Country:   New Zealand
6 nodes
Sound Object
Denis Smalley studied music at the University of Canterbury (New Zealand) — Diploma in organ performance, and MusB — and the Victoria University of Wellington (New Zealand) — BMus honours in composition. He then taught music at Wellington College for three years prior to gaining a French Government bursary which enabled him to study in Paris (France) in 1971. He spent a year in Olivier Messiaen’s composition class at the Conservatoire de Paris (France), and at the same time took the electroacoustic music course run by the Groupe de recherches musicales (Ina-GRM). He was among the first composers to complete the newly established “Diplôme de musique électroacoustique et de recherche musicale.” He then moved to the UK, where he completed the DPhil in composition at the University of York. In 1975 he took up a Composition Fellowship at the University of East Anglia (Norwich, UK) and was appointed Lecturer in 1976 (Senior Lecturer from 1988), with special responsibility for electroacoustic composition activities and courses. In 1994 he was appointed Professor of Music and Head of the Department of Music at City University (London, UK). His music has received a number of international awards: the Fylkingen Prize (Stockholm, Sweden, 1975), Bourges Electroacoustic Awards (France, 1977, 1983, 1992), the Special Prize of the International Confederation of Electroacoustic Music (CIME, 1983), Newcomp (USA, 1984), and the Golden Nica of Prix Ars Electronica (Linz, Austria, 1988). He has taken a keen interest in the performance of electroacoustic music, and pioneered the concept of sound diffusion in the UK, developing the first sound diffusion system from 1976 at the University of East Anglia (Norwich, UK). For ten years from 1976 he was very active in promoting electroacoustic music in a number of concert tours for the Arts Council Contemporary Music Network, working with such composers as Sarah Walker (voice), John Tilbury (piano), Singcircle (with Trevor Wishart), John Wallace (trumpet; with Tim Souster). He has been responsible for the sound production for some key electroacoustic events, such as the Electric Weekend on the South Bank in London in 1987, and the BBC Promenade concert celebrating the 10th anniversary of the founding of the Electroacoustic Music Association of Great Britain — now Sonic Arts Network (SAN). Denis Smalley is also notable as a writer on the aesthetics of electroacoustic music. In particular, he has developed the notion of “spectromorphology” (the shaping of sound spectra through time), expanding concepts initially articulated by Pierre Schaeffer in order to explain sonic relationships in their musical context. The most widely read article — Spectromorphology: Explaining Sound-Shapes — has been published in English, French and Italian. With Lelio Camilleri he conceived and edited the first publication in English devoted of the analysis of electroacoustic music. With Simon Emmerson he has been responsible for the entry on Electroacoustic Music in the new edition of the New Grove Dictionary of Music and Musicians. Accessed 13.11.06 from
13 Selected Statements
      Worktype Info Year Country Admin
Pentes Composition - 1974 England Edit
Darkness After Time's Colours Acousmatic Composition UEA Electroacoustic Studios 1976 England Edit
Clarinet Threads Electroacoustic Composition UEA Electroacoustic Studios 1985 England Edit
Wind Chimes Composition South Bank Centre, London. first performance: Electric Weekend, Queen Elizabeth Hall, London. Appeared on CD Impacts intérieurs (2004) and 1992 original release 1987 England Edit
Piano Nets Acousmatic Composition UEA Electroacoustic Studios 1990 England Edit
Valley Flow Composition Birmingham Electro-acoustic Sound Theatre with funds provided by West Midlands Arts. first performance: Radio 3 live broadcast, BBC Pebble Mill Studios, Birmingham. 1991 England Edit
Tides CD Groupe de Recherches Musicales, Paris. first performance: Maison de Radio France. prize: second prize in the Newcomp Award. Ode Records | MANU 1433 1993 England Edit
Névé CD Groupe de Musique Expérimentale de Marseille with funds provided by the Arts Council of Great Britain. first performance: Marseille. On CD Effects Input | EI 03 1994 England Edit
Empty Vessels Acousmatic Composition - 1997 England Edit
Sources/scènes CD empreintes DIGITALes | IMED 0054 | 2000 2000 England Edit
Ringing Down the Sun multi-channel works Danish Institute for Electroacoustic Music (DIEM) first performance: MIX.02 Festival, Aarhus, Denmark, 13th June 2002 2002 Denmark Edit
Interior Impacts CD empreintes DIGITALes | IMED 0409 | 2004 2004 England Edit
Resounding multi-channel works Sonorities Festival, Belfast First performance: Sonic Arts Research Centre, Belfast, April 28th 2004. 2004 Ireland Edit