frequency to another (melody if you like) a pattern for this movement, that is the relationship of the second frequency to the first was already predetermined (harmonically) by the overtone structure of the fundamental of the first sound. And in the life of the Tortoise the drone is the first sound. It lasts forever and cannot have begun but is taken up again from time to time until it lasts forever as continuous sound in Dream Houses where many musicians and students will live and execute a musical work. Dream Houses will allow music which, after a year, ten years, a hundred years of constant sound, would not only be a real living organism with a life and tradition of its own, but one with a capacity to propel itself by its own momentum. This music may play without stopping for thousands of years, just as the Tortoise has continued for millions of years past, and perhaps only after the Tortoise has again continued for as many million years as all the tortoises in the past will it be able to sleep and dream of the next order of tortoises to come and of ancient tigers with black fur and omens the 189/98 whirlwind in the Lost Ancestral Lake Region only now that our species has had this much time to hear music that has lasted so long because we have just come out of a long quiet period and we are just remembering how long sounds can last and only now becoming civilized enough again that we want to hear sounds continuously. It will become easier as we move further into this period of sound. We will become more attached to sound. We will be able to have precisely the right sounds in every dreamroom, playroom and workroom, further reinforcing the integral proportions resonating through structure (re: earlier Architectural Music), Dream Houses (shrines, etc.) at which performers, students and listeners may visit even from long distances away or at which they may spend long periods of Dreamtime weaving the ageless quotients of the Tortoise in the tapestry of Eternal Music.